Growing up, I found my escape in fantasy worlds. I’ve always had an interest in writing, and when I was a young child, when someone asked what I wanted to be when I grow up, I always responded “a novelist.” It wasn’t until I rediscovered my love and passion for reading in my late teens, and early twenties, that the idea of The Reign Belowblossomed in my head. Through my writing, I have discovered a community of fantasy readers and lovers. Sometimes it’s hard to believe that I listened to my inner child and that I wrote a story of my own, full of magic. But I’m glad my ambitious, childhood dream came true.
Petra’s journey is riddled in tragedy, yet with each devastating blow, Petra refuses to break. The Sins of Saintsis another refreshing, powerful new adult fantasy with a strong female main character that you can’t help to root for. Not only that, but Lauren M. Leasure doesn’t shy away from the harsh brutal truth of Petra’s life. The Eserene slums that Petra lives in is so detailed that I can picture myself there. The story unfolds in a clever duality, with portions highlighting her troubled past while meshing with Petra’s troubling present. I find that because Petra isn’t portrayed as perfect, and that she has flaws makes her that much more relatable. Prepare for this story to sink its claws into you as you read Petra’s story!
For fans of Sarah J. Maas, Jennifer L. Armentrout, and Raven Kennedy...
Growing up in Eserene's slums, Petra's life is marred by unimaginable tragedy. Things finally begin to look up when she meets Calomyr, member of the Royal Guard and keeper of just as much heartache as Petra.
Once again, though, her life is upended when her mother remarries a Lord, forcing Petra to undergo a brutal initiation ceremony in order to ascend to the Royal Court.
As Petra prepares for initiation, news of a drug-fueled fanatical rebel regime reaches the high walls of Eserene. No one seems to panic,…
I have been a biographer going on five decades now -- from William Carlos Williams to Man Ray to Thomas Edison to Henry Ford to Martha Graham. I am above all else a student of the human condition as well as a devotee of narrative at its most burnished - the kind of narrative that imposes its voice upon me at the end of a long day of quotidian interaction when all I want to do is get into bed and “pick up where I left off”. Biography is, indeed, storytelling - but it is restrained, or perhaps I should say tamed, by factual fidelity, a point of pride with me as a conscientious practitioner of the craft.
A powerful parent dies and each of his adult children reacts in startling and unexpected ways -- and his grieving widow in the most surprising way of all. This is an “everything” book. It took over my life. It overwhelmed my brain and mind. The utterly believable characters so generously intermingled and interwoven, familial and dynamic in their pushing and pulling, loving and hating - ignited by a precipitating event so abrupt yet simple, with consequences that spin out of control. Reading this tale, you feel as if you are drowning in a fever dream - Joyce Carol Oates once again as she has since Them (1969), offering innumerable reasons for wonderment.
The bonds of family are tested in the wake of a profound tragedy, providing a look at the darker side of our society by one of our most enduringly popular and important writers
Night Sleep Death The Stars is a gripping examination of contemporary America through the prism of a family tragedy: when a powerful parent dies, each of his adult children reacts in startling and unexpected ways, and his grieving widow in the most surprising way of all.
Stark and penetrating, Joyce Carol Oates's latest novel is a vivid exploration of race, psychological trauma, class warfare, grief, and eventual…
The 19th century women's rights movement and the rise of public education intertwine with one woman's story of struggle, perseverance, and love.
Alice Harris is pressed to marry a Civil War veteran twice her age when her family’s inn fails in 1882 in western North Carolina. She remakes herself by…
During my twenties I served in the United States Navy, and what I experienced there—next to nothing compared to what the characters in the below-mentioned books experience—was traumatic enough to leave me wandering for a dozen years, hitchhiking, traveling around the country in search of some way to get a grasp on my experience. The vestiges of that experience still remain, and much of my writing has been an attempt to understand it.
For my money, Shakespeare is the greatest writer who ever lived; anything he has to say will be interesting, profound, and stated as well as anyone can state it. His portrayal of the Macbeths rivals Homer’s portrayal of Achilles in the understanding of trauma. For Macbeth, this is the trauma of military violence. For Lady Macbeth, this is the trauma of the loss of a child.
3
authors picked
Macbeth
as one of their favorite books, and they share
why you should read it.
This book is for kids age
9,
10, and
11.
What is this book about?
The authoritative edition of Macbeth from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers.
In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. He found a spectacle of violence and stories of traitors advised by witches and wizards, echoing James's belief in a connection between treason and witchcraft.
In depicting a man who murders to become king, Macbeth teases us with huge questions. Is Macbeth tempted by fate,…
I am a Professor of early-modern British History at the University of Oxford and a Senior Research Fellow at Jesus College, Oxford, who was a specialist in the Tudor period, especially the life and reign of Elizabeth I. However, while doing research over the past six years, I became excited by the politics, religion, and culture of the Jacobean period. James I’s reign had been a topic I taught in a week to undergraduates, but I realised that I didn’t do justice to this rich and important period. Not only is it fascinating in its own right, but James’s reign had a huge impact on a long stretch of British and world history.
I love this book because it combines history and literature, doing justice to both. By setting Lear and Macbeth in their cultural and political contexts, Professor Shapiro has given me new insights into both plays. Before seeing them again, I’ll go back to this book.
Shapiro is a model for me of an academic historian who successfully addresses a wider audience by avoiding academic jargon, explaining the unfamiliar, and telling a good story. He wears his great scholarship lightly, but he has done a huge amount of research and has a mastery of his subject.
Preeminent Shakespeare scholar James Shapiro, author of Shakespeare in a Divided America, shows how the tumultuous events in 1606 influenced three of Shakespeare’s greatest tragedies written that year—King Lear, Macbeth, and Antony and Cleopatra. “The Year of Lear is irresistible—a banquet of wisdom” (The New York Times Book Review).
In the years leading up to 1606, Shakespeare’s great productivity had ebbed. But that year, at age forty-two, he found his footing again, finishing a play he had begun the previous autumn—King Lear—then writing two other great tragedies, Macbeth and Antony and Cleopatra.
I’ve always been driven by curiosity about other cultures. I grew up in Germany but became restless and studied in Italy before moving to the United States. Some of the texts I recommend here I discovered while working on the Norton Anthology of World Literature. When I began this work, I realized just how narrow my own education had been and spent the next several years reading world literature and world culture. Ever since, I’ve been on a mission to expand how culture is taught. This is why I became an academic: to excite students about world culture.
Wole Soyinka, the Nobel Prize laureate from Nigeria, was steeped in both Yoruba traditions and Greek tragedy as well as Shakespeare.
This combination of influences shaped his adaptation of The Bacchae, by the ancient Greek playwright Euripides.
He brings this play into the modern world of slavery, using White and Black actors. At the same time, he captures the original’s blend of ritual and performance.
This explosive mixture is the most compelling study I know in what theater can do: mobilize bodies in front of an audience. It also shows how theater can bridge vast historical and cultural differences.
Wole Soyinka has translated-in both language and spirit-a great classic of ancient Greek theater. He does so with a poet's ear for the cadences and rhythms of chorus and solo verse as well as a commanding dramatic use of the central social and religious myth. In his hands The Bacchae becomes a communal feast, a tumultuous celebration of life, and a robust ritual of the human and social psyche. "The Bacchae is the rites of an extravagant banquet, a monstrous feast," Soyinka writes. "Man reaffirms his indebtedness to earth, dedicates himself to the demands of continuity, and invokes the energies…
I am fascinated by the idea of good people, moral people, people you know and like and love, who make terrible choices, wrong decisions, and mistakes that can’t be undone. And when the person who makes the mistake is a mother—my God! How the world turns on them. We live in a society where mothers are judged so harshly, where they are not allowed mistakes, where they are barely allowed to have a life or a want or a desire or a longing not connected to mothering. And so I write about this, and I read about this.
This one I loved for the style as much as the character. I love the use of fragments to weave together a life and it felt true to the life of a mother—that a mother only gets snippets of time to piece together her story and her thoughts. I also loved that Offil was wrestling with such a big issue—how to hold onto oneself while giving so much of your self to a child.
They used to send each other letters. The return address was always the same: Dept. of Speculation.
They used to be young, brave, and giddy with hopes for their future. They got married, had a child, and skated through all the small calamities of family life. But then, slowly, quietly something changes. As the years rush by, fears creep in and doubts accumulate until finally their life as they know it cracks apart and they find themselves forced to reassess what they have lost, what is left, and what they want now.
Written with the dazzling lucidity of poetry, Dept.…
Bernard Marks and Martha Alford met by chance. The odds were long that they would hit it off. That wasn’t in the cards they’d been dealt at birth. But, as gamblers in love, they rolled the dice. And then they worked hard, took risks, caught lucky breaks, built satisfying careers,…
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
I always marvel at the feat Wharton achieves in delivering this vivid story of love and sacrifice in such a slim volume—but part of Ethan Frome’s power derives from its brevity. Set in a New England farming town during the upheavals of the Industrial Revolution, Wharton’s novel tells the tale of how the titular Ethan Frome became “the ruin of a man.”
Every time I read it, I’m captured by the struggles and indignities of Frome’s life as he ekes out a living on an unproductive farm under the eye of his unsympathetic wife, Zeena. When joy and hope suddenly arrive for Ethan in the form of Zeena’s cousin, Mattie, the tension of knowing that, somehow, they will be prevented from the happy ending they deserve is almost unbearable.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
My memoir, Circling Home: What I Learned by Living Elsewhere, details my own trajectory in trying to find my voice and métier as a writer. I’ve kept a journal since I was a teenager, trained to be a journalist in college, and worked as an investigative reporter on a newspaper column and a news show in my twenties. When my husband and I moved abroad, I got a book contract for my PhD thesis and also published my research in academic journals. I wrote travel articles and profiles of people I met while living in East and West Africa. Working with a writing group of friends, I finished two novels before embarking on my memoir.
Thomas is a writer who got a late start before blazing trails with her memoirs, written in spare and evocative prose.
Stephen King calls her the “Emily Dickinson of memoirists” and noted that “so much of this book’s wisdom is written between the lines and in the white spaces.” She writes about troubled friendships, the gems she finds each day in the mundane, and the unavoidable pains of growing old. Her understated style is searing and inimitable.
This book and her earlier memoir Safekeeping made me hopeful that my writing style can keep improving even in my sixties and beyond.
The New York Times bestseller from the beloved author of A Three Dog Life-an exhilarating, superbly written memoir on friendship, family, creativity, tragedy, and the richness of life: "If you only read one book this year, make it this one" (Ann Patchett).
In her bestselling memoir A Three Dog Life, Abigail Thomas wrote about the devastating loss of her husband. In What Comes Next and How to Like It, "a keenly observed memoir...Thomas writes of the changes aging brings us all and of coping through love: of family, dogs, a well-turned phrase. She is superb company" (People).
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
This is the first book in a series that I don’t think is talked about enough. There are several characters from different points of view, but the ones that stand out most are Lukien and Baron Glass. I love a redeemed villain in any media, and Baron Glass fits that mold.
Originally depicted as the villain in a warring kingdoms opening story, I loved the way that the “villain” becomes portrayed as a kindly mentor that despite age and injury can still fight. Lukien and Glass serve as perfect foils for each other, and the author uses plenty of symbolism to support that. Put together with the whole cast; you have a perfect rag-tag cast of main and supporting characters that breathe on their own with flaws and relatable goals.
A young king breaks with the past and makes peace with the kingdom his father has fought for years. To seal the bargain he is offered the hand of the kingdom's princess. And so begins a fast moving epic of madness, obsession, prejudice and sheer magic. John Marco has woven an intricate tale of personalities driven by love, hatred and ambition. Each character must, in the end, pay the price for their actions and THE EYES OF GOD is, at its core, an almost classical tragedy. Rich in its evocation of magical lands, detailed in its dissection of motive, compelling…
I started the year with another re-read of the Amgalant books, and I adore them more than ever! I never want to leave this steppe (as wide and deep as a world) and these people (as well known and well loved as the best of friends). These epic tales include such marvellous humour, brilliant writing, fascinating characters and wonderful setting. It doesn't get better than that.
'Total and instant immersion... thoroughly compelling and powerful.' - Asian Review of Books
In the steppes of High Asia, the year 1166…
‘What is a Mongol? – As free as the geese in the air, as in unison. The flights of the geese promise us we don’t give up independence, to unite.’
The hundred tribes of the Mongols have come together with one aim: to push back against the walls that have crept onto the steppe – farther than China has ever extended its walls before. Walls are repugnant to a nomad. But can people on horses push them down,…
