Fans pick 100 books like The Bacchae of Euripides

Over the years, I’ve read hundreds, maybe thousands of books. Many of them have moved, stretched, and entertained me, but there are only a few I wandered into and realized early on that I would not get out of this one unchanged.

The author's inventiveness is astonishing, managing to create not one new world we inhabit but three, all deftly interconnected by the unlikely thread of a simple fable passed from generation to generation. Perhaps most striking to me is the sheer power of the book, its capacity to take us places and share lives we would otherwise never dreamed of.

While the mysterious document—itself a fascinating story within a story—wends its way through a narrative that spans a thousand years, its message is less important than the lives it touches.

And what lives. Each character is drawn so vividly and infused with such essential, defining human traits that we… show more.

The Chauvet Cave in Southern France is a unique time capsule that gives us a glimpse into the imaginary world of humans living 30,000 years ago.

Dawn of Art is written by those who discovered the cave and recognized it as the earliest masterpiece of human-made art.

What I found most fascinating about the cave as described in this book is the fact that humans decorated it over a period of thousands of years, perhaps as many as two hundred generations.

This is a remarkable achievement of collective artmaking, with one generation passing down the required artistry to the next generation. It made me wonder whether we have lost the reverence for the past that our distant ancestors must have possessed.

Ever since her rediscovery in 1912, the statue of Nefertiti has become the best-known face from antiquity—after having been buried for over three thousand years.

But more remarkable than the statue is what it stands for.

The historical queen Nefertiti, along with her husband Akhenaten, built a new city, worshipped a new god, and introduced a new style of art. This experiment, which anticipated monotheism, was so radical that it was subsequently erased from history.

Archeologists had to piece together what Nefertiti did through excavations such as the one that unearthed the world’s most beautiful statue.  

This book, completed in the 14th century, takes its point of departure from an episode in the Hebrew Bible (Old Testament): the visit of the Queen of Sheba to King Solomon.

In the Bible, the queen visits the famous king, cross examines him, and leaves again.

According to the Kebra Nagast, she also becomes pregnant with his son. When the son comes of age, the queen sends him to his father in Jerusalem, who recognizes him and wants him to stay. But the son yearns to return home to Askum, in Ethiopia.

Before he and his companions leave, they steal the Ten Commandments and bring them back to Ethiopia, where they become the foundation for Ethiopian Christianity.

This remarkable story shows the interconnection of cultures, the ties between the Hebrew Bible and Ethiopian Christianity. In the 20th century, it was used by Jamaicans seeking to connect to ancient… show more.

This French novella was written in the early ’90s but translated in 2019 to English for the first time. It lacks structure and is full of plot holes, but Serre’s writing is equal parts whimsical and erotic. It feels a bit like she wrote it in one sitting during some kind of fever dream but that’s why it feels like a poem. If you’re into chaotic women and turn of the century kink, then this is for you.

Euripides is the Greek tragedian who, in my humble opinion, appeals most to the modern sensibility. Even in his own time (5th century Athens, BCE) he was regarded as an innovator who questioned the certainties of previous ages. The Bacchae is probably his greatest play, but Ion is the play set in Delphi. It includes the oracle (the Priestess of Apollo), as well as Apollo and Athena, as characters and, in it, the playwright begins to question the legitimacy of the gods themselves. Ion is the result of a divine rape, taken from his mortal mother at birth. The son of Apollo, he believes his parents abandoned him and works as a dogs-body and general helper in Apollo's Temple in Delphi. Then his mother and her husband, childless, arrive for a consultation...

I cannot reasonably recommend Part Two without Part One. If we look at all the ghastly sins with which the eponymous hero has been involved by the end of that first drama, it seems inconceivable that he can possibly be redeemed.

Nevertheless, we have Goethe’s Part Two, completed twenty-four years after the earlier play, and by its conclusion, Faust has (somehow) been saved.

In fact, I sense some echo of Part One when Angelica’s unborn baby strangles on its cord: a far milder outcome for Paganini (who sired the child) than for Faust (whose Gretchen drowns their infant and is condemned to death). However, as the readers will see, Paganini truly loves the son he begets some years later.

This memoir touched on all the feelings and struggles young stroke survivors experience and how love made the journey endurable. I related to much of her story, but I was more thankful than her. She writes about the inaccessibility of structures, and the ignorance society has about the disabled. All of this is true, but I was so grateful to be alive and free from being locked in; inaccessibility issues had no place in my memoir.

In another story that combined the two elements of memoir/non-fiction, Berg’s turmoil began because of the adventure. The sole survivor of a family tragedy, in which she performed heroically trying to seek help, she was stricken with survivor’s guilt as well as enormous personal loss. The first part of her story conveys the physical adventure of saving her own life. The second part conveys with devastating honesty the mental adventure of surviving all the self-torture and heart-rending loss that entailed. This book also manages to negotiate the line between fiction and non-fiction with delicacy and strength.

No look at F. Scott Fitzgerald would be complete without a good biography of his life.

This book does the job, capturing with copious quotes from Fitzgerald and those who knew him the tortured creative life of this golden boy of 1920s literature. What struck me most was how insecure Fitzgerald was about his class status all through his life, how he always felt like the outsider among the rich and famous he came to hobnob with.

It explains a lot about how his most famous protagonist, Jay Gatsby, came to be—in many ways, he’s a stand-in for Fitzgerald himself, a man in search of acceptance who never gives up on the one great love of his life—Daisy in Gatsby’s story, Zelda in Fitzgerald’s.