100 books like Dawn of Art

A play within a play, a book within a book, may be one of the oldest tricks in the book. Doerr’s book (which also contains fragments of an ancient text of the same name by one Antonius Diogenes) infuses this familiar trope with new scope, pathos, humor, and profundity.

It is a story about the past, the present, the future, and two beautiful twin bulls named Tree and Moonlight; I think this book contains it all.

Doerr makes this narrative juggling act seem easy, shifting from fifteenth-century Constantinople to a world-containing spaceship as easily as he moved me from laughter to tears.  

Ever since her rediscovery in 1912, the statue of Nefertiti has become the best-known face from antiquity—after having been buried for over three thousand years.

But more remarkable than the statue is what it stands for.

The historical queen Nefertiti, along with her husband Akhenaten, built a new city, worshipped a new god, and introduced a new style of art. This experiment, which anticipated monotheism, was so radical that it was subsequently erased from history.

Archeologists had to piece together what Nefertiti did through excavations such as the one that unearthed the world’s most beautiful statue.  

This book, completed in the 14th century, takes its point of departure from an episode in the Hebrew Bible (Old Testament): the visit of the Queen of Sheba to King Solomon.

In the Bible, the queen visits the famous king, cross examines him, and leaves again.

According to the Kebra Nagast, she also becomes pregnant with his son. When the son comes of age, the queen sends him to his father in Jerusalem, who recognizes him and wants him to stay. But the son yearns to return home to Askum, in Ethiopia.

Before he and his companions leave, they steal the Ten Commandments and bring them back to Ethiopia, where they become the foundation for Ethiopian Christianity.

This remarkable story shows the interconnection of cultures, the ties between the Hebrew Bible and Ethiopian Christianity. In the 20th century, it was used by Jamaicans seeking to connect to ancient… show more.

Wole Soyinka, the Nobel Prize laureate from Nigeria, was steeped in both Yoruba traditions and Greek tragedy as well as Shakespeare.

This combination of influences shaped his adaptation of The Bacchae, by the ancient Greek playwright Euripides.

He brings this play into the modern world of slavery, using White and Black actors. At the same time, he captures the original’s blend of ritual and performance.

This explosive mixture is the most compelling study I know in what theater can do: mobilize bodies in front of an audience. It also shows how theater can bridge vast historical and cultural differences.

At some basic level, the drinking culture in eighteenth-century taverns has survived in Parisian wine bars and cafés today. Yet, as a social anthropologist, Demossier shows us that wine-drinking culture has changed into something different today. Since 1980 the number of French people who drank wine every day has plummeted from over 50 percent to barely 20 percent. Yet at the same time, wine has taken on a larger cultural role in French identity as a nation even for those who drink wine less regularly. All the TV programs, books, wine blogs, wine tourism, and consumers flocking to wineries for a degustation at the source demonstrate that drinking wine is now as much a part of what it means to be French as speaking French.

This is one of the best books I know for covering a huge amount of material in a compact, reader-friendly, yet very thorough form. The author provides insightful perspective on French history, psychology, culture, cuisine, language, and habits, and offers particularly helpful advice about how to recover from the inevitable moments of cultural awkwardness. Although some of the practical information is outdated, the general insights into and analysis of French people and their culture will never go out of date. I think it’s well worth reading for anyone who has an interest in France and the French that goes beyond the surface; anyone who has a genuine interest in understanding this fascinating people and culture. 

This is a brilliant essay in literary criticism. It traces English ambivalence towards French language and culture in the centuries that followed the Norman Conquest. It does so by delving into major literary texts—by Chaucer and Shakespeare among others—that explore that ambivalence for what it is: the symptom of a fetish. I like the way Williams writes and I find her inspiring in her desire to remain faithful to the complexity of the texts she studies and their attitudes.

An epic feast of a book, The Flounder winds the reader from the Stone Age to the present day, mixing fantasy and history with dashes of actual recipes here and there. This novel is a long meal, full of the strangest stories including talking fish and three-breasted women, but in every era and every chapter, there is a woman who is master of both man and kitchen.

Although this book is in French, it is the most detailed defense to date of the view that at least some Upper Paleolithic societies were non-egalitarian, i.e. that they had significant wealth and power differences between individuals or families. The title emphasizes art, but this is really just a point of departure for understanding the entire economic, social, and political organization of certain Upper Paleolithic groups and why the great works of art were produced. It uses the initial arguments that I developed in an earlier book (in French) to structure the supporting data. So, naturally, I am favorably disposed towards it. But it is a good book as well! If you can read French, this is highly recommended.

This is actually an edited book of papers dealing with the social organization among prehistoric and ethnographic hunter-gatherers. It is one of the few publications that discusses issues like inequality from a variety of different viewpoints, including diametrically opposed views about Upper Paleolithic societies – whether they were egalitarian or non-egalitarian. Another important aspect of this volume is the inclusion of ethnographic hunter-gatherers to generate insights into how prehistoric hunter-gatherers could have organized themselves. Some unique features include the examination of dogs as indicators of inequalities and the nature of the cave paintings as indicators of inequalities. Mobility, population densities, surpluses, and many other factors all create a heady brew of debate and intriguing ideas. This book is highly recommended, even if a bit technical.