Here are 100 books that Stone Age, Bone Age! fans have personally recommended if you like
Stone Age, Bone Age!.
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I have always loved writing and drawing, so the perfect combination of these two passions is creating picture books. I began my career as a nonfiction book editor, writing texts for illustrated children’s books. I soon became a freelance writer and have never looked back. I love writing on many subjects for readers from kindergarten to high school—but my favorite is writing narrative non-fiction picture books. I get a kick out of finding just the right story to communicate tricky information so the reader has fun while they learn. This is the best way to discover amazing truths about our incredible world.
I love how this beautiful picture book teaches us to value trees as precious life forms that watch over and outlive us. I am fascinated by how the simple life story of a particular oak tree, from acorn to majestic ancient landmark, tells us so much about the passage of time and the changes our planet has seen over the centuries regarding farming, industrialization, and environmental damage.
I’m simply blown away by the wonderful rhyming text and sensitive, detailed illustrations, which work together to present the young reader with a relatable timeline from the distant past stretching far ahead into a hopefully more positive future.
'This beautifully drawn book is a delightful launchpad for home learning' - Sunday Times
Told in gentle rhyming verse, this beautiful non-fiction picture book follows the story of an oak tree on a hilltop as it witnesses life changing around it over the course of hundreds of years. From the time when hunters chased deer through the woodland, to when trees were cleared for farmland, to the smog and factories emerging during the industrial revolution. One majestic oak has seen it all, and now we can too.
Accompanying pages at the end of the book include a timeline of events…
I have always loved writing and drawing, so the perfect combination of these two passions is creating picture books. I began my career as a nonfiction book editor, writing texts for illustrated children’s books. I soon became a freelance writer and have never looked back. I love writing on many subjects for readers from kindergarten to high school—but my favorite is writing narrative non-fiction picture books. I get a kick out of finding just the right story to communicate tricky information so the reader has fun while they learn. This is the best way to discover amazing truths about our incredible world.
I have always loved this book as it makes me laugh (a lot) while teaching me some interesting things about cats and how they behave. Published in 1990, it is still as fresh as it was back in the day. I can’t get enough of how zany text full of invented words (told from an alien’s perspective) is ‘translated’ by hilarious illustrations that anyone who ever owned a cat knows to ring true.
I love how you have to pore over the illustrations to get the jokes and, most importantly, to learn about cats, what they are like, and the funny things they do. In this wonderful picture book (and series of picture books), you really learn through laughter.
"Good morning, class. Today we are going to learn about Earth Tiggers. Earth Tiggers are made of furry material. They are available in Patterned or Plain."
In this laugh-out-loud funny book, Dr Xargle is instructing his class of small fellow aliens on the nature and habits of the earth creatures known to us as cats.
I have always loved writing and drawing, so the perfect combination of these two passions is creating picture books. I began my career as a nonfiction book editor, writing texts for illustrated children’s books. I soon became a freelance writer and have never looked back. I love writing on many subjects for readers from kindergarten to high school—but my favorite is writing narrative non-fiction picture books. I get a kick out of finding just the right story to communicate tricky information so the reader has fun while they learn. This is the best way to discover amazing truths about our incredible world.
I am captivated by this original take on the environmental problems we face and love that so much is communicated here through a simple story. This important picture book views problems such as pollution and deforestation from the Earth’s perspective, challenging the reader to show empathy for our planet as though it were another human being.
Given the potentially gloomy subject matter, this amazing story succeeds in being uplifting and optimistic. It engages us directly and makes us see our world as something to be cherished and cared for. The inclusive illustrations celebrate global diversity and challenge us to connect in a practical way with our endangered world. The future is in the hands of the young, who should definitely be holding this book.
A beautifully illustrated picture book with a powerful message about looking after our AMAZING planet!
If I were the world, I'd want flowers and bees.
A chorus of birds singing high in the trees.
If I were the world, I'd want sparkling seas.
If I were the world . . .
would YOU look after ME?
Today is the day to listen to our world!
This beautiful and uplifting book will inspire us all to join hands and help our amazing planet. With an irresistible rhyming text by bestselling author Mark Sperring and stunning illustrations by rising star Natelle Quek,…
I have always loved writing and drawing, so the perfect combination of these two passions is creating picture books. I began my career as a nonfiction book editor, writing texts for illustrated children’s books. I soon became a freelance writer and have never looked back. I love writing on many subjects for readers from kindergarten to high school—but my favorite is writing narrative non-fiction picture books. I get a kick out of finding just the right story to communicate tricky information so the reader has fun while they learn. This is the best way to discover amazing truths about our incredible world.
I am a kid at heart, and like most kids, I can’t get enough of the planets and space in general. This wildly entertaining picture book introduces the reader to the solar system via a crazy spaceship ride with a small girl and her dog. The story has brilliantly paced rhyming text and zippy neon and black cartoon illustrations that anthropomorphize the planets in a way that cleverly matches their characteristics.
Everything plays its part in this book—I love the way that even the curved typography echoes the movement and excitement of the content. We learn many facts about the planets as the spaceship zooms; by the time we return to Earth with our astronaut guides, we are much wiser and better informed. Stellar!
Zoooooooom! We're off on an exciting space adventure in our rocket to meet all the planets of the solar system.
Join in with the rhymes and spot all the smiley-faced, friendly planets, from shimmering Saturn to mighty Mars. Little ones will have a blast (and be back in time for bed!) in this striking, read-aloud, story-led picture book. Combining STEM learning with a rhyming twist, it's perfect for all would-be astronauts!
Don't miss the other titles in this fantastic picture book series: Meet the Weather and Meet the Oceans. Packed with big, beautiful illustrations, fascinating facts and fun rhymes, these…
I became intrigued by Upper Paleolithic societies when I studied prehistory at the University of Bordeaux. Over time, I became more and more involved in trying to understand why some Upper Paleolithic societies produced such great art – both painted and carved. After years of studying hunter-gatherer cultures, I concluded that the Upper Paleolithic groups producing fine art were not simple egalitarian groups, but were almost certainly more complex types of hunter-gatherers like the ethnographic groups in California and the Northwest Coast with striking economic and social inequalities – and great art. I decided to put all these ideas into an adventure novel for young readers: The Eyes of the Leopard.
Although this book is in French, it is the most detailed defense to date of the view that at least some Upper Paleolithic societies were non-egalitarian, i.e. that they had significant wealth and power differences between individuals or families. The title emphasizes art, but this is really just a point of departure for understanding the entire economic, social, and political organization of certain Upper Paleolithic groups and why the great works of art were produced. It uses the initial arguments that I developed in an earlier book (in French) to structure the supporting data. So, naturally, I am favorably disposed towards it. But it is a good book as well! If you can read French, this is highly recommended.
Que nous dit l’art préhistorique des sociétés qui l’ont produit ? À distance des interprétations religieuses communément admises, ce livre suggère d’en repenser la valeur sociale. Ce n’est pas sans raison, en effet, que l’art des grottes se signale, dès ses origines, par un goût marqué pour l’imitation. L’histoire de l’art nous rappelle à juste titre que le prestige suscité par l’imitation sert toujours les intérêts politiques d’une élite (voir la Grèce athénienne ou la Renaissance florentine). Mais plus encore, le savoir-faire exceptionnel qui est mis en œuvre dans les grottes révèlerait déjà des statuts différenciés entre les individus ;…
I became intrigued by Upper Paleolithic societies when I studied prehistory at the University of Bordeaux. Over time, I became more and more involved in trying to understand why some Upper Paleolithic societies produced such great art – both painted and carved. After years of studying hunter-gatherer cultures, I concluded that the Upper Paleolithic groups producing fine art were not simple egalitarian groups, but were almost certainly more complex types of hunter-gatherers like the ethnographic groups in California and the Northwest Coast with striking economic and social inequalities – and great art. I decided to put all these ideas into an adventure novel for young readers: The Eyes of the Leopard.
The use of deep caves for rituals and creating extraordinary paintings has provoked many discussions on why people did this so long ago. There are many theories, but one of the most discussed ideas is that the paintings were produced by shamans as records of their spiritual visions, or to connect with their animal spirit helpers. Lewis-Williams and Clottes are the leading proponents of this interpretation. They rely on comparisons of the Stone Age art with art produced in historic times by Bushman shamans in South Africa. This is an excellent introduction to Paleolithic art and arguments about the art. My own explanation shares some aspects of their model, but focuses on secret societies (shamans were usually members). This is also a main feature in my own book.
I became intrigued by Upper Paleolithic societies when I studied prehistory at the University of Bordeaux. Over time, I became more and more involved in trying to understand why some Upper Paleolithic societies produced such great art – both painted and carved. After years of studying hunter-gatherer cultures, I concluded that the Upper Paleolithic groups producing fine art were not simple egalitarian groups, but were almost certainly more complex types of hunter-gatherers like the ethnographic groups in California and the Northwest Coast with striking economic and social inequalities – and great art. I decided to put all these ideas into an adventure novel for young readers: The Eyes of the Leopard.
This is actually an edited book of papers dealing with the social organization among prehistoric and ethnographic hunter-gatherers. It is one of the few publications that discusses issues like inequality from a variety of different viewpoints, including diametrically opposed views about Upper Paleolithic societies – whether they were egalitarian or non-egalitarian. Another important aspect of this volume is the inclusion of ethnographic hunter-gatherers to generate insights into how prehistoric hunter-gatherers could have organized themselves. Some unique features include the examination of dogs as indicators of inequalities and the nature of the cave paintings as indicators of inequalities. Mobility, population densities, surpluses, and many other factors all create a heady brew of debate and intriguing ideas. This book is highly recommended, even if a bit technical.
I became intrigued by Upper Paleolithic societies when I studied prehistory at the University of Bordeaux. Over time, I became more and more involved in trying to understand why some Upper Paleolithic societies produced such great art – both painted and carved. After years of studying hunter-gatherer cultures, I concluded that the Upper Paleolithic groups producing fine art were not simple egalitarian groups, but were almost certainly more complex types of hunter-gatherers like the ethnographic groups in California and the Northwest Coast with striking economic and social inequalities – and great art. I decided to put all these ideas into an adventure novel for young readers: The Eyes of the Leopard.
Les Hommes aux Temps de Lascauxis in French, but it is the best, most comprehensive summary of the things we know about life in the Upper Paleolithic, from about 35,000 to 10,000 years ago. It covers all the basics (physical types, chronology, stone and bone tools, hunting-fishing, and plant foods) without delving into the minutiae that would only interest specialists. Beaune also deals with the arts, clothing and adornments, games, feasts, music, use of caves, funeral practices, and other interesting aspects of society. A newer version has just appeared, but is also only available in French; the title is Préhistoire Intime: Vive dans la Peau des Homo Sapiens.
L'image classique de l'homme paléolithique, misérablement accoutré de haillons, condamné à pourchasser le gibier et fuyant au fond des grottes, a bien changé. Certes, l'homme de ces temps n'avait pas encore appris à domestiquer ni les plantes ni les animaux, mais il connaissait parfaitement son environnement et tirait parti de toutes ses ressources avec beaucoup d'intelligence. De plus, il suffit de se plonger dans l'univers de cavernes ornées telles que Lascaux, Niaux, ou encore la grotte Chauvet, récemment découverte en Ardèche, pour mesurer la richesse de l'imaginaire et des conceptions religieuses de ces grands chasseurs. Dans un style simple et…
I became intrigued by Upper Paleolithic societies when I studied prehistory at the University of Bordeaux. Over time, I became more and more involved in trying to understand why some Upper Paleolithic societies produced such great art – both painted and carved. After years of studying hunter-gatherer cultures, I concluded that the Upper Paleolithic groups producing fine art were not simple egalitarian groups, but were almost certainly more complex types of hunter-gatherers like the ethnographic groups in California and the Northwest Coast with striking economic and social inequalities – and great art. I decided to put all these ideas into an adventure novel for young readers: The Eyes of the Leopard.
This is a bit more of a technical archaeology book dealing with the archaeological interpretation of prehistoric cave use, but focusing on the Grotta di Porto Badisco and its Upper Paleolithic use by secret societies (in Whitehouse's interpretation). But it ranges far wider, looking at related finds from other areas and times in Upper Paleolithic Europe. Ruth Whitehouse places the use of this cave and others in their ritual and prehistoric contexts, but also examines their social, psychological, and even structuralist relationships. It is a unique and important publication from these perspectives and has been very influential in my own publications.
Crystal King is the author of The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must-Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at GrubStreet, Harvard Extension School, and Boston University, among others. She resides in Boston.
An epic feast of a book, The Flounder winds the reader from the Stone Age to the present day, mixing fantasy and history with dashes of actual recipes here and there. This novel is a long meal, full of the strangest stories including talking fish and three-breasted women, but in every era and every chapter, there is a woman who is master of both man and kitchen.
Gunter Grass, says The Times, 'is on his own as an artist', and indeed this extraordinary, provoking and joyously Rabelaisian celebration of life, food and sex is unique.
Lifted from their ancient fairytale, the fisherman and his wife are still living today. During the months of Ilsebill's pregnancy, the fisherman tells her of his adventures through time with the Flounder, constituting a complete reworking of social, political and gastronomic history.
