I am an art and architectural historian whose field also includes the histories of cities. My area of specialty is Africa. I am also a professor at Harvard who has lived in Cambridge, Ma. for over 30 years where I have become a civic leader, co-founding the Harvard Square Neighborhood Association to help bring improvements to the city and preserve historic buildings here. I teach a class on Harvard Square (and the city of Cambridge) and following January 6, I felt it was important to rethink the way we teach young people – encouraging them to understand the diversity of all our communities.
This book takes us through a visual journey of how one street has changed over its long history, providing us with a glimpse of its shared and divergent economic and religious history as well as the many ways that bridges and buildings have changed from Stone Age to the Industrial Revolution, to the present and possible future.
The carefully rendered illustrations provide ample settings for discovering new things in each different period of life on the street.
Have you ever wondered what your street was like thousands of years ago? This illustrated history book for children takes you on a 12,000-year journey to find out the story of a single street.
Think of the street you live on. Now think of how it may have looked in the Stone Age in 10,000 BCE, or in Victorian times during the Industrial Revolution, or how it may look 50 years from now. A Street Through Time takes you on a time-travelling journey that you won't forget. Highly detailed illustrations bring 15 key periods in time to life. You will…
I became intrigued by Upper Paleolithic societies when I studied prehistory at the University of Bordeaux. Over time, I became more and more involved in trying to understand why some Upper Paleolithic societies produced such great art – both painted and carved. After years of studying hunter-gatherer cultures, I concluded that the Upper Paleolithic groups producing fine art were not simple egalitarian groups, but were almost certainly more complex types of hunter-gatherers like the ethnographic groups in California and the Northwest Coast with striking economic and social inequalities – and great art. I decided to put all these ideas into an adventure novel for young readers: The Eyes of the Leopard.
The use of deep caves for rituals and creating extraordinary paintings has provoked many discussions on why people did this so long ago. There are many theories, but one of the most discussed ideas is that the paintings were produced by shamans as records of their spiritual visions, or to connect with their animal spirit helpers. Lewis-Williams and Clottes are the leading proponents of this interpretation. They rely on comparisons of the Stone Age art with art produced in historic times by Bushman shamans in South Africa. This is an excellent introduction to Paleolithic art and arguments about the art. My own explanation shares some aspects of their model, but focuses on secret societies (shamans were usually members). This is also a main feature in my own book.
I have been studying Japanese since 2008, studied in the country twice, and then finally made my home here in 2011. Over the years, I have been to 43 of Japan’s 47 prefectures, writing articles about my experiences and constantly searching for new, hidden places where I could still find a touch of the Japan of yore. With so many people visiting the country, I want to do my part to give folks options that are off the beaten path and away from the crowds.
I have a hard time keeping track of all the main events of Japanese history, and among the many (MANY) tomes I have read, this one gets the balance just right without being overwhelming.
It gave me a good general overview that now allows me to explain the most important points of the country’s history to others and wasn’t boring or overly academic.
In a rare combination of comprehensive coverage and sustained critical focus, this book examines Japan's progress through its entire history to its current status as an economic, technological, and cultural superpower. A key factor is a pragmatic determination to succeed. Little-known facts are also brought to light, and the latest findings used.
Crystal King is the author of The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must-Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at GrubStreet, Harvard Extension School, and Boston University, among others. She resides in Boston.
An epic feast of a book, The Flounder winds the reader from the Stone Age to the present day, mixing fantasy and history with dashes of actual recipes here and there. This novel is a long meal, full of the strangest stories including talking fish and three-breasted women, but in every era and every chapter, there is a woman who is master of both man and kitchen.
Gunter Grass, says The Times, 'is on his own as an artist', and indeed this extraordinary, provoking and joyously Rabelaisian celebration of life, food and sex is unique.
Lifted from their ancient fairytale, the fisherman and his wife are still living today. During the months of Ilsebill's pregnancy, the fisherman tells her of his adventures through time with the Flounder, constituting a complete reworking of social, political and gastronomic history.
I became intrigued by Upper Paleolithic societies when I studied prehistory at the University of Bordeaux. Over time, I became more and more involved in trying to understand why some Upper Paleolithic societies produced such great art – both painted and carved. After years of studying hunter-gatherer cultures, I concluded that the Upper Paleolithic groups producing fine art were not simple egalitarian groups, but were almost certainly more complex types of hunter-gatherers like the ethnographic groups in California and the Northwest Coast with striking economic and social inequalities – and great art. I decided to put all these ideas into an adventure novel for young readers: The Eyes of the Leopard.
Les Hommes aux Temps de Lascauxis in French, but it is the best, most comprehensive summary of the things we know about life in the Upper Paleolithic, from about 35,000 to 10,000 years ago. It covers all the basics (physical types, chronology, stone and bone tools, hunting-fishing, and plant foods) without delving into the minutiae that would only interest specialists. Beaune also deals with the arts, clothing and adornments, games, feasts, music, use of caves, funeral practices, and other interesting aspects of society. A newer version has just appeared, but is also only available in French; the title is Préhistoire Intime: Vive dans la Peau des Homo Sapiens.
L'image classique de l'homme paléolithique, misérablement accoutré de haillons, condamné à pourchasser le gibier et fuyant au fond des grottes, a bien changé. Certes, l'homme de ces temps n'avait pas encore appris à domestiquer ni les plantes ni les animaux, mais il connaissait parfaitement son environnement et tirait parti de toutes ses ressources avec beaucoup d'intelligence. De plus, il suffit de se plonger dans l'univers de cavernes ornées telles que Lascaux, Niaux, ou encore la grotte Chauvet, récemment découverte en Ardèche, pour mesurer la richesse de l'imaginaire et des conceptions religieuses de ces grands chasseurs. Dans un style simple et…
I became intrigued by Upper Paleolithic societies when I studied prehistory at the University of Bordeaux. Over time, I became more and more involved in trying to understand why some Upper Paleolithic societies produced such great art – both painted and carved. After years of studying hunter-gatherer cultures, I concluded that the Upper Paleolithic groups producing fine art were not simple egalitarian groups, but were almost certainly more complex types of hunter-gatherers like the ethnographic groups in California and the Northwest Coast with striking economic and social inequalities – and great art. I decided to put all these ideas into an adventure novel for young readers: The Eyes of the Leopard.
This is a bit more of a technical archaeology book dealing with the archaeological interpretation of prehistoric cave use, but focusing on the Grotta di Porto Badisco and its Upper Paleolithic use by secret societies (in Whitehouse's interpretation). But it ranges far wider, looking at related finds from other areas and times in Upper Paleolithic Europe. Ruth Whitehouse places the use of this cave and others in their ritual and prehistoric contexts, but also examines their social, psychological, and even structuralist relationships. It is a unique and important publication from these perspectives and has been very influential in my own publications.
I became intrigued by Upper Paleolithic societies when I studied prehistory at the University of Bordeaux. Over time, I became more and more involved in trying to understand why some Upper Paleolithic societies produced such great art – both painted and carved. After years of studying hunter-gatherer cultures, I concluded that the Upper Paleolithic groups producing fine art were not simple egalitarian groups, but were almost certainly more complex types of hunter-gatherers like the ethnographic groups in California and the Northwest Coast with striking economic and social inequalities – and great art. I decided to put all these ideas into an adventure novel for young readers: The Eyes of the Leopard.
This is actually an edited book of papers dealing with the social organization among prehistoric and ethnographic hunter-gatherers. It is one of the few publications that discusses issues like inequality from a variety of different viewpoints, including diametrically opposed views about Upper Paleolithic societies – whether they were egalitarian or non-egalitarian. Another important aspect of this volume is the inclusion of ethnographic hunter-gatherers to generate insights into how prehistoric hunter-gatherers could have organized themselves. Some unique features include the examination of dogs as indicators of inequalities and the nature of the cave paintings as indicators of inequalities. Mobility, population densities, surpluses, and many other factors all create a heady brew of debate and intriguing ideas. This book is highly recommended, even if a bit technical.
I began a mission in 1991 to help individuals and families recover from the unfairness of the financial system. I believe that understanding personal finance and having good credit is essential to living a successful life in the United States; however, most people don’t understand (because they have never been taught) even the basics. I formed a non-profit serving three states that helped tens of thousands of families and individuals get back in control of their finances, wrote a weekly column on credit and debt for Bankrate.com for 20 years, and wrote or co-wrote ten books on credit, scoring, and debt management.
Brad was one of the first psychologists to recognize that how we think about money is critical to financial success. My book gives you the tools; Brad’s gives you the mindset for success.
I was surprised to find that so many of my friends and family are wired for one aspect of living but not for financial success. Being a great ball player or surgeon does not mean you will be a great saver or financial planner.
This book will open your eyes to the mental pitfalls that keep so many from success. My book will show you what you need to do; this book will clear away clutter you never knew existed to give you confidence that you are on the right track.
A look at the psychological barriers to financial success and how to create a better financial future
When it comes to our relationship with money, we are in the Stone Age. Despite the relentless barrage of information and warnings from financial experts, the average American is in terrible financial shape. It turns out that human beings are just not wired to do the right things around money-such as saving and not overspending. That's why financial success is so difficult to attain. When it comes to our financial instincts, we are no more evolved than our ancestors who hunted the Woolly…
If you’re curious about the world, you can find secret doors that open onto sudden vistas. For me, exploring the lives and origins of the caracaras unveiled an astonishing story about life on Earth—and though the books in my list are mostly nonfiction, they all explore real worlds as absorbing as any fantasy.
Matthiessen is best known for The Snow Leopard, but I think this book, written fifteen years earlier, exceeds it. As part of an anthropological expedition to the highlands of New Guinea, he was among the first westerners to describe the lives of the indigenous Papuan farmers who lived there—and he dares to imagine them from the inside, with his trademark understated lyricism. It's an extraordinary book, full of beauty and drama, and though it isn’t a journey to the distant past, it often feels like it: this was a place where neighboring villages fought ritualized wars against one another every week or so. The last line alone is worth the price of admission.
A remarkable firsthand view of a lost culture in all its simplicity and violence by renowned writer Peter Matthiessen (1927 to 2014), author of the National Book Award–winning The Snow Leopard and the novel In Paradise.
In the Baliem Valley in central New Guinea live the Kurelu, a Stone Age tribe that survived into the twentieth century. Peter Matthiessen visited the Kurelu with the Harvard-Peabody Expedition in 1961 and wrote Under the Mountain Wall as an account not of the expedition, but of the great warrior Weaklekek, the swineherd Tukum, U-mue and his family, and the boy Weake, killed in…
I’ve always been driven by curiosity about other cultures. I grew up in Germany but became restless and studied in Italy before moving to the United States. Some of the texts I recommend here I discovered while working on the Norton Anthology of World Literature. When I began this work, I realized just how narrow my own education had been and spent the next several years reading world literature and world culture. Ever since, I’ve been on a mission to expand how culture is taught. This is why I became an academic: to excite students about world culture.
The Chauvet Cave in Southern France is a unique time capsule that gives us a glimpse into the imaginary world of humans living 30,000 years ago.
Dawn of Art is written by those who discovered the cave and recognized it as the earliest masterpiece of human-made art.
What I found most fascinating about the cave as described in this book is the fact that humans decorated it over a period of thousands of years, perhaps as many as two hundred generations.
This is a remarkable achievement of collective artmaking, with one generation passing down the required artistry to the next generation. It made me wonder whether we have lost the reverence for the past that our distant ancestors must have possessed.
An intriguing study of the early evolution of human artistic endeavors focuses on recent discoveries in the Chauvet cave, Stone Age paintings and engravings of animals that are more than thirty thousand years old. BOMC Div. Natural Science Main.
