100 books like History Year by Year

I recommend this book because, like many kids, it was one of my first introductions to the world of fiction. And given its popularity, it is a story I have always thought back on when thinking about my own writing. What elements of it are a reason for its popularity that I could establish in my own work?

The big one I took away was how the story is intermixed with our reality. I think contemporary urban fantasies, or those in the magical realism realm, I think a big part of the appeal is that readers find it believable and more relatable because it is set in our “reality." Of course, to reach such a status as Harry Potter, it needs to be a great story, but that was an element I tried to mimic, albeit in a space opera sense. This is the first book in the series… show more.

I love the way A Long Walk to Water follows two characters in two different timelines to reinforce the importance of water to survival. It’s an exciting combination of a true story and fictionalized one that intersect in an unexpected but wonderful way. Readers of any age, but especially younger ones, will be shocked by what one 11-year-old girl must do to obtain just a minimal daily amount of water for her family’s survival. They will also be inspired by how one 11-year-old boy, after barely surviving wartime experiences in his African homeland, returns years later to make a lasting impact on the lives of others. The double-pronged impact of these characters and their suspenseful stories will instantly engage readers, keep them enthralled to the final page, and leave a long-lasting impression.

This is more than a story, although it is a wonderful one. It is an eye-opener to the… show more.

It is hard to think of your childhood without remembering The Magic School Bus. Both the books and the show were simply captivating and taught scientific concepts in a fun, engaging way that stuck with all of us. It is always my go-to when I am teaching science, and my kids absolutely adore watching or reading this series.

I love, love, love how MacLeod and Wishinsky create their “accidental” books. It’s the perfect blend of entertaining and educational facts about people from around the world making great discoveries. It also shows the most ordinary people can make the most extraordinary discoveries.  

What I love about this book is its ambition to tell the history of humankind in a way that attends both to our evolutionary origins over millions of years and our cultural accomplishments over thousands of years–and to consider the implications of both for our present and future. Very few books attempt to do such a thing. All the other books I have listed among my favorites are exceptionally ambitious in other ways, but they only attempt to bring together a part of the human story rather than integrating the whole.

Sapiens helped me to realize that there was an eager audience for bigger-picture books about our evolutionary inheritance and its implications–from the viewpoint of both natural and cultural selection–and spurred me to write my own.

Brad was one of the first psychologists to recognize that how we think about money is critical to financial success. My book gives you the tools; Brad’s gives you the mindset for success.

I was surprised to find that so many of my friends and family are wired for one aspect of living but not for financial success. Being a great ball player or surgeon does not mean you will be a great saver or financial planner.

This book will open your eyes to the mental pitfalls that keep so many from success. My book will show you what you need to do; this book will clear away clutter you never knew existed to give you confidence that you are on the right track.  

This is actually an edited book of papers dealing with the social organization among prehistoric and ethnographic hunter-gatherers. It is one of the few publications that discusses issues like inequality from a variety of different viewpoints, including diametrically opposed views about Upper Paleolithic societies – whether they were egalitarian or non-egalitarian. Another important aspect of this volume is the inclusion of ethnographic hunter-gatherers to generate insights into how prehistoric hunter-gatherers could have organized themselves. Some unique features include the examination of dogs as indicators of inequalities and the nature of the cave paintings as indicators of inequalities. Mobility, population densities, surpluses, and many other factors all create a heady brew of debate and intriguing ideas. This book is highly recommended, even if a bit technical.

I am a big fan of this imaginative, time-traveling picture book, which transports the young reader back to prehistoric times. The Stone Age is not always the most accessible subject for little ones, but there is nothing dry about the bones seen here.

The story is told in a fun, relatable text, with expressive language perfect for reading aloud—‘Water dripping! The wind moaning!’ etc. Supporting explanations are added in italic text, which I found fascinating. Direct invitations immediately grab attention, such as ‘Make tricky traps and track wild animals. An ambush…Shhh!’

I love how the language and illustrations complement each other perfectly in this little gem of a book, which is both immersive and hugely informative. I would definitely recommend it!

Although this book is in French, it is the most detailed defense to date of the view that at least some Upper Paleolithic societies were non-egalitarian, i.e. that they had significant wealth and power differences between individuals or families. The title emphasizes art, but this is really just a point of departure for understanding the entire economic, social, and political organization of certain Upper Paleolithic groups and why the great works of art were produced. It uses the initial arguments that I developed in an earlier book (in French) to structure the supporting data. So, naturally, I am favorably disposed towards it. But it is a good book as well! If you can read French, this is highly recommended.

The use of deep caves for rituals and creating extraordinary paintings has provoked many discussions on why people did this so long ago. There are many theories, but one of the most discussed ideas is that the paintings were produced by shamans as records of their spiritual visions, or to connect with their animal spirit helpers. Lewis-Williams and Clottes are the leading proponents of this interpretation. They rely on comparisons of the Stone Age art with art produced in historic times by Bushman shamans in South Africa. This is an excellent introduction to Paleolithic art and arguments about the art. My own explanation shares some aspects of their model, but focuses on secret societies (shamans were usually members). This is also a main feature in my own book.