Here are 100 books that Nefertiti's Face fans have personally recommended if you like
Nefertiti's Face.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve worked in many places worldwide, including Native (Amerindian) communities, West Africa, and Jamaica. Each of these experiences has enriched my life and exposed me to the fact that our society is only one of many and, similarly, that all do not share our understanding of reality. Whether visiting Adongo, a Ghanaian shaman who lived on the Burkina Faso border, and watching him go into a trance and describe my spirit, or being in the sweltering dark of a sweat lodge transported by the chanting to another place, to merging with an ancient oak tree, I have been touched by magic. It’s out there.
Over the years, I’ve read hundreds, maybe thousands of books. Many of them have moved, stretched, and entertained me, but there are only a few I wandered into and realized early on that I would not get out of this one unchanged.
The author's inventiveness is astonishing, managing to create not one new world we inhabit but three, all deftly interconnected by the unlikely thread of a simple fable passed from generation to generation. Perhaps most striking to me is the sheer power of the book, its capacity to take us places and share lives we would otherwise never dreamed of.
While the mysterious document—itself a fascinating story within a story—wends its way through a narrative that spans a thousand years, its message is less important than the lives it touches.
And what lives. Each character is drawn so vividly and infused with such essential, defining human traits that we…
On the New York Times bestseller list for over 20 weeks * A New York Times Notable Book * A National Book Award Finalist * Named a Best Book of the Year by Fresh Air, Time, Entertainment Weekly, Associated Press, and many more
“If you’re looking for a superb novel, look no further.” —The Washington Post
From the Pulitzer Prize–winning author of All the Light We Cannot See, comes the instant New York Times bestseller that is a “wildly inventive, a humane and uplifting book for adults that’s infused with the magic of childhood reading experiences” (The New York Times…
I’ve always been driven by curiosity about other cultures. I grew up in Germany but became restless and studied in Italy before moving to the United States. Some of the texts I recommend here I discovered while working on the Norton Anthology of World Literature. When I began this work, I realized just how narrow my own education had been and spent the next several years reading world literature and world culture. Ever since, I’ve been on a mission to expand how culture is taught. This is why I became an academic: to excite students about world culture.
The Chauvet Cave in Southern France is a unique time capsule that gives us a glimpse into the imaginary world of humans living 30,000 years ago.
Dawn of Art is written by those who discovered the cave and recognized it as the earliest masterpiece of human-made art.
What I found most fascinating about the cave as described in this book is the fact that humans decorated it over a period of thousands of years, perhaps as many as two hundred generations.
This is a remarkable achievement of collective artmaking, with one generation passing down the required artistry to the next generation. It made me wonder whether we have lost the reverence for the past that our distant ancestors must have possessed.
An intriguing study of the early evolution of human artistic endeavors focuses on recent discoveries in the Chauvet cave, Stone Age paintings and engravings of animals that are more than thirty thousand years old. BOMC Div. Natural Science Main.
I’ve always been driven by curiosity about other cultures. I grew up in Germany but became restless and studied in Italy before moving to the United States. Some of the texts I recommend here I discovered while working on the Norton Anthology of World Literature. When I began this work, I realized just how narrow my own education had been and spent the next several years reading world literature and world culture. Ever since, I’ve been on a mission to expand how culture is taught. This is why I became an academic: to excite students about world culture.
This book, completed in the 14th century, takes its point of departure from an episode in the Hebrew Bible (Old Testament): the visit of the Queen of Sheba to King Solomon.
In the Bible, the queen visits the famous king, cross examines him, and leaves again.
According to the Kebra Nagast, she also becomes pregnant with his son. When the son comes of age, the queen sends him to his father in Jerusalem, who recognizes him and wants him to stay. But the son yearns to return home to Askum, in Ethiopia.
Before he and his companions leave, they steal the Ten Commandments and bring them back to Ethiopia, where they become the foundation for Ethiopian Christianity.
This remarkable story shows the interconnection of cultures, the ties between the Hebrew Bible and Ethiopian Christianity. In the 20th century, it was used by Jamaicans seeking to connect to ancient…
The Kebra Nagast is an ancient text, detailing the relationship between King Solomon and the Queen of Sheba; this work examines these legends, and how they correspond with Ethiopian folklore and the Holy Bible.
Written by Ethiopian scholar Is'haq Neburä -Id in the 14th century, the Kebra Nagast is a complete narration of the meeting and relationship between the ancient King Solomon and the Ethiopian Queen named Sheba. Drawing heavily upon the Biblical lore, the Kebra Nagast includes further detail upon pertinent topics; other ancient monarchs, prophetic visions, and the culture of the court of Ethiopia. The final chapters allude…
I’ve always been driven by curiosity about other cultures. I grew up in Germany but became restless and studied in Italy before moving to the United States. Some of the texts I recommend here I discovered while working on the Norton Anthology of World Literature. When I began this work, I realized just how narrow my own education had been and spent the next several years reading world literature and world culture. Ever since, I’ve been on a mission to expand how culture is taught. This is why I became an academic: to excite students about world culture.
Wole Soyinka, the Nobel Prize laureate from Nigeria, was steeped in both Yoruba traditions and Greek tragedy as well as Shakespeare.
This combination of influences shaped his adaptation of The Bacchae, by the ancient Greek playwright Euripides.
He brings this play into the modern world of slavery, using White and Black actors. At the same time, he captures the original’s blend of ritual and performance.
This explosive mixture is the most compelling study I know in what theater can do: mobilize bodies in front of an audience. It also shows how theater can bridge vast historical and cultural differences.
Wole Soyinka has translated-in both language and spirit-a great classic of ancient Greek theater. He does so with a poet's ear for the cadences and rhythms of chorus and solo verse as well as a commanding dramatic use of the central social and religious myth. In his hands The Bacchae becomes a communal feast, a tumultuous celebration of life, and a robust ritual of the human and social psyche. "The Bacchae is the rites of an extravagant banquet, a monstrous feast," Soyinka writes. "Man reaffirms his indebtedness to earth, dedicates himself to the demands of continuity, and invokes the energies…
I’m a multi-genre writer who loves hearing the characters’ voices and getting their stories out there in the world. A lot of my characters are shaped by their gifts, whether they have supernatural ones or not. The things that happen to them shape who they are and how they react to future events. I exist on sarcasm, sass, and hot tea, so many of my characters do too.
This story featured a cop just trying to get her job done. She’s not a saint, but she busts her backside to solve the mystery while wading through office politics.
Kate’s not perfect. She makes mistakes, but she’s got an admirable sense of determination to see justice done.
I think there’s a killer fight scene at the end of the book.
What would you do if someone murdered your daughter?
Jasmine, a lovely, teenage kid with a bright future was brutally murdered and thrown away like a rag doll.
It was Lt. Kate Gazzara’s first case as lead detective. For eight years she played Dr. Watson to Sergeant Harry Starke’s Sherlock Holmes, and then he was gone. Jasmine changed her life.
Who killed the poor kid?
Why did she have to die?
What could she have done to deserve such a fate?
It was her parent’s worst nightmare. It’s every parent’s worst nightmare, and it begs the question: What would you…
Rather than identify a genre, I have chosen to focus on the theme of stories that are so powerful they make you feel like you’re in the story with the characters and/or give an insight into how the people within the setting really felt. For me, that is the true challenge of historical fiction – to see inside the heads of historical figures and get a genuine sense of what life was like for both the famous and the common. Here are my five selections of historical novels which are great stories and open a window into the relevant times, inspiring my own desire to open that window for others.
This is a novel that divides. It was a work that took Mailer many years to complete and the book that he (apparently) regarded as his masterpiece. It is certainly an incredible piece of work – the product of a powerful imagination in recreating an authentic feel for ancient Egypt with details ranging from cosmology via warfare to street scenes.
Some readers find the strong focus on the sensuality of the Egyptians a bit much. Mailer’s Egyptian world is very sexualised and who’s to say he’s wrong? If you’re not turned off by that kind of thing you’ll be rewarded with one of the most richly detailed and “real” feeling historical novels ever written.
Norman Mailer’s dazzlingly rich, deeply evocative novel of ancient Egypt breathes life into the figures of a lost era: the eighteenth-dynasty Pharaoh Rameses and his wife, Queen Nefertiti; Menenhetet, their creature, lover, and victim; and the gods and mortals that surround them in intimate and telepathic communion. Mailer’s reincarnated protagonist is carried through the exquisite gardens of the royal harem, along the majestic flow of the Nile, and into the terrifying clash of battle. An extraordinary work of inventiveness, Ancient Evenings lives on in the mind long after the last page has been turned.
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
A historian, lecturer, researcher, and author, Ahmed Osman is a British Egyptologist born in Cairo who published three books: Stranger in the Valley of the Kings (1987), Moses: Pharaoh of Egypt (1990) and The House of the Messiah (1992) says that Tut-Ankh-Amun had a very similar “story” to Jesus.
The Egyptian Book of the Dead contains the Ancient Egyptian Negative Confessions that were originally written on Temple walls and as the burial texts, and were "I have not stolen...", "I have not killed", etc., a letter written to Gods, engraved on Temples walls and prepared as Papyruses 2,000 BC and were equal to "Thou shalt not", the Ten Commandments of Jewish and Christian ethics, later perceived as divine revelation. The Negative Confession is accompanied by a list of protective sounds and symbols that kept souls safe from demons. Just for the history lovers, the timeline of these is the following:…
During his reign, the Pharaoh Akhenaten was able to abolish the complex pantheon of the ancient Egyptian religion and replace it with a single god, the Aten, who had no image or form. Seizing on the striking similarities between the religious vision of this "heretic" pharaoh and the teachings of Moses, Sigmund Freud was the first to argue that Moses was in fact an Egyptian. Now Ahmed Osman, using recent archaeological discoveries and historical documents, contends that Akhenaten and Moses were one and the same man. In a stunning retelling of the Exodus story, Osman details the events of Moses/Akhenaten's…
In Egypt, we did not have our own Arab comics, but different worlds came to us from translated comics, American (Disney and superheroes), and French comics. I did not like superhero comics, I loved Disney comics and French comics, and n addition to my passion for reading history, some French series combine this, such as the Alix series. I would have loved to have a historical background to the events that prompted me to read more about them and get to know the real characters, how they lived, and how they ended.
This book, from Black and Mortimer series, is characterized by wide imagination and attention to details, it may be flawed by some verbosity in the narration, but this was appropriate for that period.
Perhaps the modern generation gets bored of the abundance of descriptions, but if you begin reading this story you will not leave it before the final scene. The events take place in Egypt in the forties of the 20th century, and as an Egyptian I realize how faithful Jacobs was in conveying the image of Cairo in the forties with the utmost honesty and accuracy.
The historical background here is the fact that there was a historian named Manethon, and that Pharaoh Akhenaton existed, and his tomb had not been found yet.
Professor Philip Mortimer has decided to spend his holidays in Cairo with his trusty servant, Nasir. There he plans to meet an old friend, who offers him the fantastic opportunity of satisfying his passion for Egyptology - to take part in the deciphering of some recently discovered papyrus coming from mummies of the Ptolemaic age. They soon discover that one of the fragments deals with the Chamber of Horus - a fabled crypt that could contain priceless treasures...
Having studied ancient Egypt her entire life, Professor Joann Fletcher is based in the Department of Archaeology at the University of York. As a founding member of the university’s Mummy Research Group, she is also Lead Ambassador for the Egypt Exploration Society and an advisor to museums around the UK. Her numerous publications include The Search for Nefertiti, Cleopatra the Great, and The Story of Egypt, academic papers, and regular contributions to the BBC's History magazine. She also makes frequent appearances on radio and television. Although it’s incredibly difficult to pick just 5 books that best encapsulate ‘Ancient Egypt’ in its broadest sense, it’s important to start with those which are as informative and accurate as possible when many can be quite the opposite!
I’m recommending this 1st book because it really is the perfect introduction to ancient Egypt and its unique landscape. Its accessible format features excellent maps which each have a theme to best explain the way Egypt’s distinct environment directly influenced its culture, its history, and its relationship with the rest of the ancient world.
From its humble origins as a cluster of rival chiefdoms along the banks of the Nile, ancient Egypt rose to become one of the most advanced civilizations of its time. This atlas traces its turbulent history and remarkable cultural development, from the founding of Memphis around 5000 BC, through the territorial expansion and flourishing trade of the 'age of empire', to Greek domination and ultimate collapse. Political rivalries are charted through the successive dynasties, from the strife of the intermediate periods to the golden ages of prosperity and artistic glory under Akhenaten, Tutankhamun and Ramesses II. The latest archaeological evidence…
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Barry Kemp’s The City of Akhenaten and Nefertiti: Amarna and its People takes full advantage of the best discernible city plan in all of ancient Egyptian history.
Using it, he presents the ancient city with both its glories and its warts, at just the time that Egyptian culture itself was undergoing a momentous disruption—or was it a transformation?—intellectually, religiously, and in the arts. His archaeological expertise brings striking insights, and abundant illustrations show us the city from multiple perspectives.
Line drawings from Amarnan tombs and temples bring genuine ancient Egyptian voices into the discussion. Kemp’s anthropological grounding, his straightforward but eloquent prose, and his sympathy for the ancients in their everyday lives make this a book you can almost inhabit yourself.
A companion to Abydos in the New Aspects of Antiquity series, this book - a remarkable evocation of an ancient city - brings together for the first time the history of the site of Tell el-Amarna from its foundation by the pharaoh Akhenaten in c . 1344 bc to its abandonment just 16 or 17 years later, a few years after his death. Nine chapters cover the king's choice of the site and its development, the layout of the city and its buildings, and puts it in the context of the society of the time. Over 260 illustrations, some 50…
