Here are 100 books that The City of Akhenaten and Nefertiti fans have personally recommended if you like
The City of Akhenaten and Nefertiti.
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It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Jan Assmann’s Mind of Egypt surveys the intellectual and philosophical topography of Egypt from earliest times to well past “the ancient” and into the world of “late antiquity.” He can do this because, of course, of his great erudition, but also because it’s the serious intellectual or philosophical strains of Egyptian culture that he attends to.
The original title was Ägypten. Eine Sinngeschichte, not inaccurately translated as “The Mind of Egypt”, but Sinn means a bunch of things, among them, the English word “meaning,” so another way of translating the title would give us Egypt: A History of (its) Meaning, and that would imply not only what Egypt means to us today, but also what “meaning” meant in ancient Egypt itself: how did Egypt think.
The Mind of Egypt presents an unprecedented account of the mainsprings of Egyptian civilization - the ideals, values, mentalities, belief systems, and aspirations that shaped the first territorial state in human history. Drawing on a range of literary, iconographic, and archaeological sources, renowned historian Jan Assmann reconstructs a world of unparalleled complexity, a culture that, long before others, possessed an extraordinary degree of awareness and self-reflection. - Moving through successive periods of Egyptian civilization, from its beginnings in the Fifth Millennium b.c. until the rise of Christianity 4,500 years later, Assmann traces the crucial roles of the Pharaohs, the Priests,…
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Heinrich Schäfer’s Principles of Egyptian Art in John Baines’ meticulously patient translation shows us how well we can already read Egyptian art, because of lots of assumptions about seeing that we share with the people of the ancient Nile, and it also shows where we diverge in such readings.
This is a dense and demanding book, though, but one that you needn’t read from beginning to end in a single stream. You can come back to it time and time again, and the hundreds of line drawings and solid section of b/w glossy photos opens your eyes to the exquisite visual system the Egyptians devised for themselves (and us) and used for four thousand years and more.
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
John Romer’s Ancient Lives, the Story of the Pharaohs’ Tombmakers, like Kemp’s book, is about urban life, but the urbs is not a city per se, but a village.
In this case, though, it’s the village of the workers who excavated, crafted, painted, and consecrated the great royal tombs of the Valley of the Kings, so this “village” is intricately related to a great city on the Nile. Romer had access to a cast of personalities sketched from documents, read off of limestone flakes, potsherds, and administrative and judicial papyri.
He resuscitates networks of gossip and brings us within earshot of personal rivalries and property disputes, uncovers an audacious tomb robbery along the way, and following the trial of its perpetrators.
More than 3000 years ago a village was established at Thebes on the west bank of the Nile. Situated amid a barren and arid landscape, it housed the workers who created the tombs of the Pharaohs and the Valley of the Kings. It was through death and the ritual of burial that the Pharaohs became gods, and their elaborately carved and decorated temples were an essential part of this mystical process. Stonemasons, painters, sculptors, quarrymen, lived with their wives and children in the village, and worked closely together in the sacred valley. As well as building the magnificent tombs of…
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Royal Women of Amarna is the catalog of an exhibition of many years ago, but used copies are still available, and it contains some of the most fascinating images and commentary on the ravishing sculptures of women (and some men) from the world of Akhenaten and Nefertiti.
Introductory material provides context, but the heart of the book is in four chapters written by a longtime curator at the Metropolitan Museum NYC, now emerita. They cover various aspects of portraiture discussing the startling changes in the representation of the human figure in the Amarna period (ca. 1353-1336 BCE), the workshop of the sculptor Thutmose, from which Nefertiti’s iconic bust was recovered, and other aspects of the art and religion of the era.
During a brief seventeen-year reign (ca. 1353-1336 B.C.) the pharaoh Amenhotep IV/Akhenaten, founder of the world's first known monotheistic religion, devoted his life and the resources of his kingdom to the worship of the Aten (a deity symbolized by the sun disk) and thus profoundly affected history and the history of art. The move to a new capital, Akhetaten/Amarna, brought essential changes in the depictions of royal women. It was in their female imagery, above all, that the artists of Amarna departed from the traditional iconic representations to emphasize the individual, the natural, in a way unprecedented in Egyptian art.…
I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
Before Tut, there was Akhenaten. Fashionable nineteenth-century folks went gaga for this mysterious “heretic pharaoh” who tried to overthrow the gods of ancient Egypt. And because we know so little about him, everyone could make him anything they liked! As a fan of mythology, I found it incredible to watch how people evolved their own stories about this strange figure – seeing him as homosexual, heterosexual, Christian, pagan, and more. And it gives us a clue about the origin of the “curse” stories, as we see Akhenaten himself condemned by his own people and vanishing into history.
The pharaoh Akhenaten, who ruled Egypt in the mid-fourteenth century BCE, has been the subject of more speculation than any other character in Egyptian history. Often called the originator of monotheism and the world's first recorded individual, he has fascinated and inspired both scholars of Egyptology and creative talents as diverse as Sigmund Freud and Philip Glass. This provocative biography examines both the real Akhenaten and the myths that have been created around him. It scrutinises the history of the pharaoh and his reign, which has been continually written in Eurocentric terms inapplicable to ancient Egypt, and the archaeology of…
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
A historian, lecturer, researcher, and author, Ahmed Osman is a British Egyptologist born in Cairo who published three books: Stranger in the Valley of the Kings (1987), Moses: Pharaoh of Egypt (1990) and The House of the Messiah (1992) says that Tut-Ankh-Amun had a very similar “story” to Jesus.
The Egyptian Book of the Dead contains the Ancient Egyptian Negative Confessions that were originally written on Temple walls and as the burial texts, and were "I have not stolen...", "I have not killed", etc., a letter written to Gods, engraved on Temples walls and prepared as Papyruses 2,000 BC and were equal to "Thou shalt not", the Ten Commandments of Jewish and Christian ethics, later perceived as divine revelation. The Negative Confession is accompanied by a list of protective sounds and symbols that kept souls safe from demons. Just for the history lovers, the timeline of these is the following:…
During his reign, the Pharaoh Akhenaten was able to abolish the complex pantheon of the ancient Egyptian religion and replace it with a single god, the Aten, who had no image or form. Seizing on the striking similarities between the religious vision of this "heretic" pharaoh and the teachings of Moses, Sigmund Freud was the first to argue that Moses was in fact an Egyptian. Now Ahmed Osman, using recent archaeological discoveries and historical documents, contends that Akhenaten and Moses were one and the same man. In a stunning retelling of the Exodus story, Osman details the events of Moses/Akhenaten's…
My ache for the ancient is a disease. It’s probably safe to say that I am the creator of the world’s greatest range of Egypt-based fiction by a single author. My depth of knowledge comes from a lifetime spent studying ancient Egypt and Egyptian archaeology and making numerous research trips to Egypt. I am fascinated by the mystery of ancient Egypt and its potency and relevance to today’s world. I have written numerous series and stand-alone adventures.
A thrilling read that first sparked my lifelong passion for ancient Egypt with its vivid recreation of a distant past.
Sinuhe’s career as a young Egyptian physician takes him to the center of royal power and secrets and into the lives of unforgettable characters. Like the heartless courtesan Nefernefernefer, a beauty whose name ensured that no man would ever hear it spoken without saying it aloud and remembering it. Just as I remember it today.
First published in the 1940s and widely condemned as obscene, The Egyptian outsold every other American novel published that same year, and remains a classic; readers worldwide have testified to its life-changing power. It is a full-bodied re-creation of a largely forgotten era in the world’s history: an Egypt when pharaohs contended with the near-collapse of history’s greatest empire. This epic tale encompasses the whole of the then-known world, from Babylon to Crete, from Thebes to Jerusalem, while centering around one unforgettable figure: Sinuhe, a man of mysterious origins who rises from the depths of degradation to get close to…
I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
The dates that Egyptologists use for most rulers are guesstimates, and there’s not one fixed dating scheme.
Just for instance, one reference volume gives 1334-1325 B.C. as the dates for King Tut’s reign. Another says 1332-1322 B.C. And yet a third another has 1336-1327 B.C.
How do you know which one to believe?
During the three decades I worked as a staff writer at National Geographic magazine, we relied on the king list that Baines and Malek published in this book.
I still consider it as the last word on dates for my own research. It’s also full of very helpful maps, diagrams, and descriptions of archaeological sites all over Egypt.
Filled with fascinating facts and stunning images, this single-volume reference to ancient Egypt introduces readers to this unique, sometimes startling culture.
I’m a spiritual mutt. Raised with a variegated Christian background (Mom Charismatic, Dad Quaker, Grandparents Wesleyan), I rejected all things biblical and turned to Jack Daniels for Southern Comfort. In college I reconnected with a high school friend who demonstrated God was real by his changed life and showed the Bible’s concrete historical connections in a way I could understand. The words that had so confounded me as a child began to make sense. I dumped Jack Daniels, married that friend, and no longer needed Southern Comfort. Now, through research, study, and a little imagination, I write biblical novels, chug Living Water, and tell Bible stories to eight grandkids.
Though I write inspirational fiction, my true passion is research. In this fascinating and one-of-a-kind resource, not only did I discover the names and stories of pharaohs and their succession accounts but also the names and stories of the mothers, sisters, daughters, and wives who ruled alongside Egypt’s great men. When I began searching for the mysterious pharaoh’s daughter who pulled Moses from the Nile after an unnamed Pharaoh’s genocidal edict, I needed information on the often-overlooked women of Egypt. This complete family resource provided charts, lists, photos, and concise explanations of Egyptian history from the Early Dynastic Period and Old Kingdom through the Late and Ptolemaic Period.
This groundbreaking new book illuminates the lives of the kings, queens, princes and princesses of ancient Egypt, unravelling family relationships and exploring the parts they played in politics, cultural life and religion. It ranges from the dawn of Egyptian history, when only isolated glimpses are available of the royal family, through the vast progeny of Ramesses II, and ends with the fiendishly complicated - and blood-soaked - interconnections of the Ptolemies and Cleopatras.
I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
Want to know about magic bricks? You can look them up in this book, along with a lot of other intriguing things.
Sure, you can find descriptions online. But there’s a lot of misinformation out there in the e-sphere. It’s much better to rely on something published by the august British Museum, which has been showcasing artifacts from the ancient world since 1753. I always do.
This successful and highly-esteemed British Museum reference work is now republished in a new pocket-sized edition. This authoritative illustrated dictionary provides clear explanations and descriptions of the important ideas, events and personalities throughout four thousand years of Egyptian civilization. More than 600 extensively cross-referenced and comprehensively-indexed A-Z entries provide detailed information on all aspects of ancient Egypt and Nubia during the pharaonic and Graeco-Roman periods. Each entry is followed by a bibliography. The dictionary is lavishly illustrated throughout with photographs, line drawings, site plans and maps.
