Here are 100 books that The Royal Women of Amarna fans have personally recommended if you like
The Royal Women of Amarna.
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It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Barry Kemp’s The City of Akhenaten and Nefertiti: Amarna and its People takes full advantage of the best discernible city plan in all of ancient Egyptian history.
Using it, he presents the ancient city with both its glories and its warts, at just the time that Egyptian culture itself was undergoing a momentous disruption—or was it a transformation?—intellectually, religiously, and in the arts. His archaeological expertise brings striking insights, and abundant illustrations show us the city from multiple perspectives.
Line drawings from Amarnan tombs and temples bring genuine ancient Egyptian voices into the discussion. Kemp’s anthropological grounding, his straightforward but eloquent prose, and his sympathy for the ancients in their everyday lives make this a book you can almost inhabit yourself.
A companion to Abydos in the New Aspects of Antiquity series, this book - a remarkable evocation of an ancient city - brings together for the first time the history of the site of Tell el-Amarna from its foundation by the pharaoh Akhenaten in c . 1344 bc to its abandonment just 16 or 17 years later, a few years after his death. Nine chapters cover the king's choice of the site and its development, the layout of the city and its buildings, and puts it in the context of the society of the time. Over 260 illustrations, some 50…
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Jan Assmann’s Mind of Egypt surveys the intellectual and philosophical topography of Egypt from earliest times to well past “the ancient” and into the world of “late antiquity.” He can do this because, of course, of his great erudition, but also because it’s the serious intellectual or philosophical strains of Egyptian culture that he attends to.
The original title was Ägypten. Eine Sinngeschichte, not inaccurately translated as “The Mind of Egypt”, but Sinn means a bunch of things, among them, the English word “meaning,” so another way of translating the title would give us Egypt: A History of (its) Meaning, and that would imply not only what Egypt means to us today, but also what “meaning” meant in ancient Egypt itself: how did Egypt think.
The Mind of Egypt presents an unprecedented account of the mainsprings of Egyptian civilization - the ideals, values, mentalities, belief systems, and aspirations that shaped the first territorial state in human history. Drawing on a range of literary, iconographic, and archaeological sources, renowned historian Jan Assmann reconstructs a world of unparalleled complexity, a culture that, long before others, possessed an extraordinary degree of awareness and self-reflection. - Moving through successive periods of Egyptian civilization, from its beginnings in the Fifth Millennium b.c. until the rise of Christianity 4,500 years later, Assmann traces the crucial roles of the Pharaohs, the Priests,…
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Heinrich Schäfer’s Principles of Egyptian Art in John Baines’ meticulously patient translation shows us how well we can already read Egyptian art, because of lots of assumptions about seeing that we share with the people of the ancient Nile, and it also shows where we diverge in such readings.
This is a dense and demanding book, though, but one that you needn’t read from beginning to end in a single stream. You can come back to it time and time again, and the hundreds of line drawings and solid section of b/w glossy photos opens your eyes to the exquisite visual system the Egyptians devised for themselves (and us) and used for four thousand years and more.
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
John Romer’s Ancient Lives, the Story of the Pharaohs’ Tombmakers, like Kemp’s book, is about urban life, but the urbs is not a city per se, but a village.
In this case, though, it’s the village of the workers who excavated, crafted, painted, and consecrated the great royal tombs of the Valley of the Kings, so this “village” is intricately related to a great city on the Nile. Romer had access to a cast of personalities sketched from documents, read off of limestone flakes, potsherds, and administrative and judicial papyri.
He resuscitates networks of gossip and brings us within earshot of personal rivalries and property disputes, uncovers an audacious tomb robbery along the way, and following the trial of its perpetrators.
More than 3000 years ago a village was established at Thebes on the west bank of the Nile. Situated amid a barren and arid landscape, it housed the workers who created the tombs of the Pharaohs and the Valley of the Kings. It was through death and the ritual of burial that the Pharaohs became gods, and their elaborately carved and decorated temples were an essential part of this mystical process. Stonemasons, painters, sculptors, quarrymen, lived with their wives and children in the village, and worked closely together in the sacred valley. As well as building the magnificent tombs of…
I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
Before Tut, there was Akhenaten. Fashionable nineteenth-century folks went gaga for this mysterious “heretic pharaoh” who tried to overthrow the gods of ancient Egypt. And because we know so little about him, everyone could make him anything they liked! As a fan of mythology, I found it incredible to watch how people evolved their own stories about this strange figure – seeing him as homosexual, heterosexual, Christian, pagan, and more. And it gives us a clue about the origin of the “curse” stories, as we see Akhenaten himself condemned by his own people and vanishing into history.
The pharaoh Akhenaten, who ruled Egypt in the mid-fourteenth century BCE, has been the subject of more speculation than any other character in Egyptian history. Often called the originator of monotheism and the world's first recorded individual, he has fascinated and inspired both scholars of Egyptology and creative talents as diverse as Sigmund Freud and Philip Glass. This provocative biography examines both the real Akhenaten and the myths that have been created around him. It scrutinises the history of the pharaoh and his reign, which has been continually written in Eurocentric terms inapplicable to ancient Egypt, and the archaeology of…
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
Better known as Amarna Heresy, a philosophical discussion from Ancient Egypt's Babylon about Monotheism and Trinity written 3,000 years ago. “To the King, My Sun, My God, the Breath of My Life…” This remarkable collection contains requests for gold, offers of marriage, warning of a traitor, and promises of loyalty to the pharaoh – letters of correspondence, all written in Akkadian. The Amorite tribes from Babylonia, form part of this correspondence.
Akhenaten 1378 - 1361 BC, was the first Egyptian ruler in history, who has specifically written about Egyptian Gods, a practice usually kept behind the closed doors of the temples. The deity called Aten inspired such devotion in Pharaoh Akhenaten that he built a new capital city which he named ‘Horizon of the Aten’ (modern Amarna), dedicated to the AΘen. He spoke of a deity with no image, an omnipotent God/goddess that emanates aNX, holy spirits, served by…
It is a generally accepted presumption that during the Late Bronze Age the language accepted for the 'international' or 'diplomatic' written communication between the representatives or members of the particular polities within the Ancient Near East was Akkadian, or more accurately Peripheral Akkadian. Thus it is the aim of this publication to analyze the corpus of Amarna letters on the subject of diplomatic terminology and procedures.
I’ve been a history nerd all my life. Historical fiction chap books were my entrance to reading, and my copy of Little Womenfell apart from excessive re-reads. (It also taught me the word “abridged.” I was very upset to find out I hadn’t been given the full book!) I love how novels can pull you into a time on such a personal level. That immersion is part of what made me so interested in books set in lesser-known eras. I mean, I love a good Tudor court drama or WWII novel as much as the next reader. There is just something extra special about learning about a brand-new time.
N. L. Holmes is my absolute favorite “under the radar” historical fiction author writing today. She has a number of wonderful books out there, but if I had to suggest one to new readers, I would pick Bird in a Snare, the first book of the Lord Hani Mystery series. Set in Ancient Egypt under the reign of Akhenaten, the series is an amazing insight into a tumultuous part of ancient history I knew next to nothing about when I first picked up the book and a great mystery series. Throw in awesome prose and a wonderful cast of characters, and I recommend this one whenever I get the chance.
When Hani, an Egyptian diplomat under Akhenaten, is sent to investigate the murder of a useful bandit leader in Syria, he encounters corruption, tangled relationships, and yet more murder. His investigation is complicated by the new king’s religious reforms, which have struck Hani’s own family to the core. Hani’s mission is to amass enough evidence for his superiors to prosecute the wrongdoers despite the king’s protection—but not just every superior can be trusted. And maybe not even the king!
Since 7th grade, I’ve been reading and researching about ancient civilizations like Greece, the Mayans, Incans, and of course, Egypt, yet I never thought I’d write a book, much less a trilogy set thousands of years ago. While researching rebellions for another novel, I found the Great Egyptian Revolt of 200 BCE, as well as Ankhmakis’s story. Given my lifelong love of ancient mythologies, I spent the next two years collecting books about ancient Egypt. These books are but a small sampling I collected during that time in my life, and I’m so glad to share them with you.
When I first pitched my book to my agent, he recommended I read this novel, as it was his favorite novel written about ancient Egypt.
I took his advice and was immediately drawn into AkeAkhenaten's story. I’ve long been fascinated by this particular Pharaoh for many reasons, but mostly because he dared to challenge the priestly class.
This is a novel that sweeps you right into the hot sands of his city and makes you long to have been there, in the court, as he struggled to bring his god, Aten, to his people.
The sweeping chronicle of a great and tragic pharaoh who lost his throne for the love of a God.
In the glory of ancient Egypt, an epic of a royal family divided, bloody power ploys, and religious wars that nearly tore apart one of the greatest empires in human history.
AKHENATEN: The dream-filled King of Egypt, who dared to challenge the ancient order of his people and dethrone the jealous deities of his land for the glory of one almighty God.
NEFERTITI: The most beautiful woman in the world, bred from birth to be the Pharaoh’s devoted lover—and to follow…
Having studied ancient Egypt her entire life, Professor Joann Fletcher is based in the Department of Archaeology at the University of York. As a founding member of the university’s Mummy Research Group, she is also Lead Ambassador for the Egypt Exploration Society and an advisor to museums around the UK. Her numerous publications include The Search for Nefertiti, Cleopatra the Great, and The Story of Egypt, academic papers, and regular contributions to the BBC's History magazine. She also makes frequent appearances on radio and television. Although it’s incredibly difficult to pick just 5 books that best encapsulate ‘Ancient Egypt’ in its broadest sense, it’s important to start with those which are as informative and accurate as possible when many can be quite the opposite!
I’m recommending this 1st book because it really is the perfect introduction to ancient Egypt and its unique landscape. Its accessible format features excellent maps which each have a theme to best explain the way Egypt’s distinct environment directly influenced its culture, its history, and its relationship with the rest of the ancient world.
From its humble origins as a cluster of rival chiefdoms along the banks of the Nile, ancient Egypt rose to become one of the most advanced civilizations of its time. This atlas traces its turbulent history and remarkable cultural development, from the founding of Memphis around 5000 BC, through the territorial expansion and flourishing trade of the 'age of empire', to Greek domination and ultimate collapse. Political rivalries are charted through the successive dynasties, from the strife of the intermediate periods to the golden ages of prosperity and artistic glory under Akhenaten, Tutankhamun and Ramesses II. The latest archaeological evidence…
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
A historian, lecturer, researcher, and author, Ahmed Osman is a British Egyptologist born in Cairo who published three books: Stranger in the Valley of the Kings (1987), Moses: Pharaoh of Egypt (1990) and The House of the Messiah (1992) says that Tut-Ankh-Amun had a very similar “story” to Jesus.
The Egyptian Book of the Dead contains the Ancient Egyptian Negative Confessions that were originally written on Temple walls and as the burial texts, and were "I have not stolen...", "I have not killed", etc., a letter written to Gods, engraved on Temples walls and prepared as Papyruses 2,000 BC and were equal to "Thou shalt not", the Ten Commandments of Jewish and Christian ethics, later perceived as divine revelation. The Negative Confession is accompanied by a list of protective sounds and symbols that kept souls safe from demons. Just for the history lovers, the timeline of these is the following:…
During his reign, the Pharaoh Akhenaten was able to abolish the complex pantheon of the ancient Egyptian religion and replace it with a single god, the Aten, who had no image or form. Seizing on the striking similarities between the religious vision of this "heretic" pharaoh and the teachings of Moses, Sigmund Freud was the first to argue that Moses was in fact an Egyptian. Now Ahmed Osman, using recent archaeological discoveries and historical documents, contends that Akhenaten and Moses were one and the same man. In a stunning retelling of the Exodus story, Osman details the events of Moses/Akhenaten's…
