Here are 100 books that The Mind of Egypt fans have personally recommended if you like
The Mind of Egypt.
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It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Barry Kemp’s The City of Akhenaten and Nefertiti: Amarna and its People takes full advantage of the best discernible city plan in all of ancient Egyptian history.
Using it, he presents the ancient city with both its glories and its warts, at just the time that Egyptian culture itself was undergoing a momentous disruption—or was it a transformation?—intellectually, religiously, and in the arts. His archaeological expertise brings striking insights, and abundant illustrations show us the city from multiple perspectives.
Line drawings from Amarnan tombs and temples bring genuine ancient Egyptian voices into the discussion. Kemp’s anthropological grounding, his straightforward but eloquent prose, and his sympathy for the ancients in their everyday lives make this a book you can almost inhabit yourself.
A companion to Abydos in the New Aspects of Antiquity series, this book - a remarkable evocation of an ancient city - brings together for the first time the history of the site of Tell el-Amarna from its foundation by the pharaoh Akhenaten in c . 1344 bc to its abandonment just 16 or 17 years later, a few years after his death. Nine chapters cover the king's choice of the site and its development, the layout of the city and its buildings, and puts it in the context of the society of the time. Over 260 illustrations, some 50…
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Heinrich Schäfer’s Principles of Egyptian Art in John Baines’ meticulously patient translation shows us how well we can already read Egyptian art, because of lots of assumptions about seeing that we share with the people of the ancient Nile, and it also shows where we diverge in such readings.
This is a dense and demanding book, though, but one that you needn’t read from beginning to end in a single stream. You can come back to it time and time again, and the hundreds of line drawings and solid section of b/w glossy photos opens your eyes to the exquisite visual system the Egyptians devised for themselves (and us) and used for four thousand years and more.
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
John Romer’s Ancient Lives, the Story of the Pharaohs’ Tombmakers, like Kemp’s book, is about urban life, but the urbs is not a city per se, but a village.
In this case, though, it’s the village of the workers who excavated, crafted, painted, and consecrated the great royal tombs of the Valley of the Kings, so this “village” is intricately related to a great city on the Nile. Romer had access to a cast of personalities sketched from documents, read off of limestone flakes, potsherds, and administrative and judicial papyri.
He resuscitates networks of gossip and brings us within earshot of personal rivalries and property disputes, uncovers an audacious tomb robbery along the way, and following the trial of its perpetrators.
More than 3000 years ago a village was established at Thebes on the west bank of the Nile. Situated amid a barren and arid landscape, it housed the workers who created the tombs of the Pharaohs and the Valley of the Kings. It was through death and the ritual of burial that the Pharaohs became gods, and their elaborately carved and decorated temples were an essential part of this mystical process. Stonemasons, painters, sculptors, quarrymen, lived with their wives and children in the village, and worked closely together in the sacred valley. As well as building the magnificent tombs of…
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Royal Women of Amarna is the catalog of an exhibition of many years ago, but used copies are still available, and it contains some of the most fascinating images and commentary on the ravishing sculptures of women (and some men) from the world of Akhenaten and Nefertiti.
Introductory material provides context, but the heart of the book is in four chapters written by a longtime curator at the Metropolitan Museum NYC, now emerita. They cover various aspects of portraiture discussing the startling changes in the representation of the human figure in the Amarna period (ca. 1353-1336 BCE), the workshop of the sculptor Thutmose, from which Nefertiti’s iconic bust was recovered, and other aspects of the art and religion of the era.
During a brief seventeen-year reign (ca. 1353-1336 B.C.) the pharaoh Amenhotep IV/Akhenaten, founder of the world's first known monotheistic religion, devoted his life and the resources of his kingdom to the worship of the Aten (a deity symbolized by the sun disk) and thus profoundly affected history and the history of art. The move to a new capital, Akhetaten/Amarna, brought essential changes in the depictions of royal women. It was in their female imagery, above all, that the artists of Amarna departed from the traditional iconic representations to emphasize the individual, the natural, in a way unprecedented in Egyptian art.…
I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’.
Few books have been as influential on my understanding of ancient Egyptian mortuary culture as Jan Assmann’sTod und Jenseits im alten Ägypten, known in English as Death and Salvation in Ancient Egypt. Assmann brings religious theory and ancient history together to argue that “death is the origin and center of culture.”
"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole.Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as…
Having first discovered the mystery of ancient Egypt as a small child via my father’s war-time souvenirs, this interest grew over the years until it became a serious magical under-taking, culminating in Initiation into the magical order of the Temple of Khem. I became Principal tutor of the Order in 1998 and publishedLiber Ægyptius: The Book of Egyptian Magic in the same year. I continue to teach the Egyptian Mystery Tradition to those willing to submit themselves to the exacting discipline needed to enter the priesthood, and remain a member of the Egypt Exploration Society to keep up-to-date with the current archaeological discoveries in Egypt.
Firstly, because the authors are known to me as highly respected magical practitioners and, second, because using the Nile to represent the river of consciousness it offers up a comprehensive system for inner development not seen before. The Inner Guide to Egypt takes us on a voyage of discovery that never ends because its images keep popping into our imagination, long after we’ve put the book down. It was originally published by Thoth Publications (1991) and currently by Llewellyn (2010) but its appeal has never diminished for true seekers after the Egyptian Mystery Tradition.
I’m a spiritual mutt. Raised with a variegated Christian background (Mom Charismatic, Dad Quaker, Grandparents Wesleyan), I rejected all things biblical and turned to Jack Daniels for Southern Comfort. In college I reconnected with a high school friend who demonstrated God was real by his changed life and showed the Bible’s concrete historical connections in a way I could understand. The words that had so confounded me as a child began to make sense. I dumped Jack Daniels, married that friend, and no longer needed Southern Comfort. Now, through research, study, and a little imagination, I write biblical novels, chug Living Water, and tell Bible stories to eight grandkids.
I always start my research at a library. I find the shelves on Egyptian history, grab a stack of books, plop down on the floor, and read until I can’t feel my legs. There’s never a shortage of Egyptology resources, but why must the scholars always disagree? Only by reading widely can I find a golden thread of agreement across the many sources. Oftentimes, a particular scholar will emerge as the leading expert on a particular time period and appear in a majority of quoted material and/or bibliographies. The Oxford History of Ancient Egyptwas both easy to understand and included interesting details while also following the consensus of the best New Kingdom scholars.
The essays and illustrations in this history portray the emergence and development of the distinctive civilization of the ancient Egyptians, from their prehistoric origins to their incorporation into the Roman Empire, covering the period from around 7000 BCE to 311. The authors outline the principal sequence of political events, including detailed examinations of the three so-called "intermediate periods" which were previously regarded as "dark ages" and are only now beginning to be better understood. Against the backdrop of the rise and fall of ruling dynasties, this book also examines cultural and social patterns, including stylistic developments in art and literature.…
Having first discovered the mystery of ancient Egypt as a small child via my father’s war-time souvenirs, this interest grew over the years until it became a serious magical under-taking, culminating in Initiation into the magical order of the Temple of Khem. I became Principal tutor of the Order in 1998 and publishedLiber Ægyptius: The Book of Egyptian Magic in the same year. I continue to teach the Egyptian Mystery Tradition to those willing to submit themselves to the exacting discipline needed to enter the priesthood, and remain a member of the Egypt Exploration Society to keep up-to-date with the current archaeological discoveries in Egypt.
Dr. Geraldine Pinch lectures Egyptology at Cambridge University and drew on a wealth of scholarly material just as the subject was beginning to be taken seriously and managed to effectively bridge the divide between ancient and modern approaches to magic. This is the book I highly recommend to those wanting to explore the subject of Egyptian magic without getting bogged down in other disciplines; showing how its elements and influences survived in, or were taken up by later societies, right down to our own century.
Reclaims Egyptian mysticism from the lunatic fringe. A serious exploration of how different sorts of `magic' were used in very practical ways by a society known throughout the ancient world as the `mother of magicians'. A final chapter examines its persistent fascination.
I am, first and foremost, a lover of cats and dogs. I have been fascinated by these animals ever since I was a child. Where did they come from? Why are we so strongly bonded to them? What is the future of our relationship? These are questions I have asked myself for decades, and which I finally answer in Citizen Canine: Our Evolving Relationship with Cats and Dogs. I bring to this book not only my lifelong love of these animals, but a deep-thinker’s exploration of history, law, and science.
This is a great coffee table book. Tons of lovely pictures and illustrations. A must for any cat lover who wants to get a better sense of the role—and place—of cats in Ancient Egypt. I still look at it from time to time because I enjoy the pictures so much.
A definitive and richly illustrated account of cats in Egyptian life, religion, and art
True aristocrat of domestic animals, the cat has a distinguished ancestry. Most modern cats are thought to be descended from the cats of ancient Egypt, so these beautiful and engaging creatures represent a living link between ancient Egyptian civilization and our own times.
Wild cats were probably domesticated at least as early as 2000 BC, but they were regularly represented in Egyptian tomb paintings only some 500 years later, in the New Kingdom. The cat became one of the most important and highly esteemed animals in…
My family lived in an American camp in Saudi Arabia when I was young, and we traveled extensively. I’ve always loved ancient cultures, from our first international trip to Greece when I was six. The two months I spent in Mexico and Central America as a young adult inspired my first novel for young people, The Well of Sacrifice. But Egypt has long held a special place in my heart. The mummies and pyramids grab a child’s attention. The fact that these people were so different from us – and yet so similar in other ways – keeps that fascination going. Stories about ancient Egypt never get old!
This fun overview of life in ancient Egypt is written as a guidebook for the history traveler. This helps bring the past to life for kids on a more personal level.
The book combines all of ancient Egypt, which is hardly accurate, but it’s for children, not scholars. Teachers or homeschooling parents could have a lot of fun taking kids on an imaginary trip to the past.
Takes readers on a journey back in time in order to experience life in ancient Egypt, describing clothing, accommodations, foods, local customs, transportation, a few notable personalities, and more.
