100 books like Death and Salvation in Ancient Egypt

As a professional emergency and risk management practitioner, I’ve spent my career supporting and shaping emergency management policy and practice in every context from the village to global levels. What I’ve found to be most rewarding are those opportunities where I’ve been able to translate this knowledge and practice into training the next generation of emergency managers. The textbooks I’ve written, which include the first comprehensive book on emergency management (Introduction to Emergency Management, currently in its 7th edition) and the first book on homeland security in the United States (Introduction to Homeland Security, currently in its 6th Edition), are currently in use at hundreds of universities worldwide.

It wasn’t until high school when I read Stephen King’s Night Shift that illuminated the genre for me—horror. My first short story was The Dark Shadow, and it fit me like a glove. My writing is inspired by the books I like to read, as I’m sure it is with all writers, and I write characters that I know and in settings I am familiar with for authenticity. The years of experience have honed my craft, and my books are a culmination of my favorite things—supernatural horror, suspense, heart, drama, westerns, and action.

I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’. 

I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’. 

I’ve been reading for 69 years, writing fiction for 43 years. I’ve read many more than 10,000 books. In my own writing, I begin with characters I create from combinations of traits and personalities I’ve met in life. I get to know them as friends. I then put them into the setting I’ve devised and given them free rein to develop the story. I know the destination, but the route is left to them. This involves much re-writing once the story is down on paper, but allows me to experience the excitement, concern, fear, love, and delights felt by the characters as I write the tale.

I was 5 when I saw my grandfather die. He drank morphene from a bottle, to stop his cancer pains, and soon after he stopped breathing. In the silent peace that followed, I realized that I too shall die one day, and life on earth will continue. The questions, Who am I? Where do I come from? What am I doing here? and Where will I go when I die? felt like the most important questions to find answers to before I die. The book, In Search of the Miraculous: Healing into Consciousness, was written fifty years later, and is the fruit of my search and discovery of answers to these questions.

Well, apart from having once been a teenager myself, I’ve also raised four teenagers and I know what they like to read, and in return, they’ve all helped me write my own books. I have a pretty eclectic attitude to stories as you can probably tell from the below list. I don't expect anyone to share my opinions, but I'd never introduce a reader to anything that’s just written to make money. 

My family lived in an American camp in Saudi Arabia when I was young, and we traveled extensively. I’ve always loved ancient cultures, from our first international trip to Greece when I was six. The two months I spent in Mexico and Central America as a young adult inspired my first novel for young people, The Well of Sacrifice. But Egypt has long held a special place in my heart. The mummies and pyramids grab a child’s attention. The fact that these people were so different from us – and yet so similar in other ways – keeps that fascination going. Stories about ancient Egypt never get old!

Having first discovered the mystery of ancient Egypt as a small child via my father’s war-time souvenirs, this interest grew over the years until it became a serious magical under-taking, culminating in Initiation into the magical order of the Temple of Khem. I became Principal tutor of the Order in 1998 and published Liber Ægyptius: The Book of Egyptian Magic in the same year. I continue to teach the Egyptian Mystery Tradition to those willing to submit themselves to the exacting discipline needed to enter the priesthood, and remain a member of the Egypt Exploration Society to keep up-to-date with the current archaeological discoveries in Egypt.

It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.