This was not a novel I would have normally chosen on my own. It came to me as a recommendation from a friend. It's a story about a small town, from its initial settlement to its maturation a century later. On one level, it was a great depiction about the development of this town and the people who developed it. On another level, it provided quirky characters that you can only really encounter in fiction. And finally, the idea of all the deceased residents of the town continuing to live on and converse years after their death really attracted me.
NEW YORK TIMES BESTSELLER • The bestselling author of Fried Green Tomatoes at the Whistle Stop Cafe is at her superb best in this fun-loving, moving novel about what it means to be truly alive.
WINNER OF THE SOUTHERN BOOK PRIZE
Elmwood Springs, Missouri, is a small town like any other, but something strange is happening at the cemetery. Still Meadows, as it’s called, is anything but still. Original, profound, The Whole Town’s Talking, a novel in the tradition of Thornton Wilder’s Our Town and Flagg’s own Can’t Wait to Get to Heaven, tells the story of Lordor Nordstrom, his…
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
This book opened in a graveyard and never let me go from there.
It’s not the sort of book I expected to like, let alone be wowed by or to be pleasing to a kid, but it works so well. Neil Gaiman’s writing is almost never stronger than it is here and every page kept me hooked to the point where I just wanted to keep reading, page after page.
When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family. A stunningly original novel deftly constructed over eight chapters, featuring every second year of Bod's life, from babyhood to adolescence. Will Bod survive to be a man?
Perrin' creates a world that is lyrical, emotionally taut and surprisingly suspenseful. It gained momentum for me after the first few chapters. One of the best books I've read in a very long time!
A WALL STREET JOURNAL BEST BOOK OF SUMMER 2021 A 2020 INDIES INTRODUCE & INDIE NEXT LIST PICK
A #1 international best-seller, Fresh Water for Flowers is an intimately told story about a woman who defiantly believes in happiness, despite it all.
Violette Toussaint is the caretaker at a cemetery in a small town in Bourgogne. Her life is lived to the predictable rhythms of the often funny, always moving confidences that casual mourners, regular visitors, and sundry colleagues share with her. Violette’s routine is disrupted one day by the arrival of Julien Sole—local police chief—who has come to scatter…
I suppose it began at age 10 as a transplant to Southern California from Minnesota. That awkward transition begged for an escape, and I found it in the supernatural. I watched the original Twilight Zones, tore through The Chronicles of Narnia one summer, discovered Ray Bradbury and Stephen King, and then picked up a pen and wrote. Creating new worlds became a calling. Then life and adulting got in the way, as they do, but over time, I’ve written three novels dealing with the supernatural. They’re the books I would have loved as a kid. They’re a leap into my head—care to try? It’ll be fun, he says.
This book scared the bejeebers out of me when I was just a teen. (Not fair, Steve.) I think it’s a highly underrated King novel, if possible, maybe because the various movie versions flopped. Sure, it’s a horror novel, but I was stricken by the story’s messages about dealing with grief due to the death of a loved one. And it also had the age-old message that we all need to remember: if it seems too good to be true, it absolutely is.
I loved the New England vernacular and characters. I also enjoyed how something as simple as a cat’s death can lead to something infinitely worse. I found it an emotional, tense, and spooky supernatural ride.
Now a major motion picture! Stephen King’s #1 New York Times bestseller is a “wild, powerful, disturbing” (The Washington Post Book World) classic about evil that exists far beyond the grave—among King’s most iconic and frightening novels.
When Dr. Louis Creed takes a new job and moves his family to the idyllic rural town of Ludlow, Maine, this new beginning seems too good to be true. Despite Ludlow’s tranquility, an undercurrent of danger exists here. Those trucks on the road outside the Creed’s beautiful old home travel by just a little too quickly, for one thing…as is evidenced by the…
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
This is one of the few books on cemeteries that captures the unmistakable ethereal beauty of graveyards. Sandra Clark’s spectacular photographic collection of images from some of America’s most breathtaking memorials in New Orleans brings together art and science, soliloquy and stone, and most importantly, life and death.
I grew up with a graveyard in my backyard: the historic Schenck-Covenhoven Graveyard in Penns Neck, New Jersey, just outside Princeton. This small square plot, filled with the 18th- and 19th-century graves of local families, served as the perfect playground for hide-and-seek and cops-and-robbers with my friends. Working as a tour guide and volunteer at Laurel Hill Cemetery for nearly thirty years, I fell in love with its rich history and its architectural and horticultural beauty. As I grow older, I have come to value cemeteries for their role as both a meeting place and a mediator between the living and the dead.
Given that she’s covering 199 cemeteries in 224 pages, it’s not surprising that Rhoads’ condensed descriptions sometimes sound like canned information from brochures and websites. It’s also focused on the Northern Hemisphere: the U.S. and Canada account for 100 of the 199 cemeteries, with another 55 in Europe, leaving 44 cemeteries for the rest of the world. Despite these limitations, 199 Cemeteriesis a handy bucket list to noteworthy burial grounds around the globe. Rhoads goes beyond standard churchyards and cemeteries to include sacred spaces like the National AIDS Memorial Grove in San Francisco, the Anglo-Saxon burial mounds of Sutton Hoo in England, and the Hiroshima Peace Memorial Park. Her book is a worthy successor to John Francis Marion’s landmark Famous and Curious Cemeteries, out-of-print but available used.
A hauntingly beautiful travel guide to the world's most visited cemeteries, told through spectacular photography andtheir unique histories and residents.
More than 3.5 million tourists flock to Paris's Pè Lachaise cemetery each year.They are lured there, and to many cemeteries around the world, by a combination of natural beauty, ornate tombstones and crypts, notable residents, vivid history, and even wildlife. Many also visit Mount Koya cemetery in Japan, where 10,000 lanterns illuminate the forest setting, or graveside in Oaxaca, Mexico to witness Day of the Dead fiestas. Savannah's Bonaventure Cemetery has gorgeous night tours of the Southern Gothic tombstones under…
Catherine McNeur is an award-winning historian, interested in the ways that issues of power impact how humans understand and transform their environments. She has long found the books, art, and other creative expressions that mischievously push at the edges of what we consider “nature” compelling, whether it’s a celebration of the beauty of weeds in an abandoned lot or nature writing on the flora in our guts. After having written about social and environmental battles in New York City, she is now researching the lives, work, and erasure of two forgotten female scientists from nineteenth-century Philadelphia. She lives in Oregon where she is a professor at Portland State University.
While some of us like to imagine humans as separate from nature, one moment where that boundary dissolves is with death. Inescapably, we will all eventually decompose and become a part of our environment. In Aaron Sach’s book, nineteenth-century Americans reckon with death through the creation of carefully landscaped cemeteries. What I particularly love about Arcadian America is how Sachs weaves his own memoir about his encounters with mortality in with the history he’s telling, making it a gripping page-turner.
How a forgotten environmental tradition of the pre-Civil War era may prove powerfully useful to us now
Perhaps America's best environmental idea was not the national park but the garden cemetery, a use of space that quickly gained popularity in the mid-nineteenth century. Such spaces of repose brought key elements of the countryside into rapidly expanding cities, making nature accessible to all and serving to remind visitors of the natural cycles of life. In this unique interdisciplinary blend of historical narrative, cultural criticism, and poignant memoir, Aaron Sachs argues that American cemeteries embody a forgotten landscape tradition that has much…
I used to be the caretaker for the last home of Edgar Allan Poe, and during my four-year tenure, I tried to read everything Poe ever wrote, as well as literature inspired by his work. The key word there is “tried.” It’s an impossible task. Poe’s influence is vast and evergreen. The traditional ghost story was not his specialty, but nevertheless, I associate him with spirits and phantoms since one of his primary obsessions was the potential oblivion of the afterlife. I share these obsessions, and I doubt I would have taken the job if I wasn’t already drawn to stories that imagine what lies beyond the veil.
Ghosts are my some of my favorite creatures in horror since, unlike werewolves and vampires, I believe they tap into a shared emotional landscape. Who has not wanted to speak to the spirit of a recently deceased loved one? Who has not stood over a grave and demanded answers? Farrenkopf takes this desire and builds a whole mythology around it while adding to the mix another irresistible question:
What if you could speak to your dead relatives and find out how you are going to die? Would you want to know?
Dave Gallagher, a cemetery caretaker, wrestles with this quandary, which gives the book its tension and grit. No easy answers are given here. Farrenkopf creates a world that is both fantastical and grounded in human longing.
"The effortless world building, buoyed by Dave's confident narration, immediately immerses readers in the intense unease, carrying them to its emotional conclusion. A character-centered and thought provoking tale that is as much about embracing life as it is about death, this title will appeal to fans of Elizabeth McCracken and Neil Gaiman" -Booklist
Dave Gallagher mows the lawns and digs the graves at cemeteries in his hometown on Cape Cod. He also keeps the peace between the ghosts inhabiting those cemeteries. In the world of Living in Cemeteries, wrongdoing is atoned for by a person's descendants. Spirits decapitate relatives of…
During my decades in the corporate world, I traveled extensively and spent months in England, where I became a devoted Anglophile. I am privileged to have met Queen Elizabeth II and Philip, and to have attended a knighting at Westminster. English history fascinates me, but so do gripping spy thrillers occurring in European and Middle Eastern settings. There’s nothing better than finishing a satisfying first book in a series—fiction or not--and deciding to ration the remaining ones so you can savor the experience a little longer!
Many of my books are ghost stories, and I enjoy finding other authors who write scary stories in that genre. Darcy Coates, a prolific author from Australia, does a wonderful job creating an eerie, spine-tingling setting and characters who will remind you of that monster you thought was in the closet. These are downright scary stories that will cause you to sleep with the light on. She has written numerous excellent stand-alone books, but her Gravekeeper series is a great way to delve into the mind of an author who has this genre nailed down tight (just like that coffin that might be hidden behind a wall in your basement)!
USA Today bestseller and rising queen of atmospheric horror Darcy Coates returns with a ghost story that will haunt you long after the final page. She hears them whispering... Homeless, hunted, and desperate to escape a bitter storm, Keira takes refuge in an abandoned groundskeeper's cottage. Her new home is tucked away at the edge of a cemetery, surrounded on all sides by gravestones: some recent, some hundreds of years old, all suffering from neglect. And in the darkness, she can hear the unquiet dead whispering. The cemetery is alive with faint, spectral shapes, led by a woman who died…
This was a gripping gothic tale of loss, despair, and denial.
The crafting of the main character’s heartbreak into a blinkered, macabre obsession with her dead daughter is absolutely devesting and I loved the way the author painted a picture of the coffin, which gave the mother a window into her daughter’s corpse and fed that obsession rather than brought any kind of comfort.
The escalation from inconsolable grief to near-necromancy recalls the gothic horror of Stephen King’s Pet Semetary and the author expertly mixed this influence with a dash of Edgar Allen Poe to craft a tragic mother who turns to deception and murder to reunite with her daughter.
