"A uniquely charming mixture of whimsy and the macabre that completely won me over. If you ever wished for an adult romance that felt like Howl's Moving Castle, THIS IS THAT BOOK." —Helen Hoang, author of The Kiss Quotient
Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness.
Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right…
I have worked as a funeral director for more than 35 years and write regularly about funeral service. Since I wrote my first book, Grave Undertakings, in 2003, there’s been a proliferation of books about funeral service. Funeral directors have many stories to tell, and some of the best are by those who have worked in the trenches and gleaned profound insight into the work that we do. I’m less enamored about the books that are written for sensationalism and excessively hyped. That said, I’m always on the lookout for a good book by a colleague who writes about the work that we do with sincerity and compassion.
In 2018, Danny Jefferson was selected “Funeral Director of the Year” by his colleagues. That honor was more than just the culmination of many years of hard work. It was especially gratifying for Jefferson, whose success was hard-won. Hearing impaired since birth, he not only became licensed as a funeral director, but also realized his dream of owning a funeral home. In his book, Jefferson writes candidly about the unique challenges he faced, and overcame, along the way in both his personal and professional life. He hopes that by sharing his story, it will inspire others not to let their own challenges, whatever they are, hold them back from achieving their goals. His friend, and co-author Raymond Reid, a noted artist, helped choose the book's title and also created the cover.
A Funeral Director's Triumph Over Adversity Danny Jefferson remembers being laughed at and bullied. He remembers talking too loud and too much. That's what deaf people do. His roller coaster journey through life will lead you from heartfelt tears to joyous laughter, as well as admiration for his many accomplishments along the way. Enjoy the ride!
Saving the planet one death at a time is truly what the world needs now: to reduce our carbon footprint and go out in eco-friendly style. As the one-woman funeral service in the rural town of Boring, Oregon, I support the philosophy of old-school burial practices that are kinder to both humans, the earth, and our wallets. I have humbly been baptized the Green Reaper for my passionate advocacy of green burial, and as an undertaker and the owner and undertaker of Cornerstone Funeral, the first green funeral home in the Portland area. I love to devour all literature possible on green burial and environmentally friendly death care.
This is the book where it all began. Mark Harris opened up eyes and hearts to the beauty of burying our loved ones naturally and on our own terms. I had never read such a clear reality of the embalming process and how Americans morphed from simple home burial to the industrial Googleplex of the funeral business. Want to be buried in your backyard or with a sheet off your bed? Read this book! The author is a former environmental columnist with the Los Angeles Times Syndicate and his work has been featured in many fabulous places.
Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
This book is a classic for a reason. It’s a sobering (and deeply entertaining) look at the industry of death.
With so few universal truths, one would imagine that humanity’s shared capacity to understand our own mortality would be a source of connection. Instead, it feels like the mechanics of death and everything surrounding it, get shoved under the carpet in our desperation to avoid the topic.
As Mitford lifts the veil on the funeral industry, it becomes apparent how important it is to shine a light on the things we’re most afraid of.
Only the scathing wit and searching intelligence of Jessica Mitford could turn an exposé of the American funeral industry into a book that is at once deadly serious and side-splittingly funny. When first published in 1963, this landmark of investigative journalism became a runaway bestseller and resulted in legislation to protect grieving families from the unscrupulous sales practices of those in "the dismal trade."
Just before her death in 1996, Mitford thoroughly revised and updated her classic study. The American Way of Death Revisited confronts new trends, including the success of the profession's lobbyists in Washington, inflated cremation costs, the…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
I love history, and stumbled across this book while researching the history of battlefield recoveries. Soldier Dead is comprehensive without being tedious and Sledge organizes the material in “sections” (i.e., combat vs. non-combat recoveries) that work much better than a timeline approach, though he doesn’t skimp on the history. If you’re interested in the Tomb of the Unknown Soldier theSoldier Dead offers, in my opinion, a slightly different look at the subject including the story of the eventual identification of the Vietnam unknown soldier (later identified as Michael Blassie). This book is a great mix of military history, forensics, and mortuary procedures.
What happens to members of the United States Armed Forces after they die? Why do soldiers endanger their lives to recover the remains of their comrades? Why does the military spend enormous resources and risk further fatalities to recover the bodies of the fallen, even decades after the cessation of hostilities? Soldier Dead is the first book to fully address the complicated physical, social, religious, economic, and political issues concerning the remains of men and women who die while serving their country. In doing so, Michael Sledge reveals the meanings of the war dead for families, soldiers, and the nation…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
As I said before, I love history, and Puckle’s book gives the reader a great look into the why of our funeral customs. As in: why do we send funeral flowers? (To which Puckle offers the glib answer, “the half sovereign he paid for it save him from the mental exercise of composing a suitable letter of condolence” before offering a serious explanation). Sure, the book was published almost a century ago, but that has no bearing on the contents. It’s an evergreen book and a highly recommended read for serious funereal scholars or those considering a career in funeral service.
Puckle's "Funeral Customs" is one of the more in-depth looks at death ever penned. Created in the early 20th century, it casts a rational and skeptical glance at the superstitions of burial practices and cremation alike, and lists in some detail the customs of death over time and changes to them during the black death and then-modernity among other eras. Not just a European work, it delves into Hinduism as well as Egyptian and Zoroastrian practices from antiquity.
From the memento mori to funeral feasts, its pages are filled with interesting folklore, astonishing history, and more than a few bits…
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This gothic fairytale is a favorite. Exploring the universal themes of good and evil, William Gay’s prose poetically weaves a sinister tale of Fenton Breece, an undertaker who abuses the dead.
This novel takes the reader on an eerie backwoods odyssey lush with peril and a grotesque cast of characters. I am inspired in my writing by Gay’s assignment of myth to place as he has done with the wilderness he calls the Harrikin.
Suspecting that something is amiss with their father's burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead. Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods…
I’m a Scottish writer, based in the USA after living in eight countries. I spent thirty years following work, family, and love, and my experiences seep into everything I write—so there are often elements of travel in my books. Thirteen years ago, I was diagnosed with a brain tumor, and underwent life-saving surgery. That experience gave me a new perspective on the power of the human spirit, and our ability to forge new and unexpected paths, in the face of adversity. I love to read about and create characters that take on life’s challenges and find inner strength they didn’t know they had. That’s why feisty female protagonists appeal to me.
This book turned me into an avid Wesley fan. Aside from her genius at creating characters that face their flaws head-on and then blow a giant raspberry rather than conform—parts of Poppy’s situation mirrored my own at the time. A longtime love had dumped me, then promptly changed his mind, leaving me questioning everything I believed to be true. Poppy bravely takes on a slew of challenges with humor and grace, grabbing back the reigns of her spiraling life. It’s easy to fall in love with a gutsy character like that.
I’ve been a little bit morbid since childhood. My father died when I was not quite 10 years old, and my mother was a huge fan of horror novels and scary movies. But I became seriously interested in death and dying when my mother got cancer and was facing the end of her own life. I acted as her medical advocate and participated in many aspects of her care. I'm also a sociologist who studies taboo elements of culture and I'm invested in creating a consciousness shift so that the United States is less death-phobic, allowing us all to live our lives more fully by addressing our mortality head-on!
I could not resist this book partly because I was already familiar with Doughty’s, “Ask a Mortician” YouTube series. I loved the way that she used her own experience as a young crematory operator, weaving in details of her personal life along the way, to show us all the different things that happen to bodies after they die.
I loved the dark humor she brought to subjects like embalming, cremation, and funeral directing. The poignant stories about collecting bodies from the places where they died, cremating bodies, and talking to family members or loved ones, helped me see the deeply human side of death care, and I certainly came away understanding a lot more about the realities of different body preparation and disposition options!
Armed with a degree in medieval history and a flair for the macabre, Caitlin Doughty took a job at a crematory and turned morbid curiosity into her life's work. She cared for bodies of every color, shape, and affliction, and became an intrepid explorer in the world of the dead. In this best-selling memoir, brimming with gallows humor and vivid characters, she marvels at the gruesome history of undertaking and relates her unique coming-of-age story with bold curiosity and mordant wit. By turns hilarious, dark, and uplifting, Smoke Gets in Your Eyes reveals how the fear of dying warps our…
This is a beautifully written book with a cast of characters who, while not totally lovable/likable, fit so deeply into the storyline and their harsh environment that they (and the book) is fabulous. The setting is a small town dying on the Montana plains - and the writing makes you FEEL it.
High Plains Book Award Winner for Fiction * Western Writers of America Spur Award Winner for Best Contemporary Western Novel * WILLA Literary Award Winner in Contemporary Fiction * Montana Book Award Honor Book
With the quiet precision of Jane Smiley's A Thousand Acres and the technical clarity of Mary Roach's Stiff, this is a novel about a young woman who comes most alive while working in her father's mortuary in a small, forgotten Western town.
"The dead come to me vulnerable, sharing their stories and secrets . . . "
