Fans pick 23 books like 199 Cemeteries to See Before You Die

Speaking of authors who combine stylistic daring with profound emotion, I give you George Saunders. Saunders’s strange and funny stories prompted me to try my hand at writing fiction, and his first novel is one of my favorite books.

Inspired by the true story of Abraham Lincoln sneaking, on multiple occasions, into a Washington D.C. crypt to cradle the corpse of his young son, Willie, this book also breathes life into a sizeable cast of ghosts squatting in the “Bardo”—a liminal space between life and death. As the American Civil War rages, President Lincoln and the unwilling ghosts must all come to terms with the inevitability of death. This book is a great American novel, equally hilarious and heart-breaking.

January 1901: Queen Victoria is dead and her subjects nervously await a new king and a new century. Two families—the aristocratic Colemans and middle-class Waterhouses—meet at their adjoining plots in London’s elegant Highgate Cemetery. Their five-year-old daughters form an immediate bond. The lives of the two families entwine over the next decade as they struggle with social change, betrayal, and grief. Surprisingly, Highgate offers a release from the confining decorum of their everyday lives. The two girls play among the graves with a gravedigger’s son, while adult members of their households indulge in forbidden liaisons there. Chevalier’s crisp prose creates rich character portraits and vivid historical scenes with only a few strokes. This slim novel resonated in my mind long after I finished it. 

If you like visiting cemeteries, then this slender, profusely illustrated volume is a necessity. Keister, a professional photographer, covers an impressively wide variety of topics. He outlines key architectural forms and defines the meaning of floral, animal, and religious iconography. Keister goes beyond the standard New England skull-and-crossbones to identify symbols used in various regions and cultures, and discusses Hebrew, Islamic, and Chinese, and Japanese religious icons in addition to Christian motifs. He also includes handy features like an alphabetical list of acronyms of societies, clubs, and organizations to help decipher mysterious abbreviations. A concluding chapter on “Final Impressions” profiles unique and unusual memorials from around the world. Keister’s excellent photographs illustrate the various symbols succinctly. 

I love a story set in a time and place I have scant reference for. Based partly on the English author’s experiences visiting Hollywood (during the filming of Brideshead Revisited), this book features a hyper-specific look at British expat life in Los Angeles in the 1940s. Sure, why not?

Things really get moving when the pet funeral home and love triangle plots begin a catastrophic entanglement that can only end in tragedy (but, like, in that ironic way, that’s fun to read about).

Many would point to Flagg’s Fried Green Tomatoes at the Whistle Stop Café as her opus to rural America, but the broader scope of The Whole Town’s Talking pulled me in instantly.

She draws out a full history of a small town, its good and bad and the people that made their mark there, some from birth to death. Even after death, their voices remain an active part of her tale, remaining as unbashful observers from the cemetery on the hill.

So much of rural America has fallen into disrepair, as does Flagg’s fictional Elmwood Springs, but I hold out hope that the increase in telecommuting and simmering desires to leave urban (and suburban) lives behind can reinvigorate some of these sleeping villages that are spread across much of the nation. 

I love books where I’m captivated by both the language and the characters, as I am in this startling novel told through the eyes of Violette Toussaint, the caretaker at a cemetery in a small town in Bourgogne. Violette says there are two confessionals in the town, one in the church, the other in her cottage, and I am totally entranced by the stories she hears and what she divulges about her own surprising past. Perrin’s story is magical. 

Greg Melville’s Over My Dead Body: Unearthing the Hidden History of America’s Cemeteries is a highly personal yet richly researched investigation into the history of U.S. cemeteries. Best of all, Melville doesn’t just study gravestones or the final resting place of famous people, he takes a deep dive into nearly every aspect of memorialization, including landscapes, mortuary practices, economics, and social rituals.

Any collection of famous people’s gravesites is going to be idiosyncratic. Ask 10 people whose graves they would like to visit, and you will get 100 different answers. That said, this is the most entertaining and reasonably comprehensive encyclopedia of the graves of the famous that you will find outside of Find-a-Grave. I’ve gotten hours of fun from it.

Since it contains very few grave monument photographs, Where Are They Buried? includes a whole lot of people whose ashes have been scattered. I would have loved to leave a rose at the grave of John Lennon, but the Strawberry Fields mosaic in Central Park will have to do.

While some of us like to imagine humans as separate from nature, one moment where that boundary dissolves is with death. Inescapably, we will all eventually decompose and become a part of our environment. In Aaron Sach’s book, nineteenth-century Americans reckon with death through the creation of carefully landscaped cemeteries. What I particularly love about Arcadian America is how Sachs weaves his own memoir about his encounters with mortality in with the history he’s telling, making it a gripping page-turner.

Ghosts are my some of my favorite creatures in horror since, unlike werewolves and vampires, I believe they tap into a shared emotional landscape. Who has not wanted to speak to the spirit of a recently deceased loved one? Who has not stood over a grave and demanded answers? Farrenkopf takes this desire and builds a whole mythology around it while adding to the mix another irresistible question:

What if you could speak to your dead relatives and find out how you are going to die? Would you want to know?

Dave Gallagher, a cemetery caretaker, wrestles with this quandary, which gives the book its tension and grit. No easy answers are given here. Farrenkopf creates a world that is both fantastical and grounded in human longing.