Here are 100 books that Arcadian America fans have personally recommended if you like
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Catherine McNeur is an award-winning historian, interested in the ways that issues of power impact how humans understand and transform their environments. She has long found the books, art, and other creative expressions that mischievously push at the edges of what we consider “nature” compelling, whether it’s a celebration of the beauty of weeds in an abandoned lot or nature writing on the flora in our guts. After having written about social and environmental battles in New York City, she is now researching the lives, work, and erasure of two forgotten female scientists from nineteenth-century Philadelphia. She lives in Oregon where she is a professor at Portland State University.
I love the way Andrew Robichaud brings to life the animal ghosts that haunt our modern cities. In ways that we often forget today, animals were integral to the development of urban spaces in ways that were much more visible in the nineteenth century, whether they were horses pulling carriages or pigs and cows herded down the street toward slaughterhouses. The laws governing how cities were organized typically began with debates over where animals were welcome. Robichaud does a great job of recreating the ecologically diverse nineteenth-century American cities in ways that make it easier to understand urban spaces and our relationships with animals today.
Why do America's cities look the way they do? If we want to know the answer, we should start by looking at our relationship with animals.
Americans once lived alongside animals. They raised them, worked them, ate them, and lived off their products. This was true not just in rural areas but also in cities, which were crowded with livestock and beasts of burden. But as urban areas grew in the nineteenth century, these relationships changed. Slaughterhouses, dairies, and hog ranches receded into suburbs and hinterlands. Milk and meat increasingly came from stores, while the family cow and pig gave…
I’m a scholar of environmental history with a focus on human-animal relationships. I’ve also studied the histories of slavery and the African Diaspora, and in my book I’ve fused approaches from these two fields to look at how human-animal relations and networks shaped the expansion of slavery and slave trading from West Africa to the Caribbean in the seventeenth and eighteenth centuries. My scholarship is also an outgrowth of my teaching, and I regularly teach American environmental and cultural history at California State University, Northridge. I finished my PhD in history at Rutgers University, and my research has recently been funded by the Special Collections Research Center at the College of William & Mary.
Pests like cockroaches, rats, ants, and fleas are social constructions, meaning they are only pests to humans because they often outcompete humans for space, food, and shelter.
Dawn Day Biehler’s book further shows that pests and urban infestations of animals categorized as pests reinforced racist ideas about “dirty” communities in cities like New York and Chicago.
From tenements to alleyways to latrines, twentieth-century American cities created spaces where pests flourished and people struggled for healthy living conditions. In Pests in the City, Dawn Day Biehler argues that the urban ecologies that supported pests were shaped not only by the physical features of cities but also by social inequalities, housing policies, and ideas about domestic space.
Community activists and social reformers strived to control pests in cities such as Washington, DC, Chicago, Baltimore, New York, and Milwaukee, but such efforts fell short when authorities blamed families and neighborhood culture for infestations rather than attacking racial segregation or…
I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicago’s mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
Years ago, I was a janitor. When I would take a shower, it was like I could never get the stench off my body. I like Susan Strasser’s book because it reminds me of the waste I use to clean up daily. She examines the most unprecedented commonplace act of throwing things out and how it has transformed American society.
Her classic book about trash world culture is fascinating to me because, in the last hundred years, the way of life has been replaced by mass consumption, disposable goods, and waste on an unimaginable scale. Her book could easily be used as a metaphor for the ‘homeless,’ whom some view as “disposable’ goods. Her book illustrates that what counts as trash depends on who counts it, and what we throw away defines us as much as we keep it.
Strasser argues that in Western society, popular understanding of cleanliness, gender,…
An unprecedented look at that most commonplace act of everyday life-throwing things out-and how it has transformed American society.
Susan Strasser's pathbreaking histories of housework and the rise of the mass market have become classics in the literature of consumer culture. Here she turns to an essential but neglected part of that culture-the trash it produces-and finds in it an unexpected wealth of meaning.
Before the twentieth century, streets and bodies stank, but trash was nearly nonexistent. With goods and money scarce, almost everything was reused. Strasser paints a vivid picture of an America where scavenger pigs roamed the streets,…
Catherine McNeur is an award-winning historian, interested in the ways that issues of power impact how humans understand and transform their environments. She has long found the books, art, and other creative expressions that mischievously push at the edges of what we consider “nature” compelling, whether it’s a celebration of the beauty of weeds in an abandoned lot or nature writing on the flora in our guts. After having written about social and environmental battles in New York City, she is now researching the lives, work, and erasure of two forgotten female scientists from nineteenth-century Philadelphia. She lives in Oregon where she is a professor at Portland State University.
I’ll admit that bulldozers seem like the very antithesis of nature and that’s why I love this book. Francesca Ammon looks at how the cultural embrace of bulldozers following World War II, whether through planning, urban renewal, or even children’s books, reshaped the way Americans dealt with their environment in the second half of the twentieth century. Bulldozers gave Americans immense power to level hills, neighborhoods, and orange groves to create blank slates so they could build highways and redesign cities. This book changed the way I understood the cultural and technological rise (and fall) of this destructive tool.
The first history of the bulldozer and its transformation from military weapon to essential tool for creating the post-World War II American landscape
Although the decades following World War II stand out as an era of rapid growth and construction in the United States, those years were equally significant for large-scale destruction. In order to clear space for new suburban tract housing, an ambitious system of interstate highways, and extensive urban renewal development, wrecking companies demolished buildings while earthmoving contractors leveled land at an unprecedented pace and scale. In this pioneering history, Francesca Russello Ammon explores how postwar America came…
I teach environmental education at Warren Wilson College outside Asheville, North Carolina, where I’ve raised my two daughters in a 900-square-foot campus rental with an expansive view of the Appalachian mountains. My students work in jobs ranging from managing the herd of cattle to growing vegetables for the cafeteria. After the sudden deaths of my parents, I decided to take this one-year journey to revise my final wishes with climate change and community in mind as a legacy to my children and my students. I’ve written five books, including the forthcoming Love Your Mother: 50 states, 50 stories, & 50 women united for climate justice (April 2023).
A friend recommended this slim book of 100 pages that poses a profound and direct question: How should we live in the end times when the climate crisis threatens our very existence? How can we garner the moral courage to live with the responsibility our times demand of us—as individuals and in collective? These are heavy queries but the philosophical and poetic lens of the authors opens that space to approach the challenge with more grace than fear. Plus, it’s a book that can fit in your back pocket, perfect for walks outside when you’re thinking about life and death in uncertain times.
"Truth-filled meditations about grace in the face of mortality." -MargaretAtwood In this powerful little book, two leading intellectuals illuminate the truth about where our environmental crisis is taking us. Writing from an island on Canada's Northwest coast, Robert Bringhurst and Jan Zwicky weigh in on the death of the planet versus the death of the individual. For Zwicky, awareness and humility are the foundation of the equanimity with which Socrates faced his death: he makes a good model when facing the death of the planet, as well as facing our own mortality. Bringhurst urges readers to tune their minds to…
Saving the planet one death at a time is truly what the world needs now: to reduce our carbon footprint and go out in eco-friendly style. As the one-woman funeral service in the rural town of Boring, Oregon, I support the philosophy of old-school burial practices that are kinder to both humans, the earth, and our wallets. I have humbly been baptized the Green Reaper for my passionate advocacy of green burial, and as an undertaker and the owner and undertaker of Cornerstone Funeral, the first green funeral home in the Portland area. I love to devour all literature possible on green burial and environmentally friendly death care.
I first learned of the Death Dialogue Projects through Instagram. The author has a standing open call for Tiny Death Stories of 100 words or less, and a few of mine were showcased along with many lovely true tales of personal loss and grief. What a welcome resource as well as her emotionally raw nature of her podcast translates well into her pages. The book is an obvious project of passion embracing death literacy. I love how healing and understanding are weaved through the shared stories.
The impending or actual death of someone close to you can be devastating. It doesn't matter if you knew it was coming, or if it was a total shock-you'll never be the same. There is no right way to grieve, and no appropriate time frame. It's different for everyone.
Author and therapist gone rogue, Becky Aud-Jennison, the creator of The Death Dialogues Project and podcast, has sewn together threads from people's shared personal stories and her own experiences, using them to offer insight and comfort to those who are experiencing the…
I am a literary and cultural historian who has been studying death for three decades. But I am, first and foremost, a human who has suffered the loss of loved ones and grief and found my immediate culture an inhospitable place to experience, transform, and share those emotions. We have an urgent need to “re-imagine” the way we prepare for our own deaths, as well as experience the deaths of others. I hope my work, both as a scholar and a public citizen, will inspire people to form communities of conversation and action that will reshape the way we think about death, dying, and grief.
I am so humbled and grateful for the death professionals of all stripes who help families with the transition of their loved one, whether it’s the hospice care doctors, nurses, and staff who think about the right cues and context or, as explored in this book, the folks re-thinking funerals and burial practices.
I have been to several in the last few years—a home funeral and a green burial stand out in particular—that have really deepened my sense of what we can do better. Reading this book opened up my imagination of what is possible for this crucial community experience. It triggered deep emotions from my personal experience, but in a way that helped me imagine a new path forward.
Honor your loved ones and the earth by choosing practical, spiritual, and eco-friendly after-death care
Natural, legal, and innovative after-death care options are transforming the paradigm of the existing funeral industry, helping families and communities recover their instinctive capacity to care for a loved one after death and do so in creative and healing ways. Reimagining Death offers stories and guidance for home funeral vigils, advance after-death care directives, green burials, and conscious dying. When we bring art and beauty, meaningful ritual, and joy to ease our loss and sorrow, we are greening the gateway of death and returning home…
Saving the planet one death at a time is truly what the world needs now: to reduce our carbon footprint and go out in eco-friendly style. As the one-woman funeral service in the rural town of Boring, Oregon, I support the philosophy of old-school burial practices that are kinder to both humans, the earth, and our wallets. I have humbly been baptized the Green Reaper for my passionate advocacy of green burial, and as an undertaker and the owner and undertaker of Cornerstone Funeral, the first green funeral home in the Portland area. I love to devour all literature possible on green burial and environmentally friendly death care.
A meaningful and absolutely pleasurable read that supports a treasured purpose in our complex world and justly speaks to one of the genuine accountabilities of being human: caring for and interring our dead. How do we plan for our final needs after passing and retain climate and community? Mallory faced these problems after her parents died in nearly identical biking mishaps a few years apart. She has inspired me greatly with how she writes about one of my favorite subjects. And how extra enjoyable to have my work attributed a few times throughout her book.
As we begin to contemplate death and to embark on practical planning for life's end, many of us long to leave a legacy beyond a transfer of money and property--one that ensures a sustainable earth for our loved ones, our communities, and generations to come. But where do we even begin?
With the sudden deaths of both of her parents, Mallory McDuff found herself in a similar position. Utterly unprepared both emotionally and practically, she began to research sustainable practices around death and dying, determined to honor their commitment to caring for the earth. For McDuff, an educator and environmentalist,…
My formative experiences as a writer took place largely in natural settings—as well as in the pages of many books. When I was a teenager I moved with my family to Jasper National Park, where I hiked and climbed and started writing my first stories. On one winter climb in a frozen ravine, I lost my footing and slid down an ice slope into a natural well. This became the seed of my first novel, Icefields. Living in a protected “wilderness” also helped me understand how precious and fragile the natural world is. I have published several novels and a collection of short fiction. I teach creative writing at the University of Alberta and live in a place with lots of trees.
From the jacket copy: “An anthology dedicated to saving as many species from extinction as humanly possible. The single largest collection of…comics calling for planetary change… The Most Important Comic Book on Earth is a global collaboration bringing together a diverse team of more than 300 leading environmentalists, artists, authors, actors, filmmakers, musicians, and more to present over 120 stories to save the world.”
Purchasing this anthology helps support projects aiming to save some of the one million species facing extinction today. Is there a better reason to buy a book?
The Most Important Comic Book On Earth is a global collaboration for planetary change, bringing together a diverse team of 300 leading environmentalists, artists, authors, actors, filmmakers, musicians, and more to present over 120 stories to save the world.
Whether it's inspirational tales from celebrity names such as Cara Delevingne and Andy Serkis, hilarious webcomics from War and Peas and Ricky Gervais, artworks by leading illustrators David Mack and Tula Lotay, calls to action from activists George Monbiot and Jane Goodall, or powerful stories by Brian Azzarello and Amy Chu, each of the comics in this anthology will support projects…
My passion for mining history was sparked when I lived in Fort Resolution, Northwest Territories. One of my students wanted to write a short essay on the Pine Point Mine, which he claimed had cheated the community by making so much money, providing few jobs, and leaving a big mess after closing. I offered to drive the student out to tour the abandoned mine and was blown away by the dozens of open pits and abandoned haul roads that had been carved out of the northern forest. From that day on, I was hooked on mining history, hungry to learn as much as possible about these abandoned places.
This one challenged me to get out of my historian’s bubble and confront the impacts of mining in the present and near future, especially those associated with the looming energy transition. Pollon blew me away with sobering facts, such as the need to mine 3 billion tons of minerals to stay below 2 degrees of global temperature increases.
I was also captivated by the author’s accounts of his travels to the front lines of the critical minerals boom, which paint a vivid portrait of the vast scale of development associated with lithium, copper, and nickel development. Pollon’s book reminded me that technological solutions to climate change (important as they are) come with their own environmental and human costs.
A harrowing journey through the past, present, and future of mining, this expertly-researched account ends on a vision for how industry can better serve the needs of humanity.
A race is on to exploit the last bonanzas of gold, silver, and industrial metals left on Earth. These metals are not only essential for all material comfort and need, but for the transition to clean energy: in the coming decades, billions of tons of copper, nickel, silver, and other metals will be required to build electric vehicles, solar and wind installations, and green infrastructure. We need more metals than ever before,…
