Here are 100 books that Animal City fans have personally recommended if you like
Animal City.
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I’m a scholar of environmental history with a focus on human-animal relationships. I’ve also studied the histories of slavery and the African Diaspora, and in my book I’ve fused approaches from these two fields to look at how human-animal relations and networks shaped the expansion of slavery and slave trading from West Africa to the Caribbean in the seventeenth and eighteenth centuries. My scholarship is also an outgrowth of my teaching, and I regularly teach American environmental and cultural history at California State University, Northridge. I finished my PhD in history at Rutgers University, and my research has recently been funded by the Special Collections Research Center at the College of William & Mary.
Pests like cockroaches, rats, ants, and fleas are social constructions, meaning they are only pests to humans because they often outcompete humans for space, food, and shelter.
Dawn Day Biehler’s book further shows that pests and urban infestations of animals categorized as pests reinforced racist ideas about “dirty” communities in cities like New York and Chicago.
From tenements to alleyways to latrines, twentieth-century American cities created spaces where pests flourished and people struggled for healthy living conditions. In Pests in the City, Dawn Day Biehler argues that the urban ecologies that supported pests were shaped not only by the physical features of cities but also by social inequalities, housing policies, and ideas about domestic space.
Community activists and social reformers strived to control pests in cities such as Washington, DC, Chicago, Baltimore, New York, and Milwaukee, but such efforts fell short when authorities blamed families and neighborhood culture for infestations rather than attacking racial segregation or…
Catherine McNeur is an award-winning historian, interested in the ways that issues of power impact how humans understand and transform their environments. She has long found the books, art, and other creative expressions that mischievously push at the edges of what we consider “nature” compelling, whether it’s a celebration of the beauty of weeds in an abandoned lot or nature writing on the flora in our guts. After having written about social and environmental battles in New York City, she is now researching the lives, work, and erasure of two forgotten female scientists from nineteenth-century Philadelphia. She lives in Oregon where she is a professor at Portland State University.
While some of us like to imagine humans as separate from nature, one moment where that boundary dissolves is with death. Inescapably, we will all eventually decompose and become a part of our environment. In Aaron Sach’s book, nineteenth-century Americans reckon with death through the creation of carefully landscaped cemeteries. What I particularly love about Arcadian America is how Sachs weaves his own memoir about his encounters with mortality in with the history he’s telling, making it a gripping page-turner.
How a forgotten environmental tradition of the pre-Civil War era may prove powerfully useful to us now
Perhaps America's best environmental idea was not the national park but the garden cemetery, a use of space that quickly gained popularity in the mid-nineteenth century. Such spaces of repose brought key elements of the countryside into rapidly expanding cities, making nature accessible to all and serving to remind visitors of the natural cycles of life. In this unique interdisciplinary blend of historical narrative, cultural criticism, and poignant memoir, Aaron Sachs argues that American cemeteries embody a forgotten landscape tradition that has much…
I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicago’s mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
Years ago, I was a janitor. When I would take a shower, it was like I could never get the stench off my body. I like Susan Strasser’s book because it reminds me of the waste I use to clean up daily. She examines the most unprecedented commonplace act of throwing things out and how it has transformed American society.
Her classic book about trash world culture is fascinating to me because, in the last hundred years, the way of life has been replaced by mass consumption, disposable goods, and waste on an unimaginable scale. Her book could easily be used as a metaphor for the ‘homeless,’ whom some view as “disposable’ goods. Her book illustrates that what counts as trash depends on who counts it, and what we throw away defines us as much as we keep it.
Strasser argues that in Western society, popular understanding of cleanliness, gender,…
An unprecedented look at that most commonplace act of everyday life-throwing things out-and how it has transformed American society.
Susan Strasser's pathbreaking histories of housework and the rise of the mass market have become classics in the literature of consumer culture. Here she turns to an essential but neglected part of that culture-the trash it produces-and finds in it an unexpected wealth of meaning.
Before the twentieth century, streets and bodies stank, but trash was nearly nonexistent. With goods and money scarce, almost everything was reused. Strasser paints a vivid picture of an America where scavenger pigs roamed the streets,…
Catherine McNeur is an award-winning historian, interested in the ways that issues of power impact how humans understand and transform their environments. She has long found the books, art, and other creative expressions that mischievously push at the edges of what we consider “nature” compelling, whether it’s a celebration of the beauty of weeds in an abandoned lot or nature writing on the flora in our guts. After having written about social and environmental battles in New York City, she is now researching the lives, work, and erasure of two forgotten female scientists from nineteenth-century Philadelphia. She lives in Oregon where she is a professor at Portland State University.
I’ll admit that bulldozers seem like the very antithesis of nature and that’s why I love this book. Francesca Ammon looks at how the cultural embrace of bulldozers following World War II, whether through planning, urban renewal, or even children’s books, reshaped the way Americans dealt with their environment in the second half of the twentieth century. Bulldozers gave Americans immense power to level hills, neighborhoods, and orange groves to create blank slates so they could build highways and redesign cities. This book changed the way I understood the cultural and technological rise (and fall) of this destructive tool.
The first history of the bulldozer and its transformation from military weapon to essential tool for creating the post-World War II American landscape
Although the decades following World War II stand out as an era of rapid growth and construction in the United States, those years were equally significant for large-scale destruction. In order to clear space for new suburban tract housing, an ambitious system of interstate highways, and extensive urban renewal development, wrecking companies demolished buildings while earthmoving contractors leveled land at an unprecedented pace and scale. In this pioneering history, Francesca Russello Ammon explores how postwar America came…
I am a professor of architecture, urbanism, and landscape at Northeastern University in Boston, as well as a licensed architect and urban designer. I’ve always been fascinated by the ways the design of the world affects our decision-making, health, and opportunities, from the early days of my career designing hospitals to my current work researching and designing for green space equity and considering how we design in the age of pandemics and climate change. I hope these books, as well as my own writing and work, empower people to understand, ask for, and co-design healthier environments wherever they live, work, and play.
I didn’t discuss mental health in my own book, simply because the topic so vast and nuanced it really needs a book of its own. Luckily, it’s comprehensively discussed in this new volume, with chapters such as “The green city,” “The active city,” and “The playable city.” There are several concrete examples here from the authors’ own research into “neurourbanism,” or the application of neuroscience to urban design and planning, which are fascinating to read. An overarching theme, which I have found in my own research as well, is that the more access everyone has to nature and parks, the more beneficial it is for better mental and physical health.
Overcrowding, noise and air pollution, long commutes and lack of daylight can take a huge toll on the mental well-being of city-dwellers. With mental healthcare services under increasing pressure, could a better approach to urban design and planning provide a solution? The restrictions faced by city residents around the world during the COVID-19 pandemic has brought home just how much urban design can affect our mental health - and created an imperative to seize this opportunity.
Restorative Cities explores a new way of designing cities, one which places mental health and wellness at the forefront. Establishing a blueprint for urban…
I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.
Jane Jacob’s groundbreaking, disruptive classic is first on many people’s lists. A journalist without a college degree and no formal training in urban planning, she blew up the once-established view that old-fashioned streets and buildings were done for, and that towers in the park surrounded by highways and parking lots were the way to go. Her portrait of her neighborhood in the West Village is deeply moving, and she almost single-handedly brought back these types of places as ideals.
However, she missed a lot. She didn’t understand the importance of infrastructure. She barely mentions the subways. She described her beloved streets as if they grew there, which was not the case. Reading this classic with a critical eye is the best way to do it. Jane Jacobs has become Saint Jane to many, but it’s important to see what she missed and what she got right.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
Ever since I first visited a prison during college and was shocked by its horrific conditions, I’ve been fascinated with America’s punitiveness—our tolerance for harsh, dehumanizing punishments. I pursued a Ph.D. in criminology in order to better understand the politics of crime and justice. I am constantly searching for “political space” within which to pursue meaningful criminal justice reform without provoking a punitive backlash. I was previously an associate professor of sociology at the University of Massachusetts Boston, and I am now a lecturer in criminology at the National University of Ireland Maynooth.
Manufacturing Decline educated me about the reasons why the steady loss of jobs, infrastructure, and population from Rust Belt cities in the latter half of the twentieth century was not a natural, unavoidable consequence of changes in the economy.
Hackworth tells a compelling history of the ways that Republican-controlled state legislatures enacted a variety of zoning, tax, and spending policies that facilitated the flow of resources out of cities (disproportionately populated by African Americans and Latinos) toward suburbs (disproportionately populated by White Americans).
The book includes a number of shocking quotes from Republican political advisors who admitted later in life that they knew how their policies would hurt Black communities.
For decades, the distressed cities of the Rust Belt have been symbols of deindustrialization and postindustrial decay, their troubles cast as the inevitable outcome of economic change. The debate about why the fortunes of cities such as Detroit have fallen looms large over questions of social policy. In Manufacturing Decline, Jason Hackworth offers a powerful critique of the role of Rust Belt cities in American political discourse, arguing that antigovernment conservatives capitalized on-and perpetuated-these cities' misfortunes by stoking racial resentment.
Hackworth traces how the conservative movement has used the imagery and ideas of urban decline since the 1970s to advance…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This is the book that launched a thousand essays about gentrification in urban neighborhoods and reinvented the term “revanchism” for use in critical geography.
From the French noun revanche, revanchism refers to a policy or movement focused on reacquiring a nation's lost territory. The Revanchist City as it became known after Smith’s book, describes city residents under siege by their own city governments.
Starting with a description of the battles over who could use Tompkins Square Park in New York City’s Lower East Side in the 1980s and 90s, and moving on to other case studies (some global), Smith shows how cities are transformed into zones of international capital investment and class privilege through neoliberal policies enacted at the municipal level.
Why have so many central and inner cities in Europe, North America and Australia been so radically revamped in the last three decades, converting urban decay into new chic? Will the process continue in the twenty-first century or has it ended? What does this mean for the people who live there? Can they do anything about it? This book challenges conventional wisdom, which holds gentrification to be the simple outcome of new middle-class tastes and a demand for urban living. It reveals gentrification as part of a much larger shift in the political economy and culture of the late twentieth…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
The history that matters most to me is the history that can help explain the world we live in now. The editors of Baltimore Revisited, a collection of brilliant essays about the city, takes that to heart. Fascinating chapters trace the War on Drugs back to the 1910s, when the city outlawed cocaine, examine how Johns Hopkins University’s growth has displaced Black residents for decades, and surprise us with the fact that Maryland was home to the longest-running movie censorship board in the country (which only closed shop in 1981). More than curiosities, though, these authors reveal how race, gender, sexuality, and class have affected Baltimore.
Most importantly, the book focuses on how everyday people fought back against discrimination through acts as varied as pickets against segregation to dancing in gay bars. The book is good history, yes, but also a call to action.
Nicknamed both "Mobtown" and "Charm City" and located on the border of the North and South, Baltimore is a city of contradictions. From media depictions in The Wire to the real-life trial of police officers for the murder of Freddie Gray, Baltimore has become a quintessential example of a struggling American city. Yet the truth about Baltimore is far more complicated-and more fascinating.
To help untangle these apparent paradoxes, the editors of Baltimore Revisited have assembled a collection of over thirty experts from inside and outside academia. Together, they reveal that Baltimore has been ground zero for a slew of…
I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
This book is full of engaging and thoughtful essays focusing on the ways that human-animal histories have shaped so many aspects of life in Canada. From the horses on the streets of Montreal in the 19th century to more recent exploration of captive animals in Vancouver, this book presents an important range of topics that ask the reader to think differently about the histories, spaces, and species they may think they know. I also really appreciate that the University of Calgary Press has published an open access version of this book.
Animal Metropolis brings a Canadian perspective to the growing field of animal history, ranging across species and cities, from the beavers who engineered Stanley Park to the carthorses who shaped the city of Montreal. Some essays consider animals as spectacle: orca captivity in Vancouver, polar bear tourism in Churchill, Manitoba, fish on display in the Dominion Fisheries Museum, and the racialized memory of Jumbo the elephant in St. Thomas, Ontario. Others examine the bodily intimacies of shared urban spaces: the regulation of rabid dogs in Banff, the maternal politics of pure milk in Hamilton and the circulation of tetanus bacilli…
