100 books like Learning to Die

I am a literary and cultural historian who has been studying death for three decades. But I am, first and foremost, a human who has suffered the loss of loved ones and grief and found my immediate culture an inhospitable place to experience, transform, and share those emotions. We have an urgent need to “re-imagine” the way we prepare for our own deaths, as well as experience the deaths of others. I hope my work, both as a scholar and a public citizen, will inspire people to form communities of conversation and action that will reshape the way we think about death, dying, and grief.

I teach environmental education at Warren Wilson College outside Asheville, North Carolina, where I’ve raised my two daughters in a 900-square-foot campus rental with an expansive view of the Appalachian mountains. My students work in jobs ranging from managing the herd of cattle to growing vegetables for the cafeteria. After the sudden deaths of my parents, I decided to take this one-year journey to revise my final wishes with climate change and community in mind as a legacy to my children and my students. I’ve written five books, including the forthcoming Love Your Mother: 50 states, 50 stories, & 50 women united for climate justice (April 2023). 

I am a literary and cultural historian who has been studying death for three decades. But I am, first and foremost, a human who has suffered the loss of loved ones and grief and found my immediate culture an inhospitable place to experience, transform, and share those emotions. We have an urgent need to “re-imagine” the way we prepare for our own deaths, as well as experience the deaths of others. I hope my work, both as a scholar and a public citizen, will inspire people to form communities of conversation and action that will reshape the way we think about death, dying, and grief.

I’ve been a little bit morbid since childhood. My father died when I was not quite 10 years old, and my mother was a huge fan of horror novels and scary movies. But I became seriously interested in death and dying when my mother got cancer and was facing the end of her own life. I acted as her medical advocate and participated in many aspects of her care. I'm also a sociologist who studies taboo elements of culture and I'm invested in creating a consciousness shift so that the United States is less death-phobic, allowing us all to live our lives more fully by addressing our mortality head-on!

Catherine McNeur is an award-winning historian, interested in the ways that issues of power impact how humans understand and transform their environments. She has long found the books, art, and other creative expressions that mischievously push at the edges of what we consider “nature” compelling, whether it’s a celebration of the beauty of weeds in an abandoned lot or nature writing on the flora in our guts. After having written about social and environmental battles in New York City, she is now researching the lives, work, and erasure of two forgotten female scientists from nineteenth-century Philadelphia. She lives in Oregon where she is a professor at Portland State University.

Saving the planet one death at a time is truly what the world needs now: to reduce our carbon footprint and go out in eco-friendly style. As the one-woman funeral service in the rural town of Boring, Oregon, I support the philosophy of old-school burial practices that are kinder to both humans, the earth, and our wallets. I have humbly been baptized the Green Reaper for my passionate advocacy of green burial, and as an undertaker and the owner and undertaker of Cornerstone Funeral, the first green funeral home in the Portland area. I love to devour all literature possible on green burial and environmentally friendly death care.

Saving the planet one death at a time is truly what the world needs now: to reduce our carbon footprint and go out in eco-friendly style. As the one-woman funeral service in the rural town of Boring, Oregon, I support the philosophy of old-school burial practices that are kinder to both humans, the earth, and our wallets. I have humbly been baptized the Green Reaper for my passionate advocacy of green burial, and as an undertaker and the owner and undertaker of Cornerstone Funeral, the first green funeral home in the Portland area. I love to devour all literature possible on green burial and environmentally friendly death care.

I have long been interested in understanding the role of knowledge in social-ecological systems. After experiencing and surviving a series of geological disasters in childhood, I began writing nonfiction and fiction about the importance of human relations and socio-cultural dimensions of sustainability. Since completing a PhD developing a knowledge ecosystems model for research innovation, I've published widely across areas such as knowledge management, information and computer sciences, higher education, and social policy. I'm a researcher in social technology, a qualified career development practitioner, and educator. I'm currently Director and Principal Consultant at Human Constellation. I've led and partnered on projects with many organizations including Reddit, Twitter, CSIRO, the Australian National University, and Harvard University. 

My formative experiences as a writer took place largely in natural settings—as well as in the pages of many books. When I was a teenager I moved with my family to Jasper National Park, where I hiked and climbed and started writing my first stories. On one winter climb in a frozen ravine, I lost my footing and slid down an ice slope into a natural well. This became the seed of my first novel, Icefields. Living in a protected “wilderness” also helped me understand how precious and fragile the natural world is. I have published several novels and a collection of short fiction. I teach creative writing at the University of Alberta and live in a place with lots of trees. 

I am an award-winning author of picture books and early readers. I have set my stories in many kinds of locations, including a haunted house, an Eastern European shtetl, an English Renaissance village, and a working cattle ranch. For Wake Up, City, I turned to the setting I know best, the city. I drew on memories of walking to kindergarten in early morning Brooklyn. This book is my love song to cities everywhere. As a lifelong city dweller, I worry about the impact of urban spread on the planet, but I feel hopeful, too, because many cities are becoming more nature and wildlife-friendly. The books I'm excited to share celebrate city wildlife.