Here are 57 books that From Here to Eternity fans have personally recommended if you like
From Here to Eternity.
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I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
The characters in Maggie O'Farrell's book are so real and compelling that they make historical figures feel like your next-door neighbors. I've always been obsessed with Shakespeare, and it's fascinating to learn more about how much Shakespeare was inspired by the death of his son Hamnet. It shows Shakespeare the man but also brings to life the other people in his life, especially the women, who history has forgotten about.
Behind every great man is an army of unseen women, and O'Farrell's novel gives those women voice and agency, showing what life (and death) was like for women in previous centuries, and showing that the experience of grief is universal.
WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell
TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.
I am an anatomy educator and doctoral researcher looking at the use of human material in anatomy education. My historical research into the antics of body suppliers has caused me to explore many publications on what we do with the remains of our relatives. This is a subject that can be fascinating but also requires compassionate handling and sometimes asks us questions that we often do not want to ponder.
An exploration of the suspected murder of an Italian child in London that along with the murders of Burke and Hare, changed how bodies are supplied for medical teaching. Set in London in the 1830s it is a factual look at the way cadavers were supplied for medical teaching at that point in history.
Towards the end of 1831, the authorities unearthed a series of crimes at Number 3, Nova Scotia Gardens in East London that appeared to echo the notorious Burke and Hare killings in Edinburgh three years earlier. After a long investigation, it became known that a group of body snatchers - two men in particular, John Bishop and Thomas Williams, called the 'London Burkers' - were supplying the anatomy schools with fresh 'examples' for dissection. The case became known as 'The Italian Boy' and caused a furore which led directly to the passing of controversial legislation which marked the beginning of…
I’m a writer and a bookstore owner and a lover of all things dark and strange. I grew up reading books that I often had to put in the freezer at night so that they wouldn’t haunt my dreams and I never grew out of it. I have a book club called The Fantastic Strangelings so I am constantly reading, and always looking for new and wonderful stories to share.
I know you’re probably expecting novels on my list but this is the true story of a librarian’s investigation into the science and history of books bound in human skin (for real). More fascinating than creepy, this book sucked me in from the very beginning. If you like Mary Roach (Stiff, Spooked) or Caitlin Doughty (Will My Cat Eat My Eyeballs?) then you will love Megan Rosenbloom
In Dark Archives, Megan Rosenbloom, a medical librarian and a cofounder of the Death Salon, seeks out the historic and scientific truths behind this anthropodermic bibliopegy. Dozens of these books still sit on the shelves of the world's most famous libraries and museums. What are their stories? Dark Archives exhumes their origins and brings to life the doctors, murderers, mental patients, beautiful women, and indigents whose lives are bound together in this rare, scattered, and disquieting collection. It also tells the story of the scientists, curators, and librarians like Rosenbloom - interested in the full complicated histories behind these dark…
I grew up down the road from the little graveyard where my grandfather was buried. By accident, I discovered the glorious Victorian-era Highgate Cemetery in 1991. A friend sent me to explore Paris’s Pere Lachaise Cemetery – and I was hooked. I’ve gone from stopping by cemeteries when I travel to building vacations around cemeteries I want to see. I’ve gone out of my way to visit cemeteries in the Czech Republic, Greece, Italy, Japan, Spain, Singapore, and across the United States. At the moment, I’m editing Death’s Garden Revisited, in which 40 contributors answer the question: “Why is it important to visit cemeteries?”
Although Ross’s book appears to be a guide to visiting graveyards, its focus often turns toward the people who work there: gravediggers, tour guides, historians, and even memorial artists. One of my favorite essays in the book introduces a modern maker of death masks, whose work appears on three headstones in Highgate Cemetery. The eulogy for “the best-known guide at the most famous cemetery in Ireland” nearly brought me to tears.
A Tomb With A View tells the stories of the graveyards and their dead, true, but most of all Ross conveys how the relationships between the dead and those who remain behind deepen with time. A lovely, life-affirming book.
WINNER OF THE SCOTTISH NON-FICTION BOOK OF THE YEAR AWARD 2021
A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR
'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel
'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing…
For 10 years, I edited Morbid Curiosity magazine. I believe that curiosity is the most important aspect of being human. More than the simple desire to know things, curiosity is a tool as powerful as a scalpel or a searchlight. Curiosity is a way to effect change, in our own lives and in the world. Morbid Curiosity magazine taught me to believe in the power of story, especially in the form of memoirs. Only by telling our own stories can we overcome our fears and find inspiration in death. Investigating my own relationship with death led me to write This Morbid Life. These books illuminated my search.
After Erica Buist's father-in-law died at home, a week passed before she and her husband found the body. Grief -- and the realization that everyone she knew would someday die -- hit Buist so hard that she couldn't leave her apartment. As a way to heal, she decided to travel to seven festivals around the world where death is celebrated, where the dead are still treated as part of the family. Her subsequent adventures in Mexico, Nepal, Sicily, Thailand, Madagascar, Japan, Indonesia, and New Orleans are both poignant and heartening. Her sense of humor shines through her experiences and makes this book laugh-out-loud funny at points.
What if we responded to death... by throwing a party?
By the time Erica Buist's father-in-law Chris was discovered, upstairs in his bed, his book resting on his chest, he had been dead for over a week. She searched for answers (the artery-clogging cheeses in his fridge?) and tried to reason with herself (does daughter-in-law even feature in the grief hierarchy?) and eventually landed on an inevitable, uncomfortable truth: everybody dies.
With Mexico's Day of the Dead festivities as a starting point, Erica decided to confront death head-on by visiting seven death festivals around the world - one for every…
For 10 years, I edited Morbid Curiosity magazine. I believe that curiosity is the most important aspect of being human. More than the simple desire to know things, curiosity is a tool as powerful as a scalpel or a searchlight. Curiosity is a way to effect change, in our own lives and in the world. Morbid Curiosity magazine taught me to believe in the power of story, especially in the form of memoirs. Only by telling our own stories can we overcome our fears and find inspiration in death. Investigating my own relationship with death led me to write This Morbid Life. These books illuminated my search.
Before she decided to study medicine, Christine Montross was a poet. She deploys the full beauty of language to explore how it feels to be a first-year medical student dissecting a cadaver in her gross anatomy class. Over the course of the year, Montross conveys much information about how the human body works and how doctors-to-be learn, but her primary focus is on her emotional journey, which spanned from being a student with no understanding beyond her own body to being someone able to heal anyone who comes to her for help. Lovely, powerful, and instructive, I hope this book is required reading for incoming med students.
A "gleaming, humane" (The New York Times Book Review) memoir of the relationship between a cadaver named Eve and a first-year medical student
Medical student Christine Montross felt nervous standing outside the anatomy lab on her first day of class. Entering a room with stainless-steel tables topped by corpses in body bags was initially unnerving. But once Montross met her cadaver, she found herself intrigued by the person the woman once was and fascinated by the strange, unsettling beauty of the human form. They called her Eve. The story of Montross and Eve is a tender and surprising examination of…
Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
This is a surprising book because while it is certainly macabre, it’s not morbid (at least not for me) and is strangely entertaining. It demystifies the human body and the process of death and dying.
Even as the author delves into every aspect of dead bodies, she does so with compassion and humor. Rooted and backed up with science, this book held my interest from beginning to end, and I read it non-stop for over a day and a half. Despite its grave subject matter, this book is not dark or scary. It’s matter-of-fact and very educational.
For two thousand years, cadavers - some willingly, some unwittingly - have been involved in science's boldest strides and weirdest undertakings. They've tested France's first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure, from heart transplants to gender confirmation surgery, cadavers have helped make history in their quiet way. "Delightful-though never disrespectful" (Les Simpson, Time Out New York), Stiff investigates the strange lives of our bodies postmortem and answers the question: What should…
I am an anatomy educator and doctoral researcher looking at the use of human material in anatomy education. My historical research into the antics of body suppliers has caused me to explore many publications on what we do with the remains of our relatives. This is a subject that can be fascinating but also requires compassionate handling and sometimes asks us questions that we often do not want to ponder.
This is an interesting book about the
nature of human corpses and their legal standing. Canto looks at several
controversial cases about the disposal of human remains, whether the deceased
wishes were upheld and where we stand on the definition of treating remains
with dignity and respect. Who controls the fate of human remains and is it
important that you specify what you want before you die.
What will become of our earthly remains? What happens to our bodies during and after the various forms of cadaver disposal available? Who controls the fate of human remains? What legal and moral constraints apply? Legal scholar Norman Cantor provides a graphic, informative, and entertaining exploration of these questions. "After We Die" chronicles not only a corpse's physical state but also its legal and moral status, including what rights, if any, the corpse possesses. In a claim sure to be controversial, Cantor argues that a corpse maintains a "quasi-human status" granting it certain protected rights - both legal and moral.…
I am an anatomy educator and doctoral researcher looking at the use of human material in anatomy education. My historical research into the antics of body suppliers has caused me to explore many publications on what we do with the remains of our relatives. This is a subject that can be fascinating but also requires compassionate handling and sometimes asks us questions that we often do not want to ponder.
Right up to date with a book written by an
anatomist detailing how cadavers are used in a modern teaching facility in the
UK. In an unusual break from the silence
that usually surrounds the use of human cadavers, Dr. Smith talks us through the
whole process from donation to disposal and the assistance they provide to
medical teaching.
One single body donation could affect the lives of around ten million patients. Body donation is an amazing gift which enables doctors and healthcare professionals to understand the human body. Surgeons can refine existing surgical skills and develop new procedures to create better treatment for you. Dr Claire Smith goes through every aspect of donating a body, clearly describing what happens to a body once it has been donated, how it is used, how bodies are reassembled and then placed in coffins before cremation.
This is the fascinating journey into the untold story of the Silent Teacher.
I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
I was obsessed with the Narnia series growing up, so when I was struggling to cope with grief, I knew I wanted to see what CS Lewis had to say on the subject. Some parts of the book are a bit too religious for my tastes, but Lewis writes with such astonishing rawness and clarity that it's impossible not to connect with it.
I wrote down so many different quotes from it because it feels like Lewis is speaking to my very soul. Because this is a book about grief, but it is also, profoundly, a book about love. You can't have grief without love and I find a such a potent reminder of that very affecting.
The perennial classic: this intimate journal chronicling the Narnia author's experience of grief after his wife's death has consoled readers for half a century with its 'sensitive and eloquent' magic (Hilary Mantel)
'An intimate, anguished account of a man grappling with the mysteries of faith and love ... Elegant and raw ... A powerful record of thought and emotion experienced in real time.' Guardian
'Raw and modern ... This unsentimental, even bracing, account of one man's dialogue with despair becomes both compelling and consoling ... A contemporary classic.' Observer
'A source of great consolation ... Lewis deploys his genius for…
