Here are 100 books that A Tomb With a View fans have personally recommended if you like
A Tomb With a View.
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I’m a writer and a bookstore owner and a lover of all things dark and strange. I grew up reading books that I often had to put in the freezer at night so that they wouldn’t haunt my dreams and I never grew out of it. I have a book club called The Fantastic Strangelings so I am constantly reading, and always looking for new and wonderful stories to share.
I know you’re probably expecting novels on my list but this is the true story of a librarian’s investigation into the science and history of books bound in human skin (for real). More fascinating than creepy, this book sucked me in from the very beginning. If you like Mary Roach (Stiff, Spooked) or Caitlin Doughty (Will My Cat Eat My Eyeballs?) then you will love Megan Rosenbloom
In Dark Archives, Megan Rosenbloom, a medical librarian and a cofounder of the Death Salon, seeks out the historic and scientific truths behind this anthropodermic bibliopegy. Dozens of these books still sit on the shelves of the world's most famous libraries and museums. What are their stories? Dark Archives exhumes their origins and brings to life the doctors, murderers, mental patients, beautiful women, and indigents whose lives are bound together in this rare, scattered, and disquieting collection. It also tells the story of the scientists, curators, and librarians like Rosenbloom - interested in the full complicated histories behind these dark…
I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
I've been a huge fan of mortician Caitlin Doughty for years, and this nonfiction book (which sees Doughty traveling from Japan to Colorado to Indonesia, looking at different things people do with the bodies of their deceased loved ones and how it helps them cope with loss) made me laugh like no other death book, and it taught me a lot, too.
I was especially intrigued by the chapter on human composting: the idea that it's possible to let a body decompose naturally in the earth, so it turns to compost. When my father died I had him buried in a compostable coffin made of banana tree, without any preservatives, and I like the idea of his body feeding flowers and bugs and becoming part of the harmonious web of life.
Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world's funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry-especially chemical embalming-and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the…
For 10 years, I edited Morbid Curiosity magazine. I believe that curiosity is the most important aspect of being human. More than the simple desire to know things, curiosity is a tool as powerful as a scalpel or a searchlight. Curiosity is a way to effect change, in our own lives and in the world. Morbid Curiosity magazine taught me to believe in the power of story, especially in the form of memoirs. Only by telling our own stories can we overcome our fears and find inspiration in death. Investigating my own relationship with death led me to write This Morbid Life. These books illuminated my search.
After Erica Buist's father-in-law died at home, a week passed before she and her husband found the body. Grief -- and the realization that everyone she knew would someday die -- hit Buist so hard that she couldn't leave her apartment. As a way to heal, she decided to travel to seven festivals around the world where death is celebrated, where the dead are still treated as part of the family. Her subsequent adventures in Mexico, Nepal, Sicily, Thailand, Madagascar, Japan, Indonesia, and New Orleans are both poignant and heartening. Her sense of humor shines through her experiences and makes this book laugh-out-loud funny at points.
What if we responded to death... by throwing a party?
By the time Erica Buist's father-in-law Chris was discovered, upstairs in his bed, his book resting on his chest, he had been dead for over a week. She searched for answers (the artery-clogging cheeses in his fridge?) and tried to reason with herself (does daughter-in-law even feature in the grief hierarchy?) and eventually landed on an inevitable, uncomfortable truth: everybody dies.
With Mexico's Day of the Dead festivities as a starting point, Erica decided to confront death head-on by visiting seven death festivals around the world - one for every…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
For 10 years, I edited Morbid Curiosity magazine. I believe that curiosity is the most important aspect of being human. More than the simple desire to know things, curiosity is a tool as powerful as a scalpel or a searchlight. Curiosity is a way to effect change, in our own lives and in the world. Morbid Curiosity magazine taught me to believe in the power of story, especially in the form of memoirs. Only by telling our own stories can we overcome our fears and find inspiration in death. Investigating my own relationship with death led me to write This Morbid Life. These books illuminated my search.
Before she decided to study medicine, Christine Montross was a poet. She deploys the full beauty of language to explore how it feels to be a first-year medical student dissecting a cadaver in her gross anatomy class. Over the course of the year, Montross conveys much information about how the human body works and how doctors-to-be learn, but her primary focus is on her emotional journey, which spanned from being a student with no understanding beyond her own body to being someone able to heal anyone who comes to her for help. Lovely, powerful, and instructive, I hope this book is required reading for incoming med students.
A "gleaming, humane" (The New York Times Book Review) memoir of the relationship between a cadaver named Eve and a first-year medical student
Medical student Christine Montross felt nervous standing outside the anatomy lab on her first day of class. Entering a room with stainless-steel tables topped by corpses in body bags was initially unnerving. But once Montross met her cadaver, she found herself intrigued by the person the woman once was and fascinated by the strange, unsettling beauty of the human form. They called her Eve. The story of Montross and Eve is a tender and surprising examination of…
I grew up down the road from the little graveyard where my grandfather was buried. By accident, I discovered the glorious Victorian-era Highgate Cemetery in 1991. A friend sent me to explore Paris’s Pere Lachaise Cemetery – and I was hooked. I’ve gone from stopping by cemeteries when I travel to building vacations around cemeteries I want to see. I’ve gone out of my way to visit cemeteries in the Czech Republic, Greece, Italy, Japan, Spain, Singapore, and across the United States. At the moment, I’m editing Death’s Garden Revisited, in which 40 contributors answer the question: “Why is it important to visit cemeteries?”
Even though it’s 12 years old, this is still the definitive history of burial grounds in America.I honestly cannot rave about it enough.
Although the book looks dry and intimidating, I promise you it’s anything but. Yalom provides solid information about the history of burial and burial grounds in the United States, leavened with personal reflections inspired by the graveyards she visited as she researched. If anything can inspire a desire to travel to visit cemeteries, The American Resting Place will set your feet on the path.
An illustrated cultural history of America through the lens of its gravestones and burial practices—featuring eighty black-and-white photographs.
In The American Resting Place, cultural historian Marilyn Yalom and her son, photographer Reid Yalom, visit more than 250 cemeteries across the United States. Following a coast-to-coast trajectory that mirrors the historical pattern of American migration, their destinations highlight America’s cultural and ethnic diversity as well as the evolution of burials rites over the centuries.
Yalom’s incisive reading of gravestone inscriptions reveals changing ideas about death and personal identity, as well as how class and gender play out in stone. Rich particulars…
I grew up with a graveyard in my backyard: the historic Schenck-Covenhoven Graveyard in Penns Neck, New Jersey, just outside Princeton. This small square plot, filled with the 18th- and 19th-century graves of local families, served as the perfect playground for hide-and-seek and cops-and-robbers with my friends. Working as a tour guide and volunteer at Laurel Hill Cemetery for nearly thirty years, I fell in love with its rich history and its architectural and horticultural beauty. As I grow older, I have come to value cemeteries for their role as both a meeting place and a mediator between the living and the dead.
If you like visiting cemeteries, then this slender, profusely illustrated volume is a necessity. Keister, a professional photographer, covers an impressively wide variety of topics. He outlines key architectural forms and defines the meaning of floral, animal, and religious iconography. Keister goes beyond the standard New England skull-and-crossbones to identify symbols used in various regions and cultures, and discusses Hebrew, Islamic, and Chinese, and Japanese religious icons in addition to Christian motifs. He also includes handy features like an alphabetical list of acronyms of societies, clubs, and organizations to help decipher mysterious abbreviations. A concluding chapter on “Final Impressions” profiles unique and unusual memorials from around the world. Keister’s excellent photographs illustrate the various symbols succinctly.
Certain symbols abound in modern Western culture that are instantly recognizable: the cross signifies Christianity, the six-pointed Star of David is revered by Jews, the golden arches frequently means it's time for lunch. Other symbols, however, require a bit of decoding-particularly those found in cemeteries. Cemeteries are virtual encyclopedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person: date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book Stories in Stone: The Complete Guide to Cemetery Symbolism by…
What happens when a person is placed into a medically-induced coma?
The brain might be flatlining, but the mind is far from inactive: experiencing alternate lives rich in every detail that spans decades, visiting realms of stunning and majestic beauty, or plummeting to the very depths of Hell while defying…
I grew up down the road from the little graveyard where my grandfather was buried. By accident, I discovered the glorious Victorian-era Highgate Cemetery in 1991. A friend sent me to explore Paris’s Pere Lachaise Cemetery – and I was hooked. I’ve gone from stopping by cemeteries when I travel to building vacations around cemeteries I want to see. I’ve gone out of my way to visit cemeteries in the Czech Republic, Greece, Italy, Japan, Spain, Singapore, and across the United States. At the moment, I’m editing Death’s Garden Revisited, in which 40 contributors answer the question: “Why is it important to visit cemeteries?”
Any collection of famous people’s gravesites is going to be idiosyncratic. Ask 10 people whose graves they would like to visit, and you will get 100 different answers. That said, this is the most entertaining and reasonably comprehensive encyclopedia of the graves of the famous that you will find outside of Find-a-Grave. I’ve gotten hours of fun from it.
Since it contains very few grave monument photographs, Where Are They Buried? includes a whole lot of people whose ashes have been scattered. I would have loved to leave a rose at the grave of John Lennon, but the Strawberry Fields mosaic in Central Park will have to do.
Where Are They Buried? has directed legions of fervent fans and multitudes of the morbidly curious to the graves, monuments, memorials, and tombstones of the nearly 500 celebrities and antiheroes included in the book.
The most complete and well-organized guide on the subject by far, every entry features an entertaining capsule biography full of little-known facts, a detailed description of the death, and step-by-step directions to the grave, including not only the name of the cemetery but the exact location of the gravesite and how to reach it. The book also provides a handy index of grave locations organized by…
I grew up down the road from the little graveyard where my grandfather was buried. By accident, I discovered the glorious Victorian-era Highgate Cemetery in 1991. A friend sent me to explore Paris’s Pere Lachaise Cemetery – and I was hooked. I’ve gone from stopping by cemeteries when I travel to building vacations around cemeteries I want to see. I’ve gone out of my way to visit cemeteries in the Czech Republic, Greece, Italy, Japan, Spain, Singapore, and across the United States. At the moment, I’m editing Death’s Garden Revisited, in which 40 contributors answer the question: “Why is it important to visit cemeteries?”
London is basically built over layer upon layer of graves. I was thoroughly fascinated by the Bronze Age tumulus on Parliament Hill, which Arnold calls one of the oldest burial grounds in the city, predating Highgate Cemetery by over 4000 years.
The book really grabbed me when it explored the plague pits of the Middle Ages. I could have read much more about those centuries, although so little seems to be left above ground to mark them. The Tudor chapters were equally fascinating.
Once the book moves into the exquisite Victorian-era graveyards, Arnold hits her stride. If you are new to the study of all things dead in London, this is crucial material.
From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the current approach of metropolitan society towards death and bereavement -- including more recent trends to displays of collective grief and the cult of mourning, such as that surrounding the death of Diana, Princess of Wales -- NECROPOLIS: LONDON AND ITS DEAD offers a vivid historical narrative of this great city's attitude to going the way of all flesh. As layer upon layer of London soil reveals burials from pre-historic and medieval times, the city is…
I am a historian of the American Revolution. I am interested in the war that created the United States, why it happened, and its lasting effects on the world today. The British government kept meticulous records of the lead-up to American independence and I have scoured these for new and interesting stories that historians have missed. I teach history at Eastern Michigan University, and I am currently completing a book on buggery in the British army that will be out in 2024.
Revolutionary historians are familiar with the Townshend Acts, import duties approved by Parliament in 1767 that pushed the Americans closer toward independence. Patrick Griffin explores the man for who the taxes were named—Chancellor of the Exchequer Charles Townshend—but also his brother George who served as Lord Lieutenant of Ireland from 1767 to 1772. By comparing and contrasting these two brothers who ran the British Empire for a brief moment, Griffin invites us to consider the American Revolution within its imperial context. I found the parallels between America where independence efforts succeeded and Ireland where they failed particularly thought-provoking.
The captivating story of two British brothers whose attempts to reform an empire helped to incite rebellion and revolution in America and insurgency and reform in Ireland
Patrick Griffin chronicles the attempts of brothers Charles and George Townshend to control the forces of history in the heady days after Britain's mythic victory over France in the mid-eighteenth century, and the historic and unintended consequences of their efforts. As British chancellor of the exchequer in 1767, Charles Townshend instituted fiscal policy that served as a catalyst for American rebellion against the Crown, while his brother George's actions at the same moment…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This masterful study of trimmings made and used in Britain and Ireland from 1320-1970 is a lesson in how to look carefully. Westman’s understanding of the most sumptuous elements in interiors, essentially the “bling”, offers insights into specialist working practices and the relationships between clients, suppliers, makers, and fashionability. Her forensic approach means that often the stunning images are paired with a detail of a tassel, cord, or fringe. You’ll never look at a painting of an interior in the same way again!
Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
