Here are 100 books that Fringe, Frog and Tassel fans have personally recommended if you like
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It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
If you’re interested in the origins of creative thought, this is the book for you. Baskets are key, it turns out, in the connections now made between humans and the tool- and nest-making birds and chimpanzees. Containing, yes, but holding so much more than “stuff”, baskets from around the world are holders of pattern recognition, histories, and even wisdom.
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This excellent introduction to the latest archaeological textile studies should convince you that this is the most exciting field for new interdisciplinary approaches to understanding the past. There are 23 essays discussing finds from 16 counties, each telling intelligent but accessible stories about social, chronological, and cultural aspects of ancient societies. Well illustrated and with lots of further reading listed, you’ll end up wanting more.
There is evidence that ever since early prehistory, textiles have always had more than simply a utilitarian function. Textiles express who we are - our gender, age, family affiliation, occupation, religion, ethnicity and social, political, economic and legal status. Besides expressing our identity, textiles protect us from the harsh conditions of the environment, whether as clothes or shelter. We use them at birth for swaddling, in illness as bandages and at death as shrouds. We use them to carry and contain people and things. We use them for subsistence to catch fish and animals and for transport as sails. In…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
Small things have large stories to tell. Here the topic is a particular type of pocket: generously-sized containers tied on, usually hidden from sight beneath a skirt. Brought to life through surviving examples and depictions of their use, the passages from novels, diaries, court proceedings, and more are especially revealing (in every sense). Is the pocket the necessary accessory of the neat housewife, or an aid to duplicity and secret immorality? This thorough and attractive study has the answer.
"A riveting book . . . few stones are left unturned."-Roberta Smith's "Top Art Books of 2019," The New York Times
This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women's everyday lives-from duchesses and country gentry to prostitutes and washerwomen-and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women's stories into intimate focus.
"What particularly interests Burman and Fennetaux is the way in which…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
Today’s freedom to dress as we like is the result of an ‘anti-couture’ movement that sprang forth in the mid-1960s. If you’re a fan of psychedelic rock, you’re already aware of the rebellious youth culture of the time. Hand crochet, stitch, knit, and/or dying gave us theatrical assemblages that made personal expression far more important than the latest catwalk styles. Now you can see the best of the garments that sprang forth to forever change the definition of fashion.
Exploring the origins and lasting significance of a dynamic, subversive, and interactive art form
This is the first publication to consider art to wear, also known as wearable art, as a discrete American movement that mirrored the cultural, political, social, and spiritual concerns of a generation that came of age in the late 1960s and 1970s. Trained primarily in the fine arts, they adopted nontraditional forms, materials, and techniques to create works using the body as an armature. Collectively, these practitioners have had a significant but underrecognized impact on art making and education. Their legacy continues today among younger artists…
As a kid growing up in the northeast of England I became fascinated by the insects, flowers, birds, geology, and seashore life around me. That fascination with natural history never left me and I had the fortune to turn my childhood interests into a professional career as a research scientist, teacher, and writer. My work on pollinators and plants has taken me around the world, from the grasslands of Oxfordshire to the deserts of Namibia and the mountains of Nepal, from the rainforests of Brazil and Australia to the thorny shrublands of Tenerife. The result has been more than 135 articles plus a couple of books. I must get back to writing the next one…
This ground-breaking book was the first illustrated field guide to cover all of the more than 270 species of bees that occur in Great Britain and Ireland. It provides a detailed account of the natural history of these fascinating insects, plus photographs and taxonomic keys to help you to determine what they are. Be warned, however, as the author acknowledges, many bees are challenging to identify! Nonetheless, Falk and Lewington’s book is invaluable for anyone interested in the natural history of bees.
This is a brand new field guide to Britain's bees that for the first time makes this fascinating and important group of insects accessible to the general naturalist. The guide covers over 270 species, and is fully illustrated with stunning photographs and Richard Lewington's beautiful colour artwork.
I’ve been fascinated by money since I was a graduate student when I had even less of it than I do today (as a British historian in the CUNY system). We all carry it in our wallets and have more or less of it in the bank, but it’s also in the air we breathe, suffusing the books we read and the decisions we make. So when I started researching and writing about the British past, money and its associated institutions seemed like an obvious place to start looking. It has yet to let me down, enabling me to discover new things to say about politics, literature, and society.
When I got wind of this book, I had just finished writing a book about gold and money in Britain from the 1750s to the 1850s. Although I knew about the long history of British money prior to the 1750s and also about its complicated history down to the present, I jumped at the chance to read the whole story laid out between two covers. Blaazer deftly accomplishes this task, with a special focus on the strikingly different paths that money took in Britain’s three corners of Ireland, Scotland, and England (not so much on Wales, as is so often the case in such histories!).
How a country manages its money, it turns out, says much about how it governs its people—ranging from willful indifference in Ireland to consistent policies in England and Scotland that favored the wealthy (and especially the bankers) over the middling classes. A final advantage of…
In Forging Nations, Blaazer studies the relationships between money, power, and nationality in England, Scotland, and Ireland from the first attempts to unify their currencies following the Union of the Crowns in 1603 to the aftermath of the Global Financial Crisis. Through successive crises spanning four centuries, Forging Nations examines critical struggles over monetary power between the state and its creditors, and within and between nations during the long, multifaceted process of creating the United Kingdom as a monetary as well as a political union. It shows how and why centuries of monetary dysfunction and conflict eventually gave way to…
I am a historian of the American Revolution. I am interested in the war that created the United States, why it happened, and its lasting effects on the world today. The British government kept meticulous records of the lead-up to American independence and I have scoured these for new and interesting stories that historians have missed. I teach history at Eastern Michigan University, and I am currently completing a book on buggery in the British army that will be out in 2024.
Revolutionary historians are familiar with the Townshend Acts, import duties approved by Parliament in 1767 that pushed the Americans closer toward independence. Patrick Griffin explores the man for who the taxes were named—Chancellor of the Exchequer Charles Townshend—but also his brother George who served as Lord Lieutenant of Ireland from 1767 to 1772. By comparing and contrasting these two brothers who ran the British Empire for a brief moment, Griffin invites us to consider the American Revolution within its imperial context. I found the parallels between America where independence efforts succeeded and Ireland where they failed particularly thought-provoking.
The captivating story of two British brothers whose attempts to reform an empire helped to incite rebellion and revolution in America and insurgency and reform in Ireland
Patrick Griffin chronicles the attempts of brothers Charles and George Townshend to control the forces of history in the heady days after Britain's mythic victory over France in the mid-eighteenth century, and the historic and unintended consequences of their efforts. As British chancellor of the exchequer in 1767, Charles Townshend instituted fiscal policy that served as a catalyst for American rebellion against the Crown, while his brother George's actions at the same moment…
I am an academic historian who has had a passion for the wars of the three kingdoms for over three decades. I have been reading books about the civil wars in Britain and Ireland since I was ten years old. I have been a member of the re-enactment society The Sealed Knot and the Cromwell Association. I published my first monograph on the wars of the three kingdoms in 2018. The monograph views the conflict from a three kingdoms perspective through the eyes of the Scottish Covenanters and their English allies. I am a Fellow of the Royal Historical Society.
Still the best introductory text for students covering all major events in the Wars of the Three Kingdoms in a concise and accessible manner. This book steps away from the more Anglo-centric analyses of the conflict, looking at events in Ireland, Scotland and Wales in some detail. In contrast with the books above, Bennett also steps away from the experience of political elites and examines the experiences of ordinary soldiers and civilians during the conflict.
This book provides a fresh perspective on one of the most complex and turbulent periods in the history of the British Isles. Setting the experience of Wales, Scotland and Ireland alongside England, the author examines the interplay of politics, societies and culture both within and between each of the four nations involved in the political struggles of the mid--seventeenth century.
I have been immersed in nature since I was able to walk, my love for nature initially inspired by a chance encounter as a toddler with a buzzard amid South Devon’s leafy lanes. Upon fledging into adult plumage, I eventually became an award-winning wildlife and travel writer. After returning to Britain after several years leading wildlife tours in South America and Antarctica, I had an irrepressible desire to renew my relationship with British nature. My books 52 Wildlife Weekends, A Summer of British Wildlife (winner, Travel Guidebook of the Year, 2016) and Much Ado About Mothing (a travel narrative longlisted for the 2022 James Cropper Wainwright Prize) are the result.
In my view, this is the finest field guide ever produced for a group of animals or plants.
It is not only the best guide available to identify this most spectacular of floral groups when in flower – but also helps you put names to them when mere leaves growing up or when in seed, and on the way out. Throw in excellent, up-to-date maps, and you have a wonderful field guide that inspires you to explore Britain like never before.
An accessible, comprehensive and beautifully illustrated guide-the only one to cover all the orchids found in Britain and Ireland
Covering all fifty-one native species and twelve of uncertain origin, as well as hybrids and variants, Britain's Orchids is an engaging, intuitive and in-depth identification guide to all the orchids of Britain and Ireland at all stages of development, from first emergence to setting seed. Drawing on the authors' extensive field experience and the latest scientific research, the book uses multiple techniques to help both beginner and more advanced orchid enthusiasts to identify even the most difficult plants. It is beautifully…
I’ve been reading historical fiction since childhood—it’s my preferred method for learning history. I want to know who people were in an everyday way, not as broad-brush reporting. My tastes are not limited to particular eras although I do my best to skip as much battle detail as I can. I like historical fiction that has character as its throughline. Who are these people? What do/did they want? How did they get it? I think my theatre background and training are what make me ask questions like these. What did they have for dinner? What did they talk about? Their excesses, their eccentricities, their excellences.
Skye O’Malley is one of the first heroines I encountered who lived by her own code, a startling development in a romance. In addition, Bertrice Small was the first to bridge romance and steamy; our Skye is definitely that. She’s delightful, delicious, de-lovely, and I really admire her outré behavior with England’s capricious Elizabeth Regina. She ends up the head of a clan of brothers and a worldwide sea-faring enterprise as well as a lover, a mother, and a remarkable human being. In addition, there are six more about her next generation, Skye’s Legacy. Small’s research into the Far East is exemplary given a time long, long before Google.
From the incomparable New York Times bestselling author Bertrice Small comes a heroine as breathtaking as she is legendary.
Indomitable and bold in an era of royalty and rogues, Skye O’Malley is a woman who embraces her unbridled sensuality as valiantly as she fights for her children, her lovers, her empire. A woman of justice and honor, she will match wits with and challenge the most dangerous and powerful woman of her time: Queen Elizabeth I.
Though Skye is the object of every man’s fantasy, only a handful have had the thrill of tasting her enticing passions–men whose own daring…
