Here are 100 books that Basketry and Beyond fans have personally recommended if you like
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It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This excellent introduction to the latest archaeological textile studies should convince you that this is the most exciting field for new interdisciplinary approaches to understanding the past. There are 23 essays discussing finds from 16 counties, each telling intelligent but accessible stories about social, chronological, and cultural aspects of ancient societies. Well illustrated and with lots of further reading listed, you’ll end up wanting more.
There is evidence that ever since early prehistory, textiles have always had more than simply a utilitarian function. Textiles express who we are - our gender, age, family affiliation, occupation, religion, ethnicity and social, political, economic and legal status. Besides expressing our identity, textiles protect us from the harsh conditions of the environment, whether as clothes or shelter. We use them at birth for swaddling, in illness as bandages and at death as shrouds. We use them to carry and contain people and things. We use them for subsistence to catch fish and animals and for transport as sails. In…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This masterful study of trimmings made and used in Britain and Ireland from 1320-1970 is a lesson in how to look carefully. Westman’s understanding of the most sumptuous elements in interiors, essentially the “bling”, offers insights into specialist working practices and the relationships between clients, suppliers, makers, and fashionability. Her forensic approach means that often the stunning images are paired with a detail of a tassel, cord, or fringe. You’ll never look at a painting of an interior in the same way again!
Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
Small things have large stories to tell. Here the topic is a particular type of pocket: generously-sized containers tied on, usually hidden from sight beneath a skirt. Brought to life through surviving examples and depictions of their use, the passages from novels, diaries, court proceedings, and more are especially revealing (in every sense). Is the pocket the necessary accessory of the neat housewife, or an aid to duplicity and secret immorality? This thorough and attractive study has the answer.
"A riveting book . . . few stones are left unturned."-Roberta Smith's "Top Art Books of 2019," The New York Times
This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women's everyday lives-from duchesses and country gentry to prostitutes and washerwomen-and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women's stories into intimate focus.
"What particularly interests Burman and Fennetaux is the way in which…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
Today’s freedom to dress as we like is the result of an ‘anti-couture’ movement that sprang forth in the mid-1960s. If you’re a fan of psychedelic rock, you’re already aware of the rebellious youth culture of the time. Hand crochet, stitch, knit, and/or dying gave us theatrical assemblages that made personal expression far more important than the latest catwalk styles. Now you can see the best of the garments that sprang forth to forever change the definition of fashion.
Exploring the origins and lasting significance of a dynamic, subversive, and interactive art form
This is the first publication to consider art to wear, also known as wearable art, as a discrete American movement that mirrored the cultural, political, social, and spiritual concerns of a generation that came of age in the late 1960s and 1970s. Trained primarily in the fine arts, they adopted nontraditional forms, materials, and techniques to create works using the body as an armature. Collectively, these practitioners have had a significant but underrecognized impact on art making and education. Their legacy continues today among younger artists…
My passion for generative AI first ignited in 2016 when I spoke about it at a conference, and ever since then, I can’t stop! I've created an online course, a newsletter and even wrote a book to spread knowledge on this groundbreaking technology. As an instructor, I empower others to explore the boundless potential of generative AI applications. Day in day out, I assist clients in crafting their own generative AI solutions, tailoring them to their unique needs.
Bishop’s book laid the mathematical groundwork for me, making it a solid foundation for anyone venturing into Generative AI.
I love how it covers Bayesian inference, graphical models, and machine learning fundamentals in a clear, approachable way. I also think, in my personal opinion, that reading my book after this one would be a natural progression to understand where AI is heading, building on the core concepts that Bishop established.
Pattern recognition has its origins in engineering, whereas machine learning grew out of computer science. However, these activities can be viewed as two facets of the same field, and together they have undergone substantial development over the past ten years. In particular, Bayesian methods have grown from a specialist niche to become mainstream, while graphical models have emerged as a general framework for describing and applying probabilistic models. Also, the practical applicability of Bayesian methods has been greatly enhanced through the development of a range of approximate inference algorithms such as variational Bayes and expectation pro- gation. Similarly, new models…
I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
Set in post-war England, this charming story focuses on the relationship between 10-year-old Henry and Ocky, a mischievous chimpanzee he ‘accidentally’ steals from Mr Nobody at Blondini’s Circus.
After trouble at school and at home, and with the threat of having his secret friend discovered, Harry runs away with Ocky. Following a series of adventures, ending with a perilous situation at the seaside, Harry realises that not only is Ocky precious to Mr Nobody, but he is precious to his family too.
A tale of fun and friendship from former Children's Laureate and author of War Horse, Michael Morpurgo.
Harry heard the key turn in the lock. He had already made up his mind to run.
Harry is in trouble at school, and doesn't like his stepfather or the new baby. Then he befriends Ocky, a chimpanzee from the circus. Ocky's owner won't mind if Harry borrows her for a bit, will he?
But then Harry's stepfather and the police find out. Harry and the chimp are soon on the run!
A gripping and poignant animal adventure from the master storyteller of…
I was once a psychoanalyst, but I found that it was almost impossible to understand another human being. Animals were easier: they could not be hypocritical, they could not lie, they could not deceive. Whoever heard of an animal with an unconscious anger problem? If they were angry they showed it, if they loved they showed it. After I got fired from the Freud Archives (that’s a whole other story) I decided I wanted to read ten good books about animal emotions. This was in 1981. But it turns out there were no books on this topic I could read, except Darwin, 1872! So I decided to write my own.
The renowned primatologist sums up his views, which I share, about how similar to us are the great apes. The book begins with a story that nobody who reads it will ever forget. I will not spoil it for you, but read the first few pages and see if you come away with dry eyes.
Frans de Waal is rightly considered the world expert on primates. And reading this book will show you why and what he has learned. Actually, it’s not that hard to summarize: they are very similar to us. But if that is so, what are the implications? Here I think the author could have gone further. Because one thing I believe is undeniable: if they really are like us, what gives us the right to put them in zoos, or really in any kind of confinement, no matter how much we learn from doing so? I…
Mama's Last Hug is a fascinating exploration of the rich emotional lives of animals, beginning with Mama, a chimpanzee matriarch who formed a deep bond with biologist Jan van Hooff. Her story and others like it-from dogs "adopting" the injuries of their companions, to rats helping fellow rats in distress, to elephants revisiting the bones of their loved ones-show that humans are not the only species with the capacity for love, hate, fear, shame, guilt, joy, disgust, and empathy. Frans de Waal opens our hearts and minds to the many ways in which humans and other animals are connected.
I have always been a peacemaker, so anger can be a really uncomfortable emotion for me. I think that’s true of lots of people! As a mom and mental health counselor, it was important to me to write a book that honored the protective nature of anger. Feelings give us important information. Putting this book together felt like a big puzzle to solve, and I’m so happy with how it turned out. Bright and engaging illustrations, relatable characters, and tips for grown-ups in the back to help us all say hello to our anger and whatever might be hiding underneath!
What a delightful book on every level. Brilliant illustrations, relatable story, andit encourages sweet relationships even through difficult emotions. It’s great for 4-7-year-old children, playfully showing that even the best advice about helping people with big feelings doesn’t always meet the need…at least not as much as a little connection with someone who “gets it.”
I have always loved animals—my adopted parents were not particularly interested, but when I met my biological mother in my mid-30s, I found out where it came from! That innate passion has driven my life. Writers like Jane Goodall were the gatekeepers—showing me the way forward and giving me permission to study and care. We need to learn more about nonhuman animals and the ecosystems that we share to better understand how to redress the damage we have caused. And while facts are important, stories are even more so. Each of these authors manages to weave both together with such great skill.
This book changed my world. Jane’s work exploring the behavior and ecology of chimpanzees was simply inspirational when I first read it as a child. I wanted to do what she did—study animals.
It was only when I returned to it that I realized the significance of her ability to tell stories about the animals she met, introducing their characters as well as the data. Additionally, her work went on to break the barriers of personhood. If we accept human exceptionalism—that we are so special because of what we can do—then we need to remember that there are many other species that can do much of what we can—and many other things we can’t. It is good to embrace some humility.
'One of history's most impressive field studies; an instant animal classic' TIME
Jane Goodall's classic account of primate research provides an impressively detailed and absorbing account of the early years of her field study of, and adventures with, chimpanzees in Tanzania, Africa. It is a landmark for everyone to enjoy.
In addition to writing novels, I’m a humanities editor for Oxford University Press. So, I’m interested in the political and theological implications of non-human intelligence. I wonder how people would react to such a revelation. Some would be fascinated by this radical new perspective. Others would be horrified at what they perceive as a transgression against nature. I’m also drawn to this topic because I still vividly recall the entertainment of my youth, which regularly featured anthropomorphic animals. Sometimes they’re just cool or funny. But on occasion—like withThe Secret of NIMH—they raise profound questions of identity and rebellion, even for an audience that is too young to understand.
A childless couple adopts a chimpanzee named Looee, and you already know from reading that sentence that it will lead to trouble and heartbreak. After a few pages, I didn’t care. In McAdam’s skilled hands, the inevitable sadness doesn’t matter, because the delicately handled point of view perfectly captures a doomed creature trapped between two opposing identities. In contrast, we also meet Podo, an alpha chimp at a research facility seeking to test the intelligence of primates. Podo is fully ape, but he is turning into something more. Their paths soon join, taking them deeper into a gray area between human and animal that I had never seen rendered on the page so vividly before.
Walt and Judy's happiness has been blighted by their childlessness; although their marriage seems blissful, Judy feels increasingly empty and Walt longs to make her happy again. So one day he brings home Looee - a baby chimpanzee. Looee, exuberant and demanding, immediately fills the gap in Walt and Judy's life, and they come to love him as their own son. Like any child, Looee is affectionate and quick to learn, generous and engaging. But he is also a deeply unpredictable animal, and one night their unique family life is changed forever. At the Girdish Institute, chimpanzees have been studied…
