I’m an Australian zoologist, botanist, and best-selling prize-winning writer. An earlier book of mine, Feral Future, inspired the formation of the Invasive Species Council, an Australian conservation lobby group. My Where Song Began, was a best-seller that became the first nature book to win the Australian Book Industry Award for best General Non Fiction. It was republished in the US. I have co-edited Wildlife Australia magazine and written for many magazines and newspapers, including nature columns as well as features. As a teenager I discovered new lizard species, one of which was named after me.
I wrote...
Where Song Began: Australia's Birds and How They Changed the World
Birds pouring out of Australia millions of years ago gave America her cardinals, jays, chickadees, and warblers, and Europe her robins, thrushes, swallows, and crows. DNA studies and recent fossil finds have revolutionised our understanding of birds, establishing Australia as a major centre of evolution that gave the world more than half its birds, including all its songbirds and parrots, which represent the most intelligent of all birds. This is consensus science, established by ornithologists working collaboratively in Europe, the US, and Australia. If we accept that songbirds produce true song we are left with the conclusion that the first singing on the planet happened in an Australian rainforest. Australia has more bird-pollinated trees and shrubs than other continents, a lot more, for reasons I explore in detail.
For great feats in nature the epic migrations of millions of wading birds are difficult to beat. Immense stamina is needed for days of non-stop flight, plus sophisticated navigational skills – which remain improperly understood – to guide birds by day and night and through storms that blow them off course.
Andrew Darby begins on a beach in South Australia where two grey plovers are fitted with radio transmitters shortly before their migrations north. He follows their travels, flying after they do to Broome in north-western Australia, then to China to see the mudflats they refuel on, then to their breeding habitat inside the Arctic Circle, then back again to northern Australia.
Important to his story are the dedicated and sometimes obsessive people Darby meets in each location, many of them unpaid, who use innovative technology and intellect to work out where, exactly, the birds go on their travels and what threats they face. During his work on the book Darby is told he has stage 4 lung cancer and only 12 to 18 months to live.
"I looked to the profound migratory power of my bird, the Grey Plover, to inspire my survival," he writes. "Think about your birds," his wife says. Darby beat the prognosis and is with us today. This is an intelligent, well-written, and empathetic book that deserved its accolades, which included a shortlisting for the Prime Minister’s Award for Non-fiction. Darby writes grimly about the problems waders face in Asia today, but offers optimism as well.
As the sun lowered and turned Gulf St Vincent fiery, they each called a high-pitched 'peeooowiii!', flashed their black wing-pits, spread their tail skirts and took flight.
Andrew Darby follows the odysseys of two Grey Plovers, little-known migratory shorebirds, as they take previously uncharted ultramarathon flights from the southern coast of Australia to Arctic breeding grounds. On these extraordinary flights they chance predators, typhoon weather and exhaustion before they can breed, and maybe return to familiar southern feeding grounds. But the greatest threat to these, and other long-distance migrants on the flyway, is China's dragon economy, engulfing their vital Yellow…
This is not strictly an Australian bird book but is so rich in Australian content it might as well be.
American science writer Jennifer Ackerman takes us into the minds of birds and delivers surprises on every page. An explosion of recent research has shown birds to be far more sophisticated than was thought possible and Australian birds epitomise that. In her introduction Ackerman says that Australian birds crop up throughout her book for their extreme behaviours, intelligence, and ecological diversity.
She travelled Australia to see them and to interview experts, including me. Asking ‘Can a lyrebird lie?’ she offers evidence that they do. She tells of fairy-wrens and zebra finches communicating important information to their young while these are still inside their eggs.
We learn of brush turkey chicks, after hatching from the egg, spending more than two days digging to escape from the nest mound, then receiving no parental care at, and even hostility from their father. Equipped for independent living, they can fly at birth.
Ackerman is a lively entertaining writer who can explain scientific findings in clear engaging language. No book is better at showing that birds are worth getting to know.
'A celebration of the dizzying variety of bird life and behaviour, one that will enthral birders and non-birders alike' The Observer
From the New York Times bestselling author of The Genius of Birds, a radical investigation into the bird way of being, and the recent scientific research that is dramatically shifting our understanding of birds.
'There is the mammal way and there is the bird way.' This is one scientist's pithy distinction between mammal brains and bird brains: two ways to make a highly intelligent mind. But lately, scientists have taken a new look at bird behaviours they've previously dismissed…
Twitchers pursuing long lists of bird sightings can seem to be fixated rather than appreciating nature in a sensible way.
Sean Dooley achieves something unlikely by showing that a world ruled by a "near-autistic obsession for list-making" has a lot going for it, because birds are wondrous things that lure birders to amazing places, providing access to something transcending everyday life. Dooley’s quest is to break the record for the number of species seen in Australia in one year.
His parents died young of cancer leaving him at age 33 with enough money to buy a comfortable house in the outer suburbs of Melbourne but instead he blows it on a four-wheel drive and a year of bird-obsessed travel that entailed 80 000 kilometres of driving, 60 000 kilometres in the air and 2 000 kilometres by boat. (Meaning, regrettably, a large carbon footprint.)
Dooley scored a record 703 species at the end of his year and for the first time felt totally comfortable in his skin. This is a book about a quest but the birds and their habitats inevitably play a big role. Dooley for a few years earned a living as a television comedy writer and some of his prose is laugh-out-loud funny.
Sean Dooley seems like a well adjusted, functioning member of society but beneath the respectable veneer he harbours a dark secret. He is a hard-core birdwatcher (aka twitcher').Sean takes a year off to try to break the Australian twitching record - he has to see more than 700 birds in twelve months. Travelling the length and breadth of Australia, he stops at nothing in search of this birdwatching Holy Grail, blowing his inheritance, his career prospects and any chance he has of finding a girlfriend.Part confessional, part travelogue, this is a true story about obsession. It's about seeking the meaning…
Leila Jeffreys treats the birds in her photography studio like celebrities destined for the cover of Vogue. She takes time getting to know them and letting them know her, so that instead of just seeing birds she sees into them, and they into her.
Her book of bird portraits is a testament to trust between divergent species. She mentions a black-breasted buzzard coming to accept her photographic gear then suddenly becoming very focussed on her: "It’s an exhilarating feeling when a bird makes this transition and we begin to communicate silently as we study each other. The intelligence of this bird was profound."
The birds in her portraits look variously intense or relaxed, curious or knowing, engaged or merely comfortable, soulful, intelligent, refined, and so much else. As a child, Jeffreys was ‘besotted’ with animals and saw them as people, imagining they could talk to her. That shows through in her art. We see birds as if for the first time.
This is a book of photos with text at the end where Jeffreys describes each species and often the circumstances of photography. Many of her subjects were brought into care after injuries, explaining how she obtained sessions with eagles, owls, the rare grey falcon, and other celebrity subjects.
Fine art photographer Leila Jeffreys captures the beauty and diversity of some of our most colourful and elegant feathered friends. From the birds of her native Australia to North America, Jeffreys seems to see into the very souls of these model-like creatures with her stunning and evocative portraits.Jeffreys works with animal rescue and conservation groups to find subjects to photograph. Her love and compassion for her subjects is evident throughout, and she captures their personalities in her delightful portraits: Commander Skyring the Gang-Gang Cockatoo, Dexter the White-Bellied Sea Eagle, Mrs. Plume the Budgerigar and friends, are as delightfully whimsical as…
English naturalist John Gould is recognised as the father of bird study in Australia.
During 19 months in 1838-1840 he travelled in NSW, South Australia, and Tasmania, seeing the birds and landscapes before they had been affected much by Europeans, and leaving insightful descriptions that provide a unique window into a past when, for example, regent honeyeaters, endangered today, flitted about in the middle of Adelaide city.
Gould introduced the budgerigar to Europe, was the first to describe the bowers of bowerbirds, and the first in so many ways. His book appeared in 1865 but remains relevant today. I quoted him many times in my bird book for his unique insights and observations. But the common names he used can be difficult to swallow. He praised the regent honeyeater as ‘one of the most beautiful birds inhabiting Australia’ but called it the ‘warty-faced honeyeater’.
This book (or pair of books when first published), is not Gould’s famous Birds of Australia series (1840-1848) which is renowned for lavish colour plates but contains far less information, which in my view makes it far less interesting.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
His memoir is rich in anecdotes and admissions. At The Times, Jan Morris threw a manuscript at him, he shared an embarrassing moment with Jacqueline Kennedy, and he got the paper sued for $1 million. Along the way, Rod Laver challenged Stock to a tennis match, he played a clarinet duet with superstar Richard Stoltzman, and he shared a Mafia-spiced brunch with Jerry Orbach.
Me and The Times: My wild ride from elevator operator to New York Times editor, columnist, and change agent (1967-97)
An intimate, unvarnished look at the making of the Sunday sections of The New York Times in their pre-internet heyday, back when they shaped the country’s political and cultural conversation.
Over 30 years, Robert Stock edited seven of those sections, innovating, and troublemaking all the way – getting the paper sued for $1 million, locking horns with legendary editors Abe Rosenthal and Max Frankel, and publishing articles that sent the publisher Punch Sulzberger up the wall.
On one level, his memoir tracks Stock’s amazing career from his elevator job at Bonwit Teller to his accidental entry into journalism to his…
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