Here are 100 books that Handbook to The Birds of Australia fans have personally recommended if you like
Handbook to The Birds of Australia.
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I’m an Australian zoologist, botanist, and best-selling prize-winning writer. An earlier book of mine, Feral Future, inspired the formation of the Invasive Species Council, an Australian conservation lobby group. My Where Song Began, was a best-seller that became the first nature book to win the Australian Book Industry Award for best General Non Fiction. It was republished in the US. I have co-edited Wildlife Australia magazine and written for many magazines and newspapers, including nature columns as well as features. As a teenager I discovered new lizard species, one of which was named after me.
Twitchers pursuing long lists of bird sightings can seem to be fixated rather than appreciating nature in a sensible way.
Sean Dooley achieves something unlikely by showing that a world ruled by a "near-autistic obsession for list-making" has a lot going for it, because birds are wondrous things that lure birders to amazing places, providing access to something transcending everyday life. Dooley’s quest is to break the record for the number of species seen in Australia in one year.
His parents died young of cancer leaving him at age 33 with enough money to buy a comfortable house in the outer suburbs of Melbourne but instead he blows it on a four-wheel drive and a year of bird-obsessed travel that entailed 80 000 kilometres of driving, 60 000 kilometres in the air and 2 000 kilometres by boat. (Meaning, regrettably, a large carbon footprint.)
Sean Dooley seems like a well adjusted, functioning member of society but beneath the respectable veneer he harbours a dark secret. He is a hard-core birdwatcher (aka twitcher').Sean takes a year off to try to break the Australian twitching record - he has to see more than 700 birds in twelve months. Travelling the length and breadth of Australia, he stops at nothing in search of this birdwatching Holy Grail, blowing his inheritance, his career prospects and any chance he has of finding a girlfriend.Part confessional, part travelogue, this is a true story about obsession. It's about seeking the meaning…
I’m an Australian zoologist, botanist, and best-selling prize-winning writer. An earlier book of mine, Feral Future, inspired the formation of the Invasive Species Council, an Australian conservation lobby group. My Where Song Began, was a best-seller that became the first nature book to win the Australian Book Industry Award for best General Non Fiction. It was republished in the US. I have co-edited Wildlife Australia magazine and written for many magazines and newspapers, including nature columns as well as features. As a teenager I discovered new lizard species, one of which was named after me.
For great feats in nature the epic migrations of millions of wading birds are difficult to beat. Immense stamina is needed for days of non-stop flight, plus sophisticated navigational skills – which remain improperly understood – to guide birds by day and night and through storms that blow them off course.
Andrew Darby begins on a beach in South Australia where two grey plovers are fitted with radio transmitters shortly before their migrations north. He follows their travels, flying after they do to Broome in north-western Australia, then to China to see the mudflats they refuel on, then to their breeding habitat inside the Arctic Circle, then back again to northern Australia.
Important to his story are the dedicated and sometimes obsessive people Darby meets in each location, many of them unpaid, who use innovative technology and intellect to work out where, exactly, the birds go on their travels and…
As the sun lowered and turned Gulf St Vincent fiery, they each called a high-pitched 'peeooowiii!', flashed their black wing-pits, spread their tail skirts and took flight.
Andrew Darby follows the odysseys of two Grey Plovers, little-known migratory shorebirds, as they take previously uncharted ultramarathon flights from the southern coast of Australia to Arctic breeding grounds. On these extraordinary flights they chance predators, typhoon weather and exhaustion before they can breed, and maybe return to familiar southern feeding grounds. But the greatest threat to these, and other long-distance migrants on the flyway, is China's dragon economy, engulfing their vital Yellow…
I’m an Australian zoologist, botanist, and best-selling prize-winning writer. An earlier book of mine, Feral Future, inspired the formation of the Invasive Species Council, an Australian conservation lobby group. My Where Song Began, was a best-seller that became the first nature book to win the Australian Book Industry Award for best General Non Fiction. It was republished in the US. I have co-edited Wildlife Australia magazine and written for many magazines and newspapers, including nature columns as well as features. As a teenager I discovered new lizard species, one of which was named after me.
This is not strictly an Australian bird book but is so rich in Australian content it might as well be.
American science writer Jennifer Ackerman takes us into the minds of birds and delivers surprises on every page. An explosion of recent research has shown birds to be far more sophisticated than was thought possible and Australian birds epitomise that. In her introduction Ackerman says that Australian birds crop up throughout her book for their extreme behaviours, intelligence, and ecological diversity.
She travelled Australia to see them and to interview experts, including me. Asking ‘Can a lyrebird lie?’ she offers evidence that they do. She tells of fairy-wrens and zebra finches communicating important information to their young while these are still inside their eggs.
We learn of brush turkey chicks, after hatching from the egg, spending more than two days digging to escape from the nest mound, then receiving no…
'A celebration of the dizzying variety of bird life and behaviour, one that will enthral birders and non-birders alike' The Observer
From the New York Times bestselling author of The Genius of Birds, a radical investigation into the bird way of being, and the recent scientific research that is dramatically shifting our understanding of birds.
'There is the mammal way and there is the bird way.' This is one scientist's pithy distinction between mammal brains and bird brains: two ways to make a highly intelligent mind. But lately, scientists have taken a new look at bird behaviours they've previously dismissed…
I’m an Australian zoologist, botanist, and best-selling prize-winning writer. An earlier book of mine, Feral Future, inspired the formation of the Invasive Species Council, an Australian conservation lobby group. My Where Song Began, was a best-seller that became the first nature book to win the Australian Book Industry Award for best General Non Fiction. It was republished in the US. I have co-edited Wildlife Australia magazine and written for many magazines and newspapers, including nature columns as well as features. As a teenager I discovered new lizard species, one of which was named after me.
Leila Jeffreys treats the birds in her photography studio like celebrities destined for the cover of Vogue. She takes time getting to know them and letting them know her, so that instead of just seeing birds she sees into them, and they into her.
Her book of bird portraits is a testament to trust between divergent species. She mentions a black-breasted buzzard coming to accept her photographic gear then suddenly becoming very focussed on her: "It’s an exhilarating feeling when a bird makes this transition and we begin to communicate silently as we study each other. The intelligence of this bird was profound."
The birds in her portraits look variously intense or relaxed, curious or knowing, engaged or merely comfortable, soulful, intelligent, refined, and so much else. As a child, Jeffreys was ‘besotted’ with animals and saw them as people, imagining they could talk to her. That shows through…
Fine art photographer Leila Jeffreys captures the beauty and diversity of some of our most colourful and elegant feathered friends. From the birds of her native Australia to North America, Jeffreys seems to see into the very souls of these model-like creatures with her stunning and evocative portraits.Jeffreys works with animal rescue and conservation groups to find subjects to photograph. Her love and compassion for her subjects is evident throughout, and she captures their personalities in her delightful portraits: Commander Skyring the Gang-Gang Cockatoo, Dexter the White-Bellied Sea Eagle, Mrs. Plume the Budgerigar and friends, are as delightfully whimsical as…
My parents took my brother and me out of school on April Fool’s Day 1979 (when I was 13). We spent the next eight years sailing from the UK to the Americas. Our ‘boat-schooling’ was informed by the world around us: trying to plot our position with sextant taught me mathematics; squinting at a scooped bucket of seaweed taught me about biodiversity; hunkering down in horrendous storms made me realise my insignificance; and finding a way to communicate in local markets took away my fear of difference. April 1st is my most significant anniversary. I'm indebted to my courageous parents for helping me understand I'm a small part of of an incredible planet.
In my living room, I have a shelf of discarded birds’ nests, and my sofa is a beachy aqua colour. It’s no wonder then, that I was initially drawn to this book’s cover. The story itself was a pleasant surprise. I can best describe this novel as a nature meditation because, when I started reading, Inga Simpson’s prose seemed to slow time. I became less interested in achieving my daily tasks and paid minute attention to the birds and trees outside my window. Although a story of loss and heartache is weaved through this Nest, it is less important than the gaps between the plot. I am convinced this delightful novel about an art teacher and her garden added a year or two to my life!
Once an artist and teacher, Jen now spends her time watching the birds around her house and tending her lush sub-tropical garden near the small town where she grew up. The only person she sees regularly is Henry, who comes after school for drawing lessons.
When a girl in Henry's class goes missing, Jen is pulled back into the depths of her own past. When she was Henry's age she lost her father and her best friend Michael - both within a week. The whole town talked about it then, and now, nearly…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction and I’m excited when my favourite genres and setting come together. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (urban fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic). With The Rephaim series, I wanted to put angels, half-angels, and demons in a sunny coastal Australia setting, rather than the gloomy European forests we’re mostly used to for those types of stories. It was a lot of fun.
I enjoyed The Opposite of Life (which preceded this book) for its wit, originality, unexpected poignancy, and Australian urban setting. I think Walking Shadows is even better.
Librarian Lissa and her very uncool, but lovable, vampire buddy Gary return, and Lissa is drawn further into Melbourne's vampire underworld to protect Gary (the first of many wonderful ironies).
Someone is hunting vampires and Gary's on the hitlist, despite the fact he doesn't bite people or drink blood. (In Harris’s mythology, vampires don't need human blood to survive, it simply enables them to feel alive.)
There are still themes of death, grief, and consequences of choices, but these are balanced by moments where simple joys in life are celebrated and relished. I loved the deepening friendship between Lissa and Gary—theirs is a unique relationship in the world of vamp-based stories.
I fell in love with Australian history on a school camp to Beechworth, which was also my first introduction to Ned Kelly. As I got older, after having already tried to establish a career trajectory as an English teacher, I realised my passion for writing and history could help me create the books and media that I wished I could access, as well as be a place to store all those decades of research sitting in my head. My fascination with psychology, true crime, and Australian colonial history naturally reached a meeting point with the Australian bushrangers: the bandits that terrorised Australia for over a hundred years, the most infamous of whom was Ned Kelly.
A controversial pick, but I believe this is the finest fictionalised version of Ned's life story written so far. Carey captures a very authentic sense of Ned’s voice and character by basing the book heavily on Ian Jones’ work and the Jerilderie Letter that Ned wrote with gang member Joe Byrne. It retains enough of the truth to craft a realistic world for his creations to exist in, and blends so well with his inventions, that someone unaware that the book is fiction will have a hard time working out some of the fact from the fiction. It is lyrical, powerful, and helped turbo-boost interest in the Kelly legend at a time when it had begun to taper off somewhat.
THE BOOK THAT INSPIRED THE MAJOR MOTION PICTURE, TO BE RELEASED IN CINEMAS 28TH FEBRUARY 2020
'Extraordinary . . . So mesmerising and moving.' Mail on Sunday
'Vastly entertaining.' New York Times
To the authorities in pursuit of him, Ned Kelly is a horse thief, bank robber and police-killer. But to his fellow Australians, Kelly is their own Robin Hood. In a dazzling act of ventriloquism, Peter Carey's Booker Prize-winning novel of adventure and heroism brings the famous bushranger wildly and passionately to life.
I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
Gerald Murnane describes the flat, boring landscape of Victoria, Australia and its minute variations with such crystalline clarity and sublime meaning that it resembles a dreamlike fiction, or a landscape viewed through a clear prism.
Murnane probes the boundaries between life and fiction, between landscape and mind. In between, he finds a membrane, a shimmering spiritual essence purer than either real life or fiction.
This book taught me that if one stares at the mundane world with enough hard objectivity, it can look more alien and beautiful than any amount of fanciful embellishment. It also demonstrates how a story can be told with no dialogue, no character names, and hardly any resolution, and yet can be as compelling as a conventionally written story.
On their vast estates, the landowning families of the plains have preserved a rich and distinctive culture. Obsessed with their own habitat and history, they hire artisans, writers and historians to record in minute detail every aspect of their lives, and the nature of their land. A young film-maker arrives on the plains, hoping to make his own contribution to the elaboration of this history. In a private library he begins to take notes for a film, and chooses the daughter of his patron for a leading role. Twenty years later, he begins to tell his haunting story of life…
I’m a Pom, as Aussies would say, born and bred in England to an Australian mother and British father. I emigrated to Australia as a ten-pound Pom way back when and though I eventually came home again I’ve always retained an affection and a curiosity about the country, which in time led me to write three books about my own family history there. The early days of colonial Australia, when around 1400 people, half of whom were convicts, ventured across the world to found a penal colony in a country they knew almost nothing about, is one of the most fascinating and frankly unlikely stories you could ever hope to come across.
This is a cornucopia of the weird and wonderful in Australia: the origins of ‘mateship’, rural remedies, measuring the weather by the behaviour of birds, how ‘Waltzing Matilda’ had its origins in a shearers’ strike, and the bizarre life of the itinerant swagman, including hints on how to make a ‘swag’ and carry it according to the legendary writer Henry Lawson. There are wonderful tales of Australian ‘taciturnity’ and folks living so remotely they still thought Queen Victoria was on the throne in the mid-1900s. It may be light-hearted in tone but this book somehow gets to the heart of what makes Australians unlike anyone else in the world.
Yarns, legends, myths, jokes and anecdotes are our national lifeblood. These home-grown and borrowed tales, told and re-told over generations, offer an insight into the larger national story of which every Australian has a part.Was Breaker Morant the Gatton murderer? What happened to Sniffling Jimmy and Black Mary? We revisit some of the most colourful characters in Australia's past, and the stories that have grown around them. We go looking for the real illywhacker and find out what happened after the execution of our most famous outlaw, Ned Kelly.It takes a certain character to make a living in the Australian…
I’m a Pom, as Aussies would say, born and bred in England to an Australian mother and British father. I emigrated to Australia as a ten-pound Pom way back when and though I eventually came home again I’ve always retained an affection and a curiosity about the country, which in time led me to write three books about my own family history there. The early days of colonial Australia, when around 1400 people, half of whom were convicts, ventured across the world to found a penal colony in a country they knew almost nothing about, is one of the most fascinating and frankly unlikely stories you could ever hope to come across.
This is a memoir of life in the Riverina district in early colonial rural Australia written by the wonderfully insightful Mary Gilmore. It’s full of fascinating detail about domestic life and class consciousness, where poor families had to make do with wooden needles and cutlery and women were so used to sitting on blocks that they felt unsafe on a chair; whereas the better-off had standards to maintain so women’s skirts had to be weighted at the hem for fear of showing an ankle while horse-riding. How a line was drawn across the floor at the Wagga Wagga Club Ball ‘to separate the “grandees” from the “commonage”’. She is also fascinated by Aboriginal culture and how they so naturally looked after the land and preserved the fruit, animals, and fish, evidence that ‘the aborigines as a nation were as naturally intellectual as we ourselves.’
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