Here are 100 books that The Tree of Ecstasy & Unbearable Sadness fans have personally recommended if you like
The Tree of Ecstasy & Unbearable Sadness.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other and betwixt.
Few short stories collection come with a pairing in illustrated poetry. Aussie Steve Simpson’s The Purpose of Reality: Solar has a poetic cousin in The Purpose of Reality: Lunar, both illustrated with his own evolutionary art, full of pattern, texture, and a dreamy luminescence. The stories are phantastic and philosophical in their metaphor and silhouette that perfectly weds with the illustrations. The blurring of reality and reverie in The Purpose of Reality: Solar is almost psychedelic and metafictional, gliding into slipstream fiction that makes it a rare work for the inquisitive reader.
Steve Simpson's mesmerizing collection of short fiction and illustrations is surreal and wildly imaginative, with touches of playfulness throughout. Here is a selection of the beings within:At Claire's school, the walls were cardboard, and her chain-smoking math teacher never allowed numbers to be mentioned. He used a drawing of a press to flatten slices of air into tissue paper for kites, and he was Claire's favorite, because all the other teachers were ghosts. One day, with a little pasta and a little mambo, everything changed.The negentropy wars didn't end the world, there were survivors, and in Santarém, the gringo electrician…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other and betwixt.
No easy way describes Kaaron Warren’s darkest mind full of mischief and intensity. She’s a global legend, no worries, with her distinctive Australian tongue. Find wicked excitement in Warren’s horror, disturbing in its nature, leaving nothing untouched. Even babies are not safe. This primer is a quick introduction to ominous storytelling, that may pave way to curiosity into award-winning works, including Tide of Stone orInto Bones Like Oil. Starting here, with illustrations and an exegetical analysis by Michael Arnzen, is perhaps the soundest way to dip a toe into the humour, surreally, and darkness of this author’s alluring text.
Australian author Kaaron Warren is widely recognized as one of the leading writers today of speculative and dark short fiction. She’s published four novels, multiple novellas, and well over one hundred heart-rending tales of horror, science fiction, and beautiful fantasy, and is the first author ever to simultaneously win all three of Australia’s top speculative fiction writing awards (Ditmar, Shadows, and Aurealis awards for The Grief Hole).
Dark Moon Books and editor Eric J. Guignard bring you this introduction to her work, the second in a series of primers exploring modern masters of literary dark short fiction. Herein is a…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other and betwixt.
Slipstream fiction doesn’t get more uncanny than this collection of short stories featuring dead children and sometimes parents behind those deaths.The Forest of Dead Children is a startling book, absolutely alarming, in its suspense and incongruity pertaining to matters of little ones, especially if you’re a parent. The allure of European slipstream author Andrew Hook’s collection is in its darkness and revelation of the potency and frailty of parenthood, right there on the balance, and what, what, could possibly go wrong? Wholly unconventional and disturbingly captivating.
Black Shuck Shadows presents a collectable series of micro-collections, intended as a sampler to introduce readers to the best in classic and modern horror. In The Forest of Dead Children, Hook offers five tales of children in peril.
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other and betwixt.
Not many novellas punch their weight this hard as Matthew R. Davis’ The Dark Matter of Natasha.Addressing almost with levity matters of suicide, this tiny book is entrapping with the disquieting dread yet morbid curiosity it rouses in you. It’s an intelligent story oozing with the sexual urgency of young adulthood. An orgasmic psychological thriller amalgamated with deep haunting, The Dark Matter of Natashais a compelling conversation on the topic of teen self-harm. Macabre, intimate and beautiful all at once.
Natasha stalks the quiet streets of dead-end Lunar Bay like doom in a denim jacket. She’s a grim reminder that some teenagers can never escape the ever-tightening noose of their lives. Burned out and benumbed by a traumatic past, dogged by scurrilous small-town gossip, she finds solace in drugs, sex and Slayer.
What horrors have her flat eyes witnessed? And how far will she go in pursuit of the one tiny spark of hope that still flickers in her haunted heart?
When a naïve transplant crosses her path, he's drawn into shadow and doubt. With his girlfriend ghosting him, Natasha’s…
What makes me passionate about this topic is the racism I’ve witnessed, the books I’ve read, and my deep love of landscape. Australia is a nation built on immigration but it’s also a land with an ancient Indigenous culture, and this is reflected in the books on my list. Born in Melbourne, I grew up in Sydney, and then lived for some years in the UK. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
Anita Heiss is an Australian academic and author of a number of insightful books on what it’s like being Indigenous in Australia. Her novel Bila Yarrudhanggalangdhuray begins in 1852 with a catastrophic flood that is a metaphor for the disastrous effects of European colonisation. Told mainly through the eyes of a young Wiradjuri woman, the novel is a powerful exploration of the clash of cultures that followed European settlement and appropriation of the land. It is a vivid and moving depiction of the unbalanced power relations between the races as well as between men and women.
‘There are books you encounter as an adult that you wish you could press into the hands of your younger self. Bila Yarrudhanggalangdhuray is one of those books – a novel that turns Australia’s long-mythologised settler history into a raw and resilient heartsong.' – Guardian
I started reading crime fiction as a teenager, so maybe it was inevitable that one day I would start writing it. I began with short stories, but then found an idea for a novel that wouldn’t let me go. One small paragraph about a tape recording left by a dead man. The books I love reading now are often set in small towns and communities, like the one I grew up in, where normal people tend to hide the worst secrets! Hidden motivations and seeing how the past plays out in the present are two elements I love in crime fiction—they help to work out who the killer is.
Humour done well in crime fiction is rare, I think, and this novel has plenty. I think you would call it a caper, with things constantly going wrong for Jac, the main character, in bizarre and amusing ways, but Draga, her Croatian housekeeper is hilarious. Draga’s solutions to fixing things are not what any sensible person might agree to, but Jac is desperate. She even resorts to using Draga’s favourite broom herself at one point. This one will keep you on the edge of your seat, yes, but you might also fall off it laughing. I’m hoping there will be a sequel.
The week begins like any other in Jacqueline Burne's messy life. And it just gets worse. Jac's business is in trouble, her husband is up to no good, and her eccentric housekeeper, Draga, is nagging her with unsolicited advice. Then Jac's annoying teen stepson lands on her doorstep and wants to stay.
Jac devises a plan to regain control of her life, but Draga jumps in to help and it goes horribly wrong. They soon find themselves on the wrong side of the law, where handcuffs and prison jumpsuits become a real possibility. As Jac juggles her many problems, dark…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Dyschronia is strange, complicated, overwhelming, frightening, and occasionally enervating – just like climate change. Jen Mills tells the story of a young woman in a small, dying town who can’t stop seeing horrible futures; or, perhaps, the story of a young woman who compulsively lies. You won’t forget the compelling and sickening scene of a town waking up to find the ocean has disappeared. This one is worth wrapping your brain around.
SHORTLISTED FOR THE MILES FRANKLIN LITERARY AWARD 2019
"There is a poetry in Mills's writing that shimmers like desert air - and in her storytelling, in the way she captures the moods of time, there is something mystical. Daring, original and ambitious." The Australian
An electrifying novel about an oracle. A small town. And the end of the world as we know it...
One morning, the residents of a small coastal town somewhere in Australia wake to discover the sea has disappeared. One among them has been plagued by troubling visions of this cataclysm for years. Is she a prophet?…
I’m a Pom, as Aussies would say, born and bred in England to an Australian mother and British father. I emigrated to Australia as a ten-pound Pom way back when and though I eventually came home again I’ve always retained an affection and a curiosity about the country, which in time led me to write three books about my own family history there. The early days of colonial Australia, when around 1400 people, half of whom were convicts, ventured across the world to found a penal colony in a country they knew almost nothing about, is one of the most fascinating and frankly unlikely stories you could ever hope to come across.
'Original, provocative, and witty, Australiais the most comprehensive single-volume history of Australia yet published.' This is the blurb on the back cover of the paperback but it echoes my own views of this marvellous book completely. It covers everything: from the plight of the convicts to the Europeans’ experiments with farming and land grabs; relationships with the Aboriginal people, and especially the virtues or otherwise of respective Governors and their often spiky relationships with the government back home. All of it written with authority and a wonderfully wry wit.
A narrative history of Australia provides comprehensive coverage of such events as the rapid development of the continent's five democratic colonies, the government's controversial official relationship with the Aboriginals, and the nation's leading standards of living. Reprint.
I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…
Sometimes a book comes completely out of nowhere. Such was the case with Trevor Conomy’s Down Under. Conomy was not an author with a pedigree in music journalism or anything like that, but when Down Under came out, in 2015, it spoke for itself. The life story of a song – Melbourne pub band Men At Work’s “Down Under” – what makes the book compelling is not so much the story of its fluky success, when in 1982 it become a huge hit all round the world, but rather the aftermath: How more than a quarter-century later the song went to court against a copyright infringement claim. That it lost the case was a travesty and a human tragedy, and Conomy’s short, punchy little book reveals why in all its gory detail.
This is the biography not of a person but of one of the most loved and controversial songs in the history of Australian music.
Originally released as a B-side in 1980, 'Down Under' made Men at Work the biggest band on the planet. The song became an alternative Australian anthem and its video (recorded on the sand dunes of Cronulla) became an image of Australia recognised the world over.
Even when Men at Work suddenly disappeared, 'Down Under' remained in the national psyche. Nearly three decades later, Spicks and Specks innocently revealed a link between the song and the tune…
I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…
There’s a genre of music books, in which I plead guilty to form, that is almost scrapbook-like, that mixes and matches elements to make, at best, a seamless blend of words and images, the sort of book that is a work of art in its own right like you used to find buried down the back of the aisles at counter-culture bookstores. Wild About You is the concept writ large, perhaps not least because editors Iain McIntyre and Ian D. Marks went through a couple of other similar-styled books before getting it quite so right with this one. As a portrait of the post-Beatles beat boom in Australasia in the 60s, it is definitive, written with vibrancy and beautiful and evocative for its illustrations and design. I’m still waiting for this dynamic duo to move onto the 70s!
The astonishing outpouring of rock 'n' roll in the 1960s in Australia and New Zealand gave birth to such iconic bands such as the Easybeats, the Masters Apprentices, Billy Thorpe and the Aztecs, the Purple Hearts, and the Missing Links. It also launched the careers of a generation of musicians who would go on to greater, international fame with their later groups (the Bee Gees, AC/DC, Little River Band, and more). Wild About You! includes chapters on 35 bands that made the scene, as well as the editors' list of the top 100 beat and garage songs of the era.…
Interested in
Australia,
psychosis,
and
mental disorders?
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
Australia,
psychosis,
and
mental disorders.
