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I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…
Every Sunday night for nearly a decade between the mid-70s and early 80s, most young Australians could be found in one place – in front of the TV, watching Countdown. Countdown was the most powerful force in the local pop/rock scene, the maker and breaker of hits. Published in 1993 in the afterglow of the show’s long run, Glad All Over, by former Age journalist Peter Wilmoth, is an appropriately loving tribute, which includes acknowledging the many (like me!) who loved to hate the show but still always watched it! As mostly oral history, it’s a sparkling story, and if the Countdown phenomenon still begs harder analysis – because as much as it was a great booster for Australian music, it actually blocked just as much – that’s the nature of a new historiography: the field has to get opened up first, and then is subject to increasingly…
I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…
Cultural history is now a book business-standard. That wasn’t always the case. For me myself, I had to read Otto Freidrich’s City of Nets (1987) and Jon Savage’s England’s Dreaming (1992) before I could properly formulate my 1996 book Stranded. Stalwart rock journalist Andrew Stafford’s debut book from 2004, Pig City, is a cultural history of the Brisbane music scene ‘from the Saints to Savage Garden’, which makes it a regional history too. What makes it gripping, next Stafford’s deft handling of the material, is the story itself, which is not just that of an erstwhile backwater finally coming of age, but up against and overcoming the oppressive jackboots of Queensland state premier, ‘hillbilly dictator’ Joh Bjelke-Peterson. Happily, that era is now long past, and BrisVegas is today a great music town; but wouldn’t have become so without the long struggle so vividly portrayed here.
From cult heroes the Saints and the Go-Betweens to national icons Powderfinger and international stars Savage Garden, Brisbane has produced more than its share of great bands. But behind the music lay a ghost city of malice and corruption. Pressed under the thumb of the Bjelke-Petersen government and its toughest enforcers—the police—Brisbane’s musicians, radio announcers, and political activists braved ignorance, harassment, and often violence to be heard. This updated, 10th anniversary edition features a scathing new introduction by the author, assessing the changing shape of Brisbane, its music, and troubling developments since the return of the state of Queensland to…
I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…
Sometimes a book comes completely out of nowhere. Such was the case with Trevor Conomy’s Down Under. Conomy was not an author with a pedigree in music journalism or anything like that, but when Down Under came out, in 2015, it spoke for itself. The life story of a song – Melbourne pub band Men At Work’s “Down Under” – what makes the book compelling is not so much the story of its fluky success, when in 1982 it become a huge hit all round the world, but rather the aftermath: How more than a quarter-century later the song went to court against a copyright infringement claim. That it lost the case was a travesty and a human tragedy, and Conomy’s short, punchy little book reveals why in all its gory detail.
This is the biography not of a person but of one of the most loved and controversial songs in the history of Australian music.
Originally released as a B-side in 1980, 'Down Under' made Men at Work the biggest band on the planet. The song became an alternative Australian anthem and its video (recorded on the sand dunes of Cronulla) became an image of Australia recognised the world over.
Even when Men at Work suddenly disappeared, 'Down Under' remained in the national psyche. Nearly three decades later, Spicks and Specks innocently revealed a link between the song and the tune…
I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…
This book illustrates why this list had to be called the best Australian books about music. Because it’s an Australian author writing about an American musician. This is an exchange that works both ways: just this year, British musician/author Tracy Thorn published a book about Go-Betweens drummer Lindy Morrison, called My Rock’n’Roll Friend. Blind Tom is a biography of slave pianist Tom Wiggins, one of the first African-American musicians to crossover to success with white audiences, and remarkably he had not been so accounted for until Deidre O’Connell took up the cudgels. O’Connell is an academic, but thankfully doesn’t write like one, and this her first and thus far only book is totally engrossing. I hope she writes some more.
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
When Tegan dies, she wakes up a hundred years later, locked in a government facility with no idea what happened. As she tries to make sense of this future world, it starts to feel as if something is very wrong. Should she keep her head down and just live out her life, or should she fight to make the future better for all? An excellent story from a world-class writer. “Accessible, thoughtful and compelling — science fiction done right.” – Kirkus Reviews
My name is Tegan Oglietti, and on the last day of my first lifetime, I was so, so happy.
Sixteen-year-old Tegan is just like every other girl living in 2027--she's happiest when playing the guitar, she's falling in love for the first time, and she's joining her friends to protest the wrongs of the world: environmental collapse, social discrimination, and political injustice.
But on what should have been the best day of Tegan's life, she dies--and wakes up a hundred years in the future, locked in a government facility with no idea what happened.
I’m a professional history nerd who is perennially interested in both sides of the history coin: What happened? How do we know? I’ve got a PhD in sixteenth-century European history, have written articles that cover things from antiquity to Vikings in America, and have written several history books about Australia and its region. I like history that is robust, so I’m always looking for books that make clever use of sources. And I love stories that disrupt preconceptions, so I enjoy researching and writing and reading histories that make you think.
If the British empire’s first historians had a knack for anything it was omitting to mention what some of what their predecessors did for the sake of empire. Aboriginal Convicts is one of those books that really challenges us to rethink the stories we have received about British colonization. By tracing the lives of Indigenous people in South Africa, Australia, and New Zealand who were sentenced to transportation as convicts this groundbreaking book turns the table on the way we see Britain’s empire in the nineteenth century.
When most of us imagine an Australian convict we see an Englishman or an Irish lass transported for stealing a loaf of bread or a scrap of cloth. Contrary to this popular image, however, Australian penal settlements were actually far more ethnically diverse, comprising individuals transported from British colonies throughout the world.
As Kristyn Harman shows in Aboriginal Convicts, there were also a surprising number of indigenous convicts transported from different British settlements, including ninety Aboriginal convicts from all over Australia, thirty-four Khoisan from the Cape Colony (South Africa) and six Maori from New Zealand.
I’m a New Zealand writer, publisher, and editor, who has followed cricket since I was a boy. I've published poetry on many sports, including cricket, football, rugby, tennis, surfing, and netball, and edited/published anthologies of New Zealand cricket and football poems, "A Tingling Catch" and "Boots". My reading on the subject of cricket literature led me to seek out many different books and writers on a subject I didn’t think had an extensive history. I've played club cricket and schoolboy cricket and have a wide knowledge of the game from reading about its history and have visited cricket grounds such as Lord’s in London. I have been dubbed the “Poet-in-Residence” at The Cricket Society.
Found at a book fair,Six and Out is a classic of Australasian cricket literature and the first book I came across that focused on New Zealand and Australian cricket writing. It is an anthology divided into groupings: cricket tales, cricket heroes, general cricket, cricket mayhem, cricket verse, and cricket cartoons. It has a something for everyone feel about it. Perfect for those rain affected matches. It was considered the best Australian cricket book ever published at the time. It was a ground-breaking grouping of cricket writings and first appeared in 1964. Jack Pollard followed cricket ever since he was a boy in minor grades and he was influenced by readers of the first edition on what to include as thousands wrote to him making suggestions.
I'm a Frenchman with a great interest in the history of the Second World War, specializing in the correspondence of Allied soldiers. Almost 20 years of collecting WWII letters led to the publication of my first book Till Victory which was an award-winning bestseller in France, before it was released in English worldwide in 2021. I also host a podcast (Till Victory: a podcast about WWII and Peace), where I interview British and American veterans, and have made documentaries such as Red Beret & Dark Chocolate or The Missing Highlander. It's all about trying to understand what the young men who fought and died to liberate my country went through when they were my age.
Finally, a book with WWII letters that doesn’t focus exclusively on the British or Americans! Some of the soldiers are also from Australia, New Zealand, and even Germany! It helps to have a broader view of the conflict and it is very interesting to observe the differences in points of view. Moreover, this book provides the reader with beautiful photos of the letter writers, in addition to their names and stories before and after the war. Unfortunately, there is little or no historical context surrounding each letter, which is not disturbing when one is already familiar with the subject but is essential to understand all their subtleties.
Writers from 20 Allied and Axis countries are gathered in this unique collection of letters from service-men and women to their friends, families and sweethearts. WORLD WAR II LETTERS provides an unflinching perspective on the lives of those who served throughout the world - in Europe, the Pacific, Northern Africa and Asia. Wide-ranging in scope, WORLD WAR II LETTERS includes writings by officers and infantry, nurses and doctors, pilots, POWs, those injured in action, killed in combat, and those reported missing. Introductory biographies and photographs vividly capture military life before, during and after the war.
I chose the ‘Best’ title with trepidation: there are many sorts of aces and reading tastes will differ. I’m a cis-gender female, sex averse, verging on sex-repulsed. So, why M/M? Firstly, because reading about other females is too much like being involved myself. Secondly, because I’m het-romantic so I like my MCs to be male. And sex? I can take sex on the page as long as it isn’t gratuitous; it must be meaningful. I’ve chosen five very different books, but they all have gay protagonists and they meet my ace-based needs. In case it’s an issue, I’ve commented on the flame count.
Another crime story. It’s a lengthy tale that, because so many men and partnerships are involved, made me work hard, but the intriguing plot is character-driven, which I like. The setting is fifties Australia. I’m English and I admit that I tend to forget about the huge part played in the Second World War by Australian, New Zealand, and Canadian troops, aka ANZAC. What links Jones’ gay protagonists is their military background. I felt that I learnt something and that pleased me. Nothing on the page to worry aces.
"I'm sorry I have to tell you this, Harry, but Daley Morrison was murdered. It was no heart attack. He was stabbed through the heart and then staked out, naked, in the middle of the Sydney Cricket Ground as some sort of warning to someone."
Harry Jones almost fell into his chair, such was his shock.
Clyde Smith is brought into the investigation by his former colleague, Sam Telford, after a note is found in the evidence bags with Clyde's initials on it. Someone wants ex-Detective Sergeant Smith to investigate the crime from outside the police force. It can only…
Founded in 1974, Bradt Guides is now the largest independently-owned guidebook publisher in both the US and UK. We have over 200 titles in print, with a particular focus on lesser-known places overlooked by other travel publishers. We also publish a series of Slow Travel guides to UK regions and a list of travel narratives. There are 15 people in the Bradt team, based (when Covid allows) in an office above a coffee shop in Chesham, Bucks. The following books are very different but all connected to travel in fun ways. The books were selected by Simon Willmore, Claire Strange, Iona Brokenshire, Deborah Gerrard, and Hugh Brune.
Back in the early ‘90s in Melbourne, I talked my way into a temporary job typesetting Explore Australia, a mammoth full-colour guidebook. I ended up staying several years, undertaking desk-based research, managing the photo library, and editing text and maps. I spent my days poring over cartographic proofs, sifting through glorious photos of rust-red mountain ranges, cobalt-blue skies, and dense tropical rainforest abutting white-sand beaches. I spoke to those manning the tourist information offices around the country: at Coral Bay, where the Ningaloo Reef is just a metre from the beach, at Healesville, when the cackle of a kookaburra interrupted my call, and at Cossack, a gold-rush-era ghost town with a population of one man and one dog. Some years later I sold my home, bought a 4x4, and set off to see all those places that I had visited vicariously…
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