Here are 100 books that Six and Out fans have personally recommended if you like
Six and Out.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m a New Zealand writer, publisher, and editor, who has followed cricket since I was a boy. I've published poetry on many sports, including cricket, football, rugby, tennis, surfing, and netball, and edited/published anthologies of New Zealand cricket and football poems, "A Tingling Catch" and "Boots". My reading on the subject of cricket literature led me to seek out many different books and writers on a subject I didn’t think had an extensive history. I've played club cricket and schoolboy cricket and have a wide knowledge of the game from reading about its history and have visited cricket grounds such as Lord’s in London. I have been dubbed the “Poet-in-Residence” at The Cricket Society.
A book I found second-hand so it may not be widely available online. It is the quintessential anthology on the poetry of cricket dating back over 200 years and was described as a history in verse of the British national summer pastime. This was the book that first led to my interest in cricket literature and gives a meticulous history of cricket in poetry. All forms of cricket (club, village, schools, test, and international) are mentioned just as all forms of verse are used from doggerel, couplets, and single quatrains to longer narrative heroic poems on olden day cricket. The anthology shows Frewin’s great love of cricket and is a labour of love making it a masterpiece at the time it appeared in the 1960s.
I’m a New Zealand writer, publisher, and editor, who has followed cricket since I was a boy. I've published poetry on many sports, including cricket, football, rugby, tennis, surfing, and netball, and edited/published anthologies of New Zealand cricket and football poems, "A Tingling Catch" and "Boots". My reading on the subject of cricket literature led me to seek out many different books and writers on a subject I didn’t think had an extensive history. I've played club cricket and schoolboy cricket and have a wide knowledge of the game from reading about its history and have visited cricket grounds such as Lord’s in London. I have been dubbed the “Poet-in-Residence” at The Cricket Society.
The Cricketer’s Companion, edited by Alan Ross, is an indispensable compilation of cricket stories/prose, accounts of great players and the poetry of cricket. Ross was the literary editor of renowned London Magazine and a sports enthusiast. This anthology has something for everyone and is eminently worth dipping into. A rich and wide ranging choice by Ross, he was quoted as saying that “I aimed at two things – the creating of a book that contained the most essential and enjoyable writing on cricket, and one that gave as inclusive a view as possible of the great landmarks.” It was aimed for those shipwrecked on an island perhaps as it includes everything you would need to know about cricket to survive if you couldn’t get to a match.
Keith rated it 4 of 5 stars: A delightful book that I have dipped into on many occasions over the years. It is that sort of book -- you can pass a few minutes or spend half a day reading selections. Edited by Alan Ross, it contains cricket stories, tales of great matches, essays on great players and men and moments, plus some lovely poetry about the summer game. And some of the finest writers on cricket are here: R.C. Robertson-Glasgow, Neville Cardus, Ray Robinson, A.A. Thomson, Jack Fingleton, etc. A treasury and a treasure!
I’m a New Zealand writer, publisher, and editor, who has followed cricket since I was a boy. I've published poetry on many sports, including cricket, football, rugby, tennis, surfing, and netball, and edited/published anthologies of New Zealand cricket and football poems, "A Tingling Catch" and "Boots". My reading on the subject of cricket literature led me to seek out many different books and writers on a subject I didn’t think had an extensive history. I've played club cricket and schoolboy cricket and have a wide knowledge of the game from reading about its history and have visited cricket grounds such as Lord’s in London. I have been dubbed the “Poet-in-Residence” at The Cricket Society.
Bonaventure and the Flashing Blade may not be available online as it’s another one I found second-hand. It’s written by one of the great West Indian cricket players Gary Sobers. Published in the 1960s it reads like a James Bond-Ian Fleming-type spy novel covering a youngster Clyde St Joseph Bonaventure at a computer company called Star Computers which has a cricket team that he plays for. Bonaventure makes headline news for inventing a way of playing cricket using a computer programme to smash over 200 runs and take 6 wickets for less than a hundred runs. Bonaventure finishes his training by completing his new programme for computers. Bonaventure is offered bribes by foreign competitors but refuses and is kidnapped by a “foreign power” but escapes.
I’m a New Zealand writer, publisher, and editor, who has followed cricket since I was a boy. I've published poetry on many sports, including cricket, football, rugby, tennis, surfing, and netball, and edited/published anthologies of New Zealand cricket and football poems, "A Tingling Catch" and "Boots". My reading on the subject of cricket literature led me to seek out many different books and writers on a subject I didn’t think had an extensive history. I've played club cricket and schoolboy cricket and have a wide knowledge of the game from reading about its history and have visited cricket grounds such as Lord’s in London. I have been dubbed the “Poet-in-Residence” at The Cricket Society.
Bodyline is a classic cricket novel based on a famous “Ashes” series in Australia during the Don Bradman era. The Ashes series (England v Australia) became legendary because of the bowling which became known as leg trap theory. Bowlers would bowl quick and fast and target the batsmen with short-pitched bowling. Australian batsmen were battered and bruised. The novel gives a blow-by-blow account of the series in Australia and the publicity and fallout generated from leg trap theory. Famously Australian batsman Bill Woodfull stated “There are two teams out there. One is trying to play cricket. The other is not.” It was a delight to find a literary novel on the subject. A must-read for understanding the evolution of the contemporary fast bowler in cricket.
A historian interested in the ‘cultural war’ over the legitimate form, function and meaning of sport, it is strange to look back and consider how ignorant I was of the class and cultural dynamics that shaped cricket in England until I began studying sport in my early thirties. Why, for instance, was English cricket ‘posh’ when compared to Australia? And why, within England, did the North and South have completely different cricket cultures and regional identities? These were questions I began to address in earnest and, a short twenty years later, I believe I finally have the answers. I could not have done it without these books. Enjoy!
It’s a small world as they say. And the world of cricket is undoubtedly smaller as I know Gideon. This said, I would defy any serious appraisal of cricket’s historical literature to exclude one of his many excellent books on the game.
I have, however, chosen his first which covers one of the most momentous events in the game’s global history: the creation of a new competition called World Series Cricket (WSC) by the Australian TV mogul Kerry Packer that, ultimately, led to the game’s renaissance. As much as the story, and the various characters involved, are superbly researched the story of WSC, as Haigh acknowledges himself, "could just as easily be a text on television economics, or marketing, or sociology, even anthropology." It remains, therefore, a very important book.
In May 1977, the cricket world awoke to discover that a thirty-nine-year-old Sydney Businessman called Kerry Packer had signed thirty-five elite international players for his own televised 'World Series'. The Cricket War is the definitive account of the split that changed the game on the field and on the screen.
In helmets, under lights, with white balls, and in coloured clothes, the outlaw armies of Ian Chappell, Tony Greig and Clive Lloyd fought a daily battle of survival. In boardrooms and courtrooms Packer and cricket's rulers fought a bitter war of nerves.…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I love cricket and have spent a lot of my life unsuccessfully learning how to play it. It still has a fascination for me. I am also a psychologist, and cricket has given me an even deeper understanding of human life.
It’s full of little stories and you think at the beginning of each one that that it’s going to describe an interesting situation from a serious point of view. So you wait for the ending. But it suddenly turns at the last and gives you a totally unexpected comical twist.
I have heard a lot of cricket stories but I hadn’t heard the one about WG Grace before. This book is a diamond mine.
A historian interested in the ‘cultural war’ over the legitimate form, function and meaning of sport, it is strange to look back and consider how ignorant I was of the class and cultural dynamics that shaped cricket in England until I began studying sport in my early thirties. Why, for instance, was English cricket ‘posh’ when compared to Australia? And why, within England, did the North and South have completely different cricket cultures and regional identities? These were questions I began to address in earnest and, a short twenty years later, I believe I finally have the answers. I could not have done it without these books. Enjoy!
Although a book that bites off more than it may comfortably chew, Bowen’s masterpiece could not be ignored. As the first (and only) attempt to tell the history of cricket on a global scale, Bowen’s analysis may appear, considering subsequent research, a tad superficial in places. However, as a point of reference, it is a remarkable – unique even – book that has belatedly been recognised as a classic.
Why the delay? Bowen, as the game’s first maverick historian, was not only adept at exposing the inferior scholarship that then passed for cricket history, he also took great pleasure in baiting the establishment and those who thought they were part of it. As such, it is upon his shoulders, rather than James perhaps, that fellow ‘revisionists’ Birley, Marqusee, and myself stand upon.
I’ve always loved horses, in real life and fiction. I guzzled up pony stories as soon as I was old enough to read, then I started writing them, tales of teenage orphans adopted by distant aunts who lived in crumbling stately piles with fields full of ponies. When I started writing fiction for a living, it stood to reason horses would feature, and three decades after one trotted into my debut novel French Relations – then galloped off into the sunset in its sequelWell Groomed- they’re still a mainstay. Of the twenty novels I’ve written, more than half have horses at their heart, including my new Comptons series.
This first of Sassoon’s semi-biographical Sherston trilogy is a nostalgic amble along Edwardian English lanes, across its village greens, and over its hedges, tracing the early years of likeable, witty George Sherston before the Great War. It depicts a bygone era of pearl-clutching maiden aunts, rumbustious village cricket matches, and the rigours of the hunting field, in which enthusiastic recruit George is a terrific observer of the larger-than-life characters he encounters. He is winningly grateful to his horses for being so much better at it than him, from flighty first pony Sheila to trusty hunter Harkaway, and ‘bargain’ point-to-pointer Cockbird who is gifted to the cavalry at the book’s close, just as George accepts his commission to the Flintshire Fusiliers to fight in the Great War, saying farewell to his halcyon childhood. Sassoon, famous for his war poetry, is such a warm and intelligent writer that his affection for characters…
The first volume in Siegfried Sassoon’s beloved trilogy, The Complete Memoirs of George Sherston, with a new introduction by celebrated historian Paul Fussell
A highly decorated English soldier and an acclaimed poet and novelist, Siegfried Sassoon won fame for his trilogy of fictionalized autobiographies that wonderfully capture the vanishing idylls of Edwardian England and the brutal realities of war.
In this first novel of the semiautobiographical George Sherston trilogy, Sassoon wonderfully captures the vanishing idylls of the Edwardian English countryside. Never out of print since its original publication in 1928, when it won the James Tait Black Memorial Prize, Sassoon's…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I love cricket and have spent a lot of my life unsuccessfully learning how to play it. It still has a fascination for me. I am also a psychologist, and cricket has given me an even deeper understanding of human life.
This is a very funny book about a very serious game’ and has a foreword by David Lloyd, the famous comical cricket commentator and ex-professional player.
This is a true book describing all the events involved in getting a team together to play cricket each week. It’s hilarious some of the excuses they come up with for not turning up each week.
There is a magnificent photograph at the end of the book showing all the members of Mike Harfield’s XI in 1981. People’s names have not been changed and no one’s identity is protected.
There are also some real gems of information that you wouldn’t find even in Wikipedia about the finer points of the derivation of the word ‘Nelson’. Also some humorous quips about real-life famous figures, not necessarily connected with cricket, but the descriptions are depicted in cricketing terms.
Of all the books about cricket, Mike Harfield's "Not Dark Yet" brings a rare authenticity to the subject. This is a book by a genuine cricketer and a genuine cricket fan with a talent for capturing the spirit of this special game in his witty prose. David Lloyd, aka Bumble, laughed so much he agreed to write the Foreword. He even showed the book to Christopher Martin-Jenkins who found it 'very entertaining and enjoyable'. Reading the book raises the spirits with its cheerful jollity. The mixture of banter and eclectic cricketing information carries the reader along, making for both easy…
A historian interested in the ‘cultural war’ over the legitimate form, function and meaning of sport, it is strange to look back and consider how ignorant I was of the class and cultural dynamics that shaped cricket in England until I began studying sport in my early thirties. Why, for instance, was English cricket ‘posh’ when compared to Australia? And why, within England, did the North and South have completely different cricket cultures and regional identities? These were questions I began to address in earnest and, a short twenty years later, I believe I finally have the answers. I could not have done it without these books. Enjoy!
Although best known for his A Social History of English Cricket (1998), The Willow Wand is, for me, Birley’s best cricket book. I imagine I’d have enjoyed Birley’s company for he not only writes with great humour, he understood exclusivity was not the same thing as quality and he burst the elitist bubble that had long surrounded the game in England by dissecting the game’s most treasured and fervently protected myths and personalities with forensic precision.
Be it imperialism, the game’s most revered chronicler Neville Cardus or, even, the game’s premier icon W. G. Grace, Birley leaves no stone unturned, and he even alludes to the distinct regional identities that define the game in the North and South of England, which formed the basis of my own book.
