Fans pick 37 books like Bonaventure and the Flashing Blade

Found at a book fair, Six and Out is a classic of Australasian cricket literature and the first book I came across that focused on New Zealand and Australian cricket writing. It is an anthology divided into groupings: cricket tales, cricket heroes, general cricket, cricket mayhem, cricket verse, and cricket cartoons. It has a something for everyone feel about it. Perfect for those rain affected matches. It was considered the best Australian cricket book ever published at the time. It was a ground-breaking grouping of cricket writings and first appeared in 1964. Jack Pollard followed cricket ever since he was a boy in minor grades and he was influenced by readers of the first edition on what to include as thousands wrote to him making suggestions. 

A book I found second-hand so it may not be widely available online. It is the quintessential anthology on the poetry of cricket dating back over 200 years and was described as a history in verse of the British national summer pastime. This was the book that first led to my interest in cricket literature and gives a meticulous history of cricket in poetry. All forms of cricket (club, village, schools, test, and international) are mentioned just as all forms of verse are used from doggerel, couplets, and single quatrains to longer narrative heroic poems on olden day cricket. The anthology shows Frewin’s great love of cricket and is a labour of love making it a masterpiece at the time it appeared in the 1960s.

The Cricketer’s Companion, edited by Alan Ross, is an indispensable compilation of cricket stories/prose, accounts of great players and the poetry of cricket. Ross was the literary editor of renowned London Magazine and a sports enthusiast. This anthology has something for everyone and is eminently worth dipping into. A rich and wide ranging choice by Ross, he was quoted as saying that “I aimed at two things – the creating of a book that contained the most essential and enjoyable writing on cricket, and one that gave as inclusive a view as possible of the great landmarks.” It was aimed for those shipwrecked on an island perhaps as it includes everything you would need to know about cricket to survive if you couldn’t get to a match.

Bodyline is a classic cricket novel based on a famous “Ashes” series in Australia during the Don Bradman era. The Ashes series (England v Australia) became legendary because of the bowling which became known as leg trap theory. Bowlers would bowl quick and fast and target the batsmen with short-pitched bowling. Australian batsmen were battered and bruised. The novel gives a blow-by-blow account of the series in Australia and the publicity and fallout generated from leg trap theory. Famously Australian batsman Bill Woodfull stated “There are two teams out there. One is trying to play cricket. The other is not.” It was a delight to find a literary novel on the subject. A must-read for understanding the evolution of the contemporary fast bowler in cricket. 

This is a book about cricket, one of the enduring passions of my life.

Specifically it is about West Indian cricket and life in the author’s home of Trinidad. James was a Marxist intellectual, which is unusual for a cricketer. He writes eloquently and insightfully about cricket and some of its leading characters of 80 years ago. He writes about class and colour in both the Caribbean and England, where he played and reported on cricket for newspapers.

My interest has also been in the British Empire and its impact. The overriding impression this book left with me was the “Britishness” of the people of Trinidad; how much the people had imbibed it. So when many immigrated to Britain in the 1950s it felt like they were going ‘home’, only for many to be ostracised.

This is a very funny book about a very serious game’ and has a foreword by David Lloyd, the famous comical cricket commentator and ex-professional player.

This is a true book describing all the events involved in getting a team together to play cricket each week. It’s hilarious some of the excuses they come up with for not turning up each week.

There is a magnificent photograph at the end of the book showing all the members of Mike Harfield’s XI in 1981. People’s names have not been changed and no one’s identity is protected.

There are also some real gems of information that you wouldn’t find even in Wikipedia about the finer points of the derivation of the word ‘Nelson’. Also some humorous quips about real-life famous figures, not necessarily connected with cricket, but the descriptions are depicted in cricketing terms.

This is a total gem of a book. It is a collection of all the best classic short stories about cricket that there are.

They have the Arthur Conan Doyle one called "The Story of Spedegue’s Dropper". This will always be my favourite. I roared with laughter at the Furniss Drawings in the book –  caricatures of WG Grace reprinted with permission from MCC. But besides these there are little gems collected from obscure sources, each of them brilliant in their own right.

Very rarely do you have anything so good in one volume. 

It’s a small world as they say. And the world of cricket is undoubtedly smaller as I know Gideon. This said, I would defy any serious appraisal of cricket’s historical literature to exclude one of his many excellent books on the game. 

I have, however, chosen his first which covers one of the most momentous events in the game’s global history: the creation of a new competition called World Series Cricket (WSC) by the Australian TV mogul Kerry Packer that, ultimately, led to the game’s renaissance. As much as the story, and the various characters involved, are superbly researched the story of WSC, as Haigh acknowledges himself, "could just as easily be a text on television economics, or marketing, or sociology, even anthropology." It remains, therefore, a very important book.

This is a fantastic idea, to assemble a team of eleven men to play cricket on each of the seven continents in the world. What is more amazing is that it actually took the place.

The book is actually a posthumous publication since Harry Thompson, the famous writer, died soon after completing the tour and was still playing cricket in his last days. There are wonderful descriptions of their players.

One, apparently was so covered in hair that he was accepted by a troupe of monkeys whilst fielding in the outfield in Kuala Lumpur.

Although best known for his A Social History of English Cricket (1998), The Willow Wand is, for me, Birley’s best cricket book. I imagine I’d have enjoyed Birley’s company for he not only writes with great humour, he understood exclusivity was not the same thing as quality and he burst the elitist bubble that had long surrounded the game in England by dissecting the game’s most treasured and fervently protected myths and personalities with forensic precision. 

Be it imperialism, the game’s most revered chronicler Neville Cardus or, even, the game’s premier icon W. G. Grace, Birley leaves no stone unturned, and he even alludes to the distinct regional identities that define the game in the North and South of England, which formed the basis of my own book.