100 books like The Countdown Years 1974 - 1987

Cultural history is now a book business-standard. That wasn’t always the case. For me myself, I had to read Otto Freidrich’s City of Nets (1987) and Jon Savage’s England’s Dreaming (1992) before I could properly formulate my 1996 book Stranded. Stalwart rock journalist Andrew Stafford’s debut book from 2004, Pig City, is a cultural history of the Brisbane music scene ‘from the Saints to Savage Garden’, which makes it a regional history too. What makes it gripping, next Stafford’s deft handling of the material, is the story itself, which is not just that of an erstwhile backwater finally coming of age, but up against and overcoming the oppressive jackboots of Queensland state premier, ‘hillbilly dictator’ Joh Bjelke-Peterson. Happily, that era is now long past, and BrisVegas is today a great music town; but wouldn’t have become so without the long struggle so vividly portrayed here.

Sometimes a book comes completely out of nowhere. Such was the case with Trevor Conomy’s Down Under. Conomy was not an author with a pedigree in music journalism or anything like that, but when Down Under came out, in 2015, it spoke for itself. The life story of a song – Melbourne pub band Men At Work’s “Down Under” – what makes the book compelling is not so much the story of its fluky success, when in 1982 it become a huge hit all round the world, but rather the aftermath: How more than a quarter-century later the song went to court against a copyright infringement claim. That it lost the case was a travesty and a human tragedy, and Conomy’s short, punchy little book reveals why in all its gory detail.

This book illustrates why this list had to be called the best Australian books about music. Because it’s an Australian author writing about an American musician. This is an exchange that works both ways: just this year, British musician/author Tracy Thorn published a book about Go-Betweens drummer Lindy Morrison, called My Rock’n’Roll Friend. Blind Tom is a biography of slave pianist Tom Wiggins, one of the first African-American musicians to crossover to success with white audiences, and remarkably he had not been so accounted for until Deidre O’Connell took up the cudgels. O’Connell is an academic, but thankfully doesn’t write like one, and this her first and thus far only book is totally engrossing. I hope she writes some more.

There’s a genre of music books, in which I plead guilty to form, that is almost scrapbook-like, that mixes and matches elements to make, at best, a seamless blend of words and images, the sort of book that is a work of art in its own right like you used to find buried down the back of the aisles at counter-culture bookstores. Wild About You is the concept writ large, perhaps not least because editors Iain McIntyre and Ian D. Marks went through a couple of other similar-styled books before getting it quite so right with this one. As a portrait of the post-Beatles beat boom in Australasia in the 60s, it is definitive, written with vibrancy and beautiful and evocative for its illustrations and design. I’m still waiting for this dynamic duo to move onto the 70s!

While Nick Cave is primarily a musician/songwriter, this book is a visual record of Cave’s creative journey filled with his early sketchbooks, photos, drawings, and typewritten song lyrics annotated by hand. Many of us artists work in sketchbooks where we can feel free to be messy and exploratory and pour our hearts onto the page. Some of us need words as well as images to explore the world around us, decipher our feelings and uncover our work. I love musing over Nick’s here—so messy and wild to begin and a little more ordered as he ages as one might expect. The book is filled with photos of different parts of his life, drawings and doodles, tight handwritten scripts and taped over typewritten lyrics gone yellow with age. It’s a compendium of a wonderful artist’s creative process. A real joy to sit down with and muse over.

This is such a great book! I loved it even more than the author's first (which was also very good). Though be warned you might get some side eyes if you read this one on the actual beach as it will have you laughing out loud one minute and swallowing back tears the next. I adore it when books are able to give me a wide range of emotions. This one might be a little heavier than the other books on my list, but the author does a fantastic job balancing humor and heartbreak. I recommend this book to those who love romance mixed with laughter and lots of heart.

Alan is less interested than the preceding authors in distracting poesy and deep characterisation – which is not to say that he is without sophistication, but rather that he prefers to twist the throttle hard and race through his stories like he has a metal gig to catch.

His two-fisted prose pulls no punches in this collection of five linked novellas about an odd Aussie country town, delivering bold thrills, shiversome delights, and wince-worthy kills.

Alan sets an example for myself and other local writers with his upstanding, no-shit attitude and open generosity, and those who don’t have the pleasure of knowing him personally will nonetheless feel welcomed into his world whenever they crack the covers of his books.

With Gender, Branding, and the Modern Music Industry, Kristin Lieb provides an enlightening but often troubling account of the contemporary pop music industry. By focusing on women artists in the post-MTV era, Lieb demonstrates that female pop singers are judged more than ever on their sex appeal—despite the advances of the women’s movement over the past several decades. Lieb draws from both theorists and music industry insiders, giving her conclusions weight and credibility. Yet despite its frequently disturbing findings, the book is not overly cynical. Lieb, an energetic writer, has managed to maintain her enthusiasm for pop music.

This is still one of the coolest books I’ve ever read. It has wonderfully left-of-centre characters, original plot, and world building, a hint of darkness, and sharp dialogue. I love its Australian flavour (just enough to feel familiar). The setting is also off-kilter enough to be dystopian, but not so much so that it feels alien.

Best of all, at the novel's heart is an engaging, offbeat romance. There are also well-handled themes of alienation, grief, identity, and self-discovery.

(It was part of a gift pack of novels my Australian publisher sent me when I signed my first book deal back in 2011, and I instantly fell in love with it.)

English naturalist John Gould is recognised as the father of bird study in Australia.

During 19 months in 1838-1840 he travelled in NSW, South Australia, and Tasmania, seeing the birds and landscapes before they had been affected much by Europeans, and leaving insightful descriptions that provide a unique window into a past when, for example, regent honeyeaters, endangered today, flitted about in the middle of Adelaide city.

Gould introduced the budgerigar to Europe, was the first to describe the bowers of bowerbirds, and the first in so many ways. His book appeared in 1865 but remains relevant today. I quoted him many times in my bird book for his unique insights and observations. But the common names he used can be difficult to swallow. He praised the regent honeyeater as ‘one of the most beautiful birds inhabiting Australia’ but called it the ‘warty-faced honeyeater’.

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