Here are 100 books that The Purpose of Reality fans have personally recommended if you like
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I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other and betwixt.
No easy way describes Kaaron Warren’s darkest mind full of mischief and intensity. She’s a global legend, no worries, with her distinctive Australian tongue. Find wicked excitement in Warren’s horror, disturbing in its nature, leaving nothing untouched. Even babies are not safe. This primer is a quick introduction to ominous storytelling, that may pave way to curiosity into award-winning works, including Tide of Stone orInto Bones Like Oil. Starting here, with illustrations and an exegetical analysis by Michael Arnzen, is perhaps the soundest way to dip a toe into the humour, surreally, and darkness of this author’s alluring text.
Australian author Kaaron Warren is widely recognized as one of the leading writers today of speculative and dark short fiction. She’s published four novels, multiple novellas, and well over one hundred heart-rending tales of horror, science fiction, and beautiful fantasy, and is the first author ever to simultaneously win all three of Australia’s top speculative fiction writing awards (Ditmar, Shadows, and Aurealis awards for The Grief Hole).
Dark Moon Books and editor Eric J. Guignard bring you this introduction to her work, the second in a series of primers exploring modern masters of literary dark short fiction. Herein is a…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other and betwixt.
The quality and production of this phenomenal hardcover of imposing size are mesmeric. Its metaphoric text on mental illness and accompanying artwork are visually appealing and poignantly immersive. Transformative text transports the reader, any reader—child, young adult, adult—to beauty and hurt, evolution and transformation. The perfect book for anyone living with psychosis or other illness, and for everyone else to understand the fragility of debilitating conditions.
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other and betwixt.
Slipstream fiction doesn’t get more uncanny than this collection of short stories featuring dead children and sometimes parents behind those deaths.The Forest of Dead Children is a startling book, absolutely alarming, in its suspense and incongruity pertaining to matters of little ones, especially if you’re a parent. The allure of European slipstream author Andrew Hook’s collection is in its darkness and revelation of the potency and frailty of parenthood, right there on the balance, and what, what, could possibly go wrong? Wholly unconventional and disturbingly captivating.
Black Shuck Shadows presents a collectable series of micro-collections, intended as a sampler to introduce readers to the best in classic and modern horror. In The Forest of Dead Children, Hook offers five tales of children in peril.
The Festival of Sin is a three-story light sci-fi arc about a young boy rescued in 6000 BCE and taken to the home planet of the Hudra. Parts two and three are exploratory excursions. It's a fish-out-of-water series. More than fish-out-of-water. Fish-on-another-planet.
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other and betwixt.
Not many novellas punch their weight this hard as Matthew R. Davis’ The Dark Matter of Natasha.Addressing almost with levity matters of suicide, this tiny book is entrapping with the disquieting dread yet morbid curiosity it rouses in you. It’s an intelligent story oozing with the sexual urgency of young adulthood. An orgasmic psychological thriller amalgamated with deep haunting, The Dark Matter of Natashais a compelling conversation on the topic of teen self-harm. Macabre, intimate and beautiful all at once.
Natasha stalks the quiet streets of dead-end Lunar Bay like doom in a denim jacket. She’s a grim reminder that some teenagers can never escape the ever-tightening noose of their lives. Burned out and benumbed by a traumatic past, dogged by scurrilous small-town gossip, she finds solace in drugs, sex and Slayer.
What horrors have her flat eyes witnessed? And how far will she go in pursuit of the one tiny spark of hope that still flickers in her haunted heart?
When a naïve transplant crosses her path, he's drawn into shadow and doubt. With his girlfriend ghosting him, Natasha’s…
I’ve been fascinated by nonfiction since my teens, by the idea of books about things that really happened. Fiction gets all the kudos, all the big prizes, all the respect. But as far as I’m concerned, trying to wrestle the unruly matter of reality onto the page is much more challenging – imaginatively, technically, ethically – than simply making things up! My book The Travel Writing Tribe is all about those challenges – and about the people, the well-known travel writers, who have to confront them every time they put pen to paper.
Great travel writing requires serious honesty – and there’s no more honest book than this. An aging, crotchety American sets out on a sentimental journey through Brazil after a forced departure from his adopted home in Ecuador. You start out thinking that he’s been the victim of some sort of sketchily explained injustice, but as he travels, he gradually tears more and more strips off himself and your perspective changes. Brutally honest. Thomsen is also remarkably open about his own writerly craft: “let me shift my characters around a bit” he says at one point, revealing the fundamental tension of nonfiction – between faithfulness to narrative and faithfulness to reality.
Unflinchingly honest about his family, his failures, his already broken health at the age of sixty?three and the loss of the hopes he once had for himself, Thomsen is also sickened by the corruption and rapacity of our societies, the inequality and the economic destitution. What starts as an almost reluctant concatenation of memory and poignant, limpid descriptions of Brazil, grows into a shattering romantic symphony on human misery and life s small but exquisite transcendent pleasures. He spares the reader nothing.
As a child, I was an avid reader and particularly fell in love with historical fiction. My favourite corner for reading was on top of the woodbox by my grandmother’s cookstove. Warm and cozy, I delved into such books as Geoffrey Trease’s Cue for Treason and Jack Schaeffer’s Shane. How wonderful to land for a few hours in the world of Shakespeare’s London or the grasslands of the frontier west. When I worked as a children’s librarian and then began writing books myself, this early love has remained with me—so it factored into the books I chose for schools—and some of the novels I wrote such as The Runaway and Firebird.
I’m always on the lookout for fiction in which the writing itself is dazzling. Eva Ibbotson’s prose is truly something to savour and this novel is the jewel in her crown. Maia, an orphan, is sent from England to stay with distant relatives, the Carters, in Manaus, Brazil. The family is weird and mean but Maia finds two young friends—Clovis, an actor, and Finn, who is partly a Brazilian native, but heir to his British grandfather’s fortune. Clovis longs to return to England and Finn happily changes places with him. Finn and Maia journey down the Amazon (the “River Sea”) to live with his Xanti people. Expect humour, high adventure, and a richly-detailed look at life in early 20th century Brazil.
It is 1910 - Maia, orphaned at 13, travels from England to start a new life with distant relatives in Manaus, hundreds of miles up the Amazon. She is very unhappy with her exceptionally bizarre new family but befriends Finn, a mysterious English boy who lives with the local Indians and shares her passion for the jungle. Then Finn's past life catches up with him and they are forced to flee far upriver in a canoe, pursued by an assortment of brilliantly eccentric characters that only Eva Ibbotson could invent.
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler…
Dion Leonard is an Australian/British ultra runner who competes around the globe in endurance ultra running events ranging from 100 miles to over 240 miles in some of the most extreme conditions known to man. He has numerous top 10 finishes in some of the toughest races on the planet. An international bestselling author with 5 books in over 21 languages; Dion’s story has been featured on CNN, NBC Today Show, Good Morning Britain, CBS, CNBC, ABC America, Associated Press, ESPN, Pickler and Ben, CCTV, BBC, and many others. Dion is an inspirational speaker, animal welfare advocate and raises money and awareness for animals in need.
An emotional story that talks about bravery, hope, and loyalty. During an adventure race through the jungle of Ecuador in South America, a Swedish race team lead by Mikael Lindnord befriends a mangy, but determined dog. The dog (Arthur) joins the team and their adventure begins. In the end, the team saves the dog. But, as is so often the case in these animal/people encounters, it is the dog who becomes the quiet hero and ultimately saves the human.
When you are racing 435 miles through the jungles and mountains of South America, the last thing you need is a stray dog tagging along. But that's exactly what happened to Mikael Lindnord, captain of a Swedish adventure racing team, when he threw a scruffy but dignified mongrel a meatball one afternoon.
When they left the next day, the dog followed. Try as they might, they couldn't lose him - and soon Mikael realised that he didn't want to. Crossing rivers, battling illness and injury, and struggling through some of the toughest terrain on the planet,…
I grew up in Michigan where I was outdoors in the woods most of the time, running around with my imaginary friends. I built an entire world in my imagination where girls and women were powerful and ruled the world. I wrote stories about that world, and I’ve never stopped writing or reading myths, folklore, and fairy tales. Stories are the best way to bring the mythic and hidden realms of our existence out into the open. When I catch a glimpse of other worlds through storytelling, it always feels healing. It gives me hope that there is more to our existence than what we ordinarily see.
The author went on a journey to discover all she could about the pink dolphins (the botos) of Brazil, but she soon found herself immersed in the folklore and myth of this very real animal. She learns that people who live with the botos believe the dolphins are shapeshifters who live human-like lives in an amazing underwater world—the Encante—where everything in life is better. Even so, they come out of the water as human beings to visit our world and interact with the locals. They can only be recognized by the hats they wear to cover the blowholes in the tops of their heads. I love the feeling this book gives that we are constantly walking with the enchanted.
By the acclaimed author of The Soul of an Octopus and the bestselling memoir The Good Good Pig.
When Sy Montgomery ventured into the Amazon to unlock the mysteries of the littleknown pink dolphins, she found ancient whales that plied the Amazon River at dawn and dusk, swam through treetops in flooded forests, and performed underwater ballets with their flexible bodies. But she soon found out that to know the botos, as the dolphins are locally called, you must also know the people who live among them.
And so in Journey of the Pink Dolphins, Montgomery-part naturalist, part poet, part…
I started reading crime fiction as a teenager, so maybe it was inevitable that one day I would start writing it. I began with short stories, but then found an idea for a novel that wouldn’t let me go. One small paragraph about a tape recording left by a dead man. The books I love reading now are often set in small towns and communities, like the one I grew up in, where normal people tend to hide the worst secrets! Hidden motivations and seeing how the past plays out in the present are two elements I love in crime fiction—they help to work out who the killer is.
Humour done well in crime fiction is rare, I think, and this novel has plenty. I think you would call it a caper, with things constantly going wrong for Jac, the main character, in bizarre and amusing ways, but Draga, her Croatian housekeeper is hilarious. Draga’s solutions to fixing things are not what any sensible person might agree to, but Jac is desperate. She even resorts to using Draga’s favourite broom herself at one point. This one will keep you on the edge of your seat, yes, but you might also fall off it laughing. I’m hoping there will be a sequel.
The week begins like any other in Jacqueline Burne's messy life. And it just gets worse. Jac's business is in trouble, her husband is up to no good, and her eccentric housekeeper, Draga, is nagging her with unsolicited advice. Then Jac's annoying teen stepson lands on her doorstep and wants to stay.
Jac devises a plan to regain control of her life, but Draga jumps in to help and it goes horribly wrong. They soon find themselves on the wrong side of the law, where handcuffs and prison jumpsuits become a real possibility. As Jac juggles her many problems, dark…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like…
I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…
There’s a genre of music books, in which I plead guilty to form, that is almost scrapbook-like, that mixes and matches elements to make, at best, a seamless blend of words and images, the sort of book that is a work of art in its own right like you used to find buried down the back of the aisles at counter-culture bookstores. Wild About You is the concept writ large, perhaps not least because editors Iain McIntyre and Ian D. Marks went through a couple of other similar-styled books before getting it quite so right with this one. As a portrait of the post-Beatles beat boom in Australasia in the 60s, it is definitive, written with vibrancy and beautiful and evocative for its illustrations and design. I’m still waiting for this dynamic duo to move onto the 70s!
The astonishing outpouring of rock 'n' roll in the 1960s in Australia and New Zealand gave birth to such iconic bands such as the Easybeats, the Masters Apprentices, Billy Thorpe and the Aztecs, the Purple Hearts, and the Missing Links. It also launched the careers of a generation of musicians who would go on to greater, international fame with their later groups (the Bee Gees, AC/DC, Little River Band, and more). Wild About You! includes chapters on 35 bands that made the scene, as well as the editors' list of the top 100 beat and garage songs of the era.…
