Here are 100 books that Journey to the River Sea fans have personally recommended if you like
Journey to the River Sea.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
In 2010, I met a Somali refugee in Cape Town. His name was Asad Abdullahi. He told the tale of his life with a richness bordering on genius and I was hooked. I spent the next two years tracing his childhood footsteps through the Horn of Africa, looking for anyone and everyone he had encountered. In the course of writing a book about him, I read countless other books about exile, migration, and human beings on the move. My five recommendations are among the books that helped me imagine the experience of exile best.
My mother read this book to me over the course of several weekday afternoons. I was nine, maybe ten. The book’s protagonist, David, is a boy who escapes from a concentration camp somewhere in Eastern Europe and walks to Denmark in search of his mother. Lying next to my own mother, on her bed, listening to her voice, cocooned by her love, I identified so very powerfully with this unrooted, solitary, questing boy. It stirred me more than anything else I read as a child. There is something in a refugee’s tale that is so primal, so hard to shake off. There but by the grace of God go I, I thought, every time my mother opened the book to read some more.
This is the story of a young boy's journey through Europe after escaping from the camp where he has lived all his life. Faced with a host of new experiences, David gradually begins to understand the world around him.
As a child, I was an avid reader and particularly fell in love with historical fiction. My favourite corner for reading was on top of the woodbox by my grandmother’s cookstove. Warm and cozy, I delved into such books as Geoffrey Trease’s Cue for Treason and Jack Schaeffer’s Shane. How wonderful to land for a few hours in the world of Shakespeare’s London or the grasslands of the frontier west. When I worked as a children’s librarian and then began writing books myself, this early love has remained with me—so it factored into the books I chose for schools—and some of the novels I wrote such as The Runaway and Firebird.
This verse novel primarily sets the stage for a crucial journey Phoebe, a sixteen-year-old slave, living on a Virginia tobacco plantation in 1858, decides to make that will take her north to freedom. I like to write poetry myself and have favourites among verse novels that have proliferated in recent years. This is one of them. The poetry here is beautifully-crafted and underlines the power of language Phoebe has discovered, having taught herself to read. Pignat alternates viewpoints as she presents a cast of characters that includes a Canadian doctor posing as a birdwatcher who helps slaves escape. Bird imagery is a motif throughout the book—so apt in detailing a flight to a new world.
Award-winning author Caroline Pignat’s new historical novel recreates the world of a Virginia tobacco plantation in 1858. Through the different points of view of slaves, their masters and a visiting bird-watcher the world of the plantation comes to live in this verse novel. Phoebe belongs to Master Duncan and works in the plantation kitchen. She sees how the other slaves are treated – the beatings and whippings, the disappearances. She hasn’t seen her mother since Master Duncan sold her ten years ago. But Pheobe is trying to learn words and how to read and when she is asked to show…
A reader. A librarian. A writer. I majored in History/English in college, partly because I love historical novels. When my editor asked that my second book be set during the California Gold Rush, I knew I wanted to write from the Mexican point of view - I’m a quarter Mexican. I soon found myself deep in research, learning about those years when Mexico owned what is now the American Southwest. Writing Daughter of Madrugada left me wondering: were some of my own ancestors displaced by American encroachment?
This is one of the funniest, and saddest, books ever. When Kenny starts telling the story, it’s dead winter in Flint. Michigan. Cold enough to make your spit freeze. Momma, who grew up in Alabama, begins yearning for the South. By reputation, Momma’s momma is the strictest, meanest grandma ever. Kenny - who’s never met her - decides Grandma Sands must look like a troll. Dad and Momma decide that Grandma Sands is the perfect person to straighten out big brother Byron, who shows signs of turning into a juvenile delinquent. So... Join the Watsons. Get in their car (also known as the Brown Bomber), listen to the tires roll onto I-75, and imagine what’s going to happen when Byron meets his doom.
Celebrate the 25th anniversary of the Newbery and Coretta Scott King Honoree about an unforgettable family on a road-trip during one of the most important times in the civil rights movement.
When the Watson family-ten-year-old Kenny, Momma, Dad, little sister Joetta, and brother Byron-sets out on a trip south to visit Grandma in Birmingham, Alabama, they don't realize that they're heading toward one of the darkest moments in America's history. The Watsons' journey reminds us that even in the hardest times, laughter and family can help us get through anything.
As a child, I was an avid reader and particularly fell in love with historical fiction. My favourite corner for reading was on top of the woodbox by my grandmother’s cookstove. Warm and cozy, I delved into such books as Geoffrey Trease’s Cue for Treason and Jack Schaeffer’s Shane. How wonderful to land for a few hours in the world of Shakespeare’s London or the grasslands of the frontier west. When I worked as a children’s librarian and then began writing books myself, this early love has remained with me—so it factored into the books I chose for schools—and some of the novels I wrote such as The Runaway and Firebird.
I’ve read this book several times and I don’t believe I ever manage to get through it without shedding a few tears. Have tissues handy. A Mennonite family living in Ukraine in the 1920s has their village destroyed by Russian soldiers. The central character, ten-year-old Peter Neufeld, makes a decision to help his older brother Otto escape after he’s participated in counter-attacks, going against the family’s adherence to passive resistance. The Neufelds decide to leave a land of oppression and move to Canada where they will make an effort to assimilate rather than live apart as they have in Ukraine. It’s a journey filled with challenges and heartbreak, but always with the strength of love of family and humanity as a sustaining factor.
I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
I’ve been a teacher for over 30 years and a traveler for longer. As a child, I lived in Germany and Japan. When I grew up, I continued to travel, teaching and living in Thailand, London, and China. I’ve written book chapters, poetry, travel pieces, and won a number of writing prizes: the 2023 New York Book Festival prize and a finalist for both the Peter Taylor Prize for Literature and the Gival Press Novel Award. A graduate of Middlebury College (BA) and University of Rochester (PhD), I now live in San Diego with my husband and two cats, teach adult literacy, and work as a volunteer at the San Diego Zoo.
Perhaps the most famous teacher abroad is Anna Leonowens, who was immortalized in the musical The King and I. A lowly Victorian woman single-handedly reshapes the history of Thailand. If you want to read that story you can read Margaret Landon’s Anna and the King of Siam.
Far more interesting is Anna’s true story: a con artist, who lies about everything that happened to her. Habegger’s biography Masked sorts through the lies and fiction. He offers a complicated narrative of a biracial woman who told exaggerated tales of enslavement, romance, and her imagined role in democratizing Thailand. Her life becomes one of fancy and self-invention. Both sadly are traps too often seen in myths crafted by self-absorbed travelers living abroad.
A brave British widow goes to Siam and-by dint of her principled and indomitable character-inspires that despotic nation to abolish slavery and absolute rule: this appealing legend first took shape after the Civil War when Anna Leonowens came to America from Bangkok and succeeded in becoming a celebrity author and lecturer. Three decades after her death, in the 1940s and 1950s, the story would be transformed into a powerful Western myth by Margaret Landon's best-selling book Anna and the King of Siam and Rodgers and Hammerstein's musical The King and I.
Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.
"I really don’t know what we’re going to do with Margaret, Crawfie!" declared Lilibet anxiously to the original nanny diarist. "Poor Lil," responded Margaret, when rumours of her sister’s romance with Philip hit the papers. "Nothing of your own. Not even your love affair!" In the US, this first inside account of life with the modern royals boosted the circulation of the Ladies’ Home Journal magazine by half a million. But in Britain, Buckingham Palace complained that the letters quoted from the princesses breached royal copyright and insisted they be removed. Lilibet never forgave Crawfie for the betrayal embodied in this sickly, but oh-so-revealing tome.
Originally published in 1950, The Little Princesses was the first account of British Royal life inside Buckingham Palace as revealed by Marion Crawford, who served as governess to princesses Elizabeth and Margaret.
A twenty-two year old teacher recruited to look after the Duke and Duchess of York’s young daughters in 1931, Marion Crawford―affectionately known as “Crawfie” by her charges―spent sixteen years with the Royal family as the children’s governess. From King Edward VIII’s abdication of the throne in order to marry American divorcée Wallis Simpson and King George VI’s subsequent crowning, through World War II, and all the way to…
I am a writer who will never give you a sad ending! I love books that reflect on life (the good and the bad) but that look for the positive in people. My experience has taught me that there is so much good to find—and as I explore in my debut novel, The Keeper of Stories, everyone has a story to tell. My first novel was published when I was 60, so I am also a believer that you should never underestimate anyone. And I love to see that reflected in books.
This book was written in the 1930s, yet it feels remarkably contemporary – a glorious romp through a world of parties, sex, and drugs. Miss Pettigrew stumbles into this world when she mistakenly turns up for the wrong job. With little money in her purse she has no option but to take the position and finds herself having an awful lot more fun than she ever has before. And for once she is really appreciated.
“Don’t let this delightfully frothy drawing-room comedy get lost between the sofa cushions.”—Salon.com
“Miss Pettigrew is irresistible, a perfect mix of wistfulness and joy, substance and froth.”—Tracy Chevalier, author of Girl with a Pearl Earring
“Miss Pettigrew Lives for a Day is perhaps the happiest, most ebullient piece of fiction ever written for adults.”—Newsday
Miss Pettigrew Lives for a Day is now available as an audio book read by Academy Award–winning actress Frances McDormand, who stars in the film as the down-and-out governess Miss Pettigrew, who finds herself caught up in the life of Delysia LaFloss, a glamorous aspiring actress…
I’ve written almost one hundred historical romances, so when it comes to making a marriage in a book swoonworthy, I know the hard work that an author has to put in. Whether it’s enemies to lovers, instalove, grumpy/sunshine, whatever it is: I have a huge amount of respect for authors who spend the time crafting a love story that makes me absolutely desperate for the wedding.
The queen of histromcoms (yup, that's historical romcoms) Caroline Lee has a hilarious series that makes me laugh literally out loud - and so far, I've actually cried with laughter twice.
This is another governess story but this time with a Scottish laird, outrageous twins, and assassin mystery to boot. You shouldn't say no to this book.
As a fine arts major alumnus of Lake Forest College and Illinois Wesleyan University, I have written a variety of works, fiction and non, throughout my professional life. My preferred literary escape became the genre of British Mystery. I learned much from reading Martha Grimes in the 1990s. Her use of interplay between a character’s internal psychic landscape and the surrounding one interested me. As a mystery writer, I employ what I think of as light brushstrokes of the cozy genre while aiming for some depth of prose. A Lark Ascending has been described as an engaging escape from today.
The year is 1837 and Liberty is a fiercely independent young woman. The story begins with her crossing the Channel to find her father, only to discover that he had recently been killed in a duel. In the course of investigating what had happened, she comes upon a plot that involves treason, with the potential to spark another civil war.
What I love about Peacock’s work is her use of imagery in echoing a character’s psyche or situation. Horse lovers will enjoy Liberty’s relationship with her horse and her growing friendship with her good-hearted stable hand. I have not yet put my finger on it, but for some reason, I feel a hint of Edgar Allen Poe when I read her books.
A remarkable debut novel rich in atmosphere, color, and suspense, Caro Peacock's A Foreign Affair is an irresistible blend of history, adventure, and ingenious invention that brings an extraordinary new writer—and a truly endearing and unforgettable heroine—to the literary stage.
The year is 1837. Queen Victoria, barely eighteen, has just ascended to the throne of England, and a young woman named Liberty Lane has just had her first taste of true sorrow. Refusing to accept that her gentle, peace-loving father has been killed fighting a duel, she vows to see justice done. . . .
