Here are 100 books that The Gospel Truth fans have personally recommended if you like
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In 2010, I met a Somali refugee in Cape Town. His name was Asad Abdullahi. He told the tale of his life with a richness bordering on genius and I was hooked. I spent the next two years tracing his childhood footsteps through the Horn of Africa, looking for anyone and everyone he had encountered. In the course of writing a book about him, I read countless other books about exile, migration, and human beings on the move. My five recommendations are among the books that helped me imagine the experience of exile best.
My mother read this book to me over the course of several weekday afternoons. I was nine, maybe ten. The book’s protagonist, David, is a boy who escapes from a concentration camp somewhere in Eastern Europe and walks to Denmark in search of his mother. Lying next to my own mother, on her bed, listening to her voice, cocooned by her love, I identified so very powerfully with this unrooted, solitary, questing boy. It stirred me more than anything else I read as a child. There is something in a refugee’s tale that is so primal, so hard to shake off. There but by the grace of God go I, I thought, every time my mother opened the book to read some more.
This is the story of a young boy's journey through Europe after escaping from the camp where he has lived all his life. Faced with a host of new experiences, David gradually begins to understand the world around him.
A reader. A librarian. A writer. I majored in History/English in college, partly because I love historical novels. When my editor asked that my second book be set during the California Gold Rush, I knew I wanted to write from the Mexican point of view - I’m a quarter Mexican. I soon found myself deep in research, learning about those years when Mexico owned what is now the American Southwest. Writing Daughter of Madrugada left me wondering: were some of my own ancestors displaced by American encroachment?
This is one of the funniest, and saddest, books ever. When Kenny starts telling the story, it’s dead winter in Flint. Michigan. Cold enough to make your spit freeze. Momma, who grew up in Alabama, begins yearning for the South. By reputation, Momma’s momma is the strictest, meanest grandma ever. Kenny - who’s never met her - decides Grandma Sands must look like a troll. Dad and Momma decide that Grandma Sands is the perfect person to straighten out big brother Byron, who shows signs of turning into a juvenile delinquent. So... Join the Watsons. Get in their car (also known as the Brown Bomber), listen to the tires roll onto I-75, and imagine what’s going to happen when Byron meets his doom.
Celebrate the 25th anniversary of the Newbery and Coretta Scott King Honoree about an unforgettable family on a road-trip during one of the most important times in the civil rights movement.
When the Watson family-ten-year-old Kenny, Momma, Dad, little sister Joetta, and brother Byron-sets out on a trip south to visit Grandma in Birmingham, Alabama, they don't realize that they're heading toward one of the darkest moments in America's history. The Watsons' journey reminds us that even in the hardest times, laughter and family can help us get through anything.
As a child, I was an avid reader and particularly fell in love with historical fiction. My favourite corner for reading was on top of the woodbox by my grandmother’s cookstove. Warm and cozy, I delved into such books as Geoffrey Trease’s Cue for Treason and Jack Schaeffer’s Shane. How wonderful to land for a few hours in the world of Shakespeare’s London or the grasslands of the frontier west. When I worked as a children’s librarian and then began writing books myself, this early love has remained with me—so it factored into the books I chose for schools—and some of the novels I wrote such as The Runaway and Firebird.
I’ve read this book several times and I don’t believe I ever manage to get through it without shedding a few tears. Have tissues handy. A Mennonite family living in Ukraine in the 1920s has their village destroyed by Russian soldiers. The central character, ten-year-old Peter Neufeld, makes a decision to help his older brother Otto escape after he’s participated in counter-attacks, going against the family’s adherence to passive resistance. The Neufelds decide to leave a land of oppression and move to Canada where they will make an effort to assimilate rather than live apart as they have in Ukraine. It’s a journey filled with challenges and heartbreak, but always with the strength of love of family and humanity as a sustaining factor.
As a child, I was an avid reader and particularly fell in love with historical fiction. My favourite corner for reading was on top of the woodbox by my grandmother’s cookstove. Warm and cozy, I delved into such books as Geoffrey Trease’s Cue for Treason and Jack Schaeffer’s Shane. How wonderful to land for a few hours in the world of Shakespeare’s London or the grasslands of the frontier west. When I worked as a children’s librarian and then began writing books myself, this early love has remained with me—so it factored into the books I chose for schools—and some of the novels I wrote such as The Runaway and Firebird.
I’m always on the lookout for fiction in which the writing itself is dazzling. Eva Ibbotson’s prose is truly something to savour and this novel is the jewel in her crown. Maia, an orphan, is sent from England to stay with distant relatives, the Carters, in Manaus, Brazil. The family is weird and mean but Maia finds two young friends—Clovis, an actor, and Finn, who is partly a Brazilian native, but heir to his British grandfather’s fortune. Clovis longs to return to England and Finn happily changes places with him. Finn and Maia journey down the Amazon (the “River Sea”) to live with his Xanti people. Expect humour, high adventure, and a richly-detailed look at life in early 20th century Brazil.
It is 1910 - Maia, orphaned at 13, travels from England to start a new life with distant relatives in Manaus, hundreds of miles up the Amazon. She is very unhappy with her exceptionally bizarre new family but befriends Finn, a mysterious English boy who lives with the local Indians and shares her passion for the jungle. Then Finn's past life catches up with him and they are forced to flee far upriver in a canoe, pursued by an assortment of brilliantly eccentric characters that only Eva Ibbotson could invent.
Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
Starks presents us with a marvelous story of the tortured relationship between Soviet society and smoking. On the one hand, Soviet leadership was generally opposed to smoking – both for health and cultural reasons. On the other hand, smoking became associated with both masculinity and the Revolution. Like many a smoker, Soviet society just couldn’t quit, even as the effects of smoking became more and more apparent.
What I love about this book is how Starks takes something omnipresent and disposable – the cigarette – and tells the story of the Soviet Century through it, touching on such a breadth of topics as gender, labor, political, medical, economic, and cultural history. This is a book you just can’t quit.
Winner of the Southern Conference on Slavic Studies Book Award
Enriched by color reproductions of tobacco advertisements, packs, and anti-smoking propaganda, Cigarettes and Soviets provides a comprehensive study of the Soviet tobacco habit. Tricia Starks examines how the Soviets maintained the first mass smoking society in the world while simultaneously fighting it. The book is at once a study of Soviet tobacco deeply enmeshed in its social, political, and cultural context and an exploration of the global experience of the tobacco epidemic.
Starks examines the Soviet antipathy to tobacco yet capitulation to market; the development of innovative cessation techniques and…
I find that one of the advantages of having worked as a professor (now Emerita ) of German at the University of Wisconsin, Milwaukee, is that it helped me gain perspective. When I study literature–especially in languages other than English–I am forced to step outside of my everyday world to identify the motif and leitmotif of the author. I am proposing that the medical training of these five authors helped them do the same: to dig below the surface to find other structures and root causes and to present their findings and unique diagnoses.
I recommend these short stories for both younger and older readers. In the latter case, they may well be re-reads and if so, they are essential reading in that they lead the reader to reevaluate past aspirations and ambitions. Chekhov’s medical training is immediately apparent in his uncanny ability to dissect both personal and societal issues.
Though the diagnosis is frequently abrupt and unexpected, the treatment is less obvious. For example, in Gooseberries, written in 1898 as part of a trilogy, the reader is left with no doubt about the diagnosis of the social pretentiousness and even cruelty of the central character, but the possibility that happiness is elusive lingers like the pervasive smell of tobacco on the armchair. These stories are a must-read by the fireside on a rainy night, with the wind howling outside.
Richard Pevear and Larissa Volokhonsky, the highly acclaimed translators of War and Peace, Doctor Zhivago, and Anna Karenina, which was an Oprah Book Club pick and million-copy bestseller, bring their unmatched talents to The Selected Stories of Anton Chekhov, a collection of thirty of Chekhov’s best tales from the major periods of his creative life.
Considered the greatest short story writer, Anton Chekhov changed the genre itself with his spare, impressionistic depictions of Russian life and the human condition. From characteristically brief, evocative early pieces such as “The Huntsman” and the tour de force “A Boring Story,” to his best-known…
Growing up, I often told neighborhood kids about my father’s internment, what he remembered of Camp Crystal City, Texas, where he spent three years, age seven to ten, going to school, swimming, playing in nearby orchards, and other normal experiences—except for the barbed wire, guard towers, and lack of freedom. Later, I wanted to know more and learned that what happened to my family can happen to anybody else if they are feared. More recently, families have been ripped apart, children put in cages, and countless people treated as less than human. My book reminds us of what can happen when fear leads to calling those among us enemies or worse.
I love Fussell’s books, and this one is my favorite. Fussell served and fought in World War II, and any reader might recognize his name as being interviewed and used in numerous films and documentaries, including Band of Brothers.
The book is very satirical, and chapter titles like Chickenshit, an Anatomy, The Real War will never get in the Books, and Drinking far too much, Copulating too little give some idea about Fussell’s background as a writer, literary scholar, and philosopher of sorts—and he has won numerous writing awards—I cannot think Fussell would disappoint any interested reader!
World War II has been romanticized almost beyond recognition by "the sentimental, the loony patriotic, the ignorant, and the bloodthirsty". In this study, Paul Fussell goes behind the familiar diplomacy and heroics of history to examine the blunders, petty tyrannies, inconveniences, and deprivations that are many British and American people's memory of the War. There are lively sections on the role of drinking, tobacco, and sex in the war and on the home front; on propaganda; about writers and magazines who recorded the war or who attempted to keep aloft literary standards in a difficult time; on wartime slang and…
I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
In 1961, American illustrator Peter Spier won a Caldecott Honor for his version of this ancient song, and in 2014 he revisited his book, turning the black and white illustrations into glorious colour. As a scholar of ballads, I’m thrilled by their persistent popularity. The first evidence of “The Fox” is in a manuscript in the British Library from the second half of the fifteenth century, with its chorus—“Pax vobis, quoth the fox, for I am going to the town.” It’s clearly the same song, just missing the ‘o’ after town.What’s the attraction? Besides Spier’s shimmering double spreads of Americana, there’s tight storytelling with great visual details, a tune, a chorus, and a hero’s journey with a happy ending—for Fox and his family, at least!
This Caldecott Honor book from beloved illustrator Peter Spier is a spirited take on a classic American folk song.
"[Spier's] finely detailed, action-packed New England autumn vistas are almost startlingly beautiful."—The New York Times
Over fifty years after he won a Caldecott Honor for The Fox Went Out on a Chilly Night, legendary illustrator Peter Spier went back to this time-honored favorite in 2014 to paint the half of the book that was originally printed in black and white. In this glowing, restored vision of Spier’s beloved classic, follow the wily fox as he roams a sleepy New England town…
The Civil War has been a passion of mine since I was seven years old. This was inflamed by a professor I met at SUNY Cortland—Ellis Johnson, who first told me of the POW camp at Elmira, New York. Even though I grew up just thirty miles from Elmira I was astounded at this revelation. Later I learned that I had a third great-grandfather—William B. Reese—who served in the Veterans Reserve Corps after being wounded at the Battle of Gettysburg and was assigned to the garrison in Elmira, where he may have stood guard over the very prison his great grandson would write about.
The definitive work on the Elmira POW Camp, Michael Gray’s book is a captivating account of life inside the pen on the Chemung River. Especially valuable is Gray’s account of Elmira’s management by the post commanders, commandants, Commissary General of Prisoners and its supervision by the War Department. It is a web of intrigue and even conspiracy. Another important aspect of this path-breaking book is the micro-economy that was created by the prisoners, who kept themselves busy by catching and selling rats, making jewelry, and other ornaments, and fostering a marketplace where tobacco was the primary medium of exchange.
One of the many controversial issues to emerge from the Civil War was the treatment of prisoners of war. At two stockades, the Confederate prison at Andersonville, Georgia, and the Union prison at Elmira, New York, suffering was acute and mortality was high.
During its single year of existence, more money was expended on the Elmira prison than in any of the other Union Stockades. Even with this record spending, a more ignominious figure was attached to Elmira: of the more than 12,000 Confederates imprisoned there, nearly 3,000 die while in captivity - the highest rate among all the Northern…
I am a former Shakespeare scholar who became increasingly concerned about the climate crisis after I had a son and started worrying about the world he would inherit after I died. I began to do research into climate communication, and I realized I could use my linguistic expertise to help craft messages for campaigners, policymakers, and enlightened corporations who want to drive climate action. As I learned more about the history of climate change communication, however, I realized that we couldn’t talk about the crisis effectively without knowing how to parry climate denial and fossil-fuel propaganda. So now I also research and write about climate disinformation, too.
This book is the classic study that you must read if you’re going to understand how fossil fuel interests set out to create climate denial. Taking their playbook from the tobacco lobby, these interests hired unscrupulous researchers to do work that inspired doubt about climate science.
This book documents a core truth: climate change isn’t a tragedy; it’s a crime. This book will introduce you to the criminals and show you their MO.
The U.S. scientific community has long led the world in research on such areas as public health, environmental science, and issues affecting quality of life. Our scientists have produced landmark studies on the dangers of DDT, tobacco smoke, acid rain, and global warming. But at the same time, a small yet potent subset of this community leads the world in vehement denial of these dangers.
Merchants of Doubt tells the story of how a loose-knit group of high-level scientists and scientific advisers, with deep connections in politics and industry, ran effective campaigns to mislead the public and deny well-established scientific…
