100 books like The Watsons Go to Birmingham--1963

The books I've recommended are all skillfully told by someone who is not of the race or sexual orientation of the protagonist. Though I believe in the importance of people telling their own stories, I also think there should be room for writers to write from viewpoints other than their own. The past is where many of my characters live, but I still have to deal with the quandry of authenticity. Daughter of Winter is placed in Essex, MA, in 1949, at the height of the shipbuilding industry and features a mixed-race child and a Wapanoag grandmother. To make certain of my characterizations, I hired a chief of that tribe to read the finished manuscript.

In 2010, I met a Somali refugee in Cape Town. His name was Asad Abdullahi. He told the tale of his life with a richness bordering on genius and I was hooked. I spent the next two years tracing his childhood footsteps through the Horn of Africa, looking for anyone and everyone he had encountered. In the course of writing a book about him, I read countless other books about exile, migration, and human beings on the move. My five recommendations are among the books that helped me imagine the experience of exile best. 

As a child, I was an avid reader and particularly fell in love with historical fiction. My favourite corner for reading was on top of the woodbox by my grandmother’s cookstove. Warm and cozy, I delved into such books as Geoffrey Trease’s Cue for Treason and Jack Schaeffer’s Shane. How wonderful to land for a few hours in the world of Shakespeare’s London or the grasslands of the frontier west. When I worked as a children’s librarian and then began writing books myself, this early love has remained with me—so it factored into the books I chose for schools—and some of the novels I wrote such as The Runaway and Firebird.

As a child, I was an avid reader and particularly fell in love with historical fiction. My favourite corner for reading was on top of the woodbox by my grandmother’s cookstove. Warm and cozy, I delved into such books as Geoffrey Trease’s Cue for Treason and Jack Schaeffer’s Shane. How wonderful to land for a few hours in the world of Shakespeare’s London or the grasslands of the frontier west. When I worked as a children’s librarian and then began writing books myself, this early love has remained with me—so it factored into the books I chose for schools—and some of the novels I wrote such as The Runaway and Firebird.

As a child, I was an avid reader and particularly fell in love with historical fiction. My favourite corner for reading was on top of the woodbox by my grandmother’s cookstove. Warm and cozy, I delved into such books as Geoffrey Trease’s Cue for Treason and Jack Schaeffer’s Shane. How wonderful to land for a few hours in the world of Shakespeare’s London or the grasslands of the frontier west. When I worked as a children’s librarian and then began writing books myself, this early love has remained with me—so it factored into the books I chose for schools—and some of the novels I wrote such as The Runaway and Firebird.

Not only have I written six critically acclaimed novels for middle-grade readers, including three historical fictions, I am the parent of a tween and teen who is always looking for great read-alouds and read-alongs for my own family. I am a firm believer that this is a valuable way to encourage literacy and love of story as I wrote in a recent, much-discussed essay in The Atlantic. Having lived abroad, including as an exchange student and camper in the Soviet Union and for three years in Belgium, I am also a huge believer in expanding our own as well as our kids’ knowledge of history beyond our own borders, cultures, identities, and perspectives. 

Father-daughter relationships have always fascinated me. I wrote my first book to explore what it might be like for a girl to have a father with whom communication is, if not easy, possible. Although my own father was around when I was growing up, he was a distant figure. A mechanical engineer, he lost himself in ruminations on machines and mathematics and was made still more distant by his alcoholism. As a kid, I tried to glean from books what having a “regular” father might be like. I still haven’t figured it out, but I love seeing other authors capture the formative effects of this particular parental relationship. 

As a former middle school teacher and librarian, I know first-hand the power of story to motivate and teach. Over the years, I have also been lucky enough to facilitate several mother-daughter book groups and have found that books that show characters wrestling with decisions about doing the right thing, and recovering from bad choices, help to show children that there is always hope. Middle school is a time of such challenge and change, and stories that show authentically drawn characters navigating this tough terrain can act as guideposts. Becoming independent, finding your voice, growing empathy, and cherishing family and friends are necessary steps to becoming confident and healthy humans.

Ever since I can remember, I’ve been fascinated with life and death. As a child, my own life was fairly mundane and even joyful. However, I went through loss like most. We lost two dogs when I was maybe seven or nine. Then my beagle Suzy, who we had the longest, was struck by a car on a rainy day. A few years later, my grandfather passed from cancer. Watching my mother grieve stuck with me. It shaped me—how I cared about life, how I longed to understand it. Once I decided to write stories for children, I knew it could be a safe place to explore my hidden feelings.

Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.