I am writing this list because I am a sea monster. I’m the sort of sea monster who loves merpeople, pirates, sharks, dolphins, octopuses, shipwrecks, and…did I miss anything? Oh yes, piranhas. Some people have pointed out that I look like a regular adult human, but really it’s just a trick of the light. I like to make stories, draw pictures, and build miniature environments for stop motion animated films. My typical day is spent gluing miniature flowers to miniature rocks, or screwing miniature chairs to miniature floors. It’s the sort of job that makes you feel like magic is around every corner. Because it is, probably.
It’s impossible not to fall head over heels in love with the little
mermaid explorer Oona and her sea otter friend Otto. The adorable duo was
created by illustrator Raissa Figueroa who has this amazing ability to make all
her characters completely irresistible and her environments rich with
atmospheric colors and magical details. I can’t wait to see what adventures
Oona and Otto go on next!
1
author picked
Oona
as one of their favorite books, and they share
why you should read it.
This book is for kids age
3,
4,
5, and
6.
What is this book about?
This comical and heartfelt picture book is a winning celebration of invention, creativity, and friendship. With gorgeous underwater scenes and a crowd-pleasing tale, this is one little mermaid who is here to make a splash!
New York Times bestselling author Kelly DiPucchio and Coretta Scott King Illustrator Award winner Raissa Figueroa would like to introduce Oona-the big wide sea's littlest mischief-maker.
Oona and her best friend Otto love to search for treasure...and often find trouble instead.
Messy trouble.
Tricky trouble.
Even shark-related trouble.
That's never stopped them before, though!
After all, no proper treasure hunt is without some adventure. But…
My super-power is making brain science accessible and entertaining for children and adults alike. I am living this out as an author, mental health counselor, and the founder of BraveBrains. In addition to training parents and professionals, I have the joy of sharing my passion and expertise through podcast appearances, blogs, and articles. The lightbulb moments are my favorite, and I'm committed to helping people bring what they learn home in practical ways. I write picture books because the magic of reading and re-reading stories light up the brain in a powerful way. But don’t worry…I always include some goodies for the adults in the back of the book.
Grief, unfortunately, is a part of life. Western culture has a habit of ignoring and minimizing grief in detrimental ways. When we gently turn toward the difficult stuff in life, we can “feel and deal” in ways that benefit mental health. There are many books about grieving the death of a loved one (a list for another day, perhaps), but few acknowledge the other intense and life-altering kinds of loss and change that children are grieving. Dr. Coombes’ book is much more inclusive–plus, it delivers a treasure trove of activities to help children (and adults) navigate this challenging part of being human. The delightful doodles will appeal to upper elementary and quite a few tweens and teens.
These writing, craft, and doodling activities are designed to offer children support through experiences of loss, change, disappointment, and grief by using creativity to combat negative feelings and help them work through difficult times.
As an avid student of curious social history, I’ve wanted to tell the story of early flight for a while. A friend once took me up in a hot-air balloon for my birthday, and I’ve been a balloonomaniac ever since. I’ll never forget the awe I felt that morning in Vermont—the sensation of drifting softly above it all, passing spirit-like through orange-pink clouds just after sunrise with the muffled bark of a distant dog the only sound for miles. It was, to quote Sophie Blanchard, a “sensation incomparable.”
This oversized coffee-table book is an archival treasure trove: a collection of primary source materials—contemporary articles, letters, broadsheets, and other rare material—arranged chronologically and packed with line drawings and spectacular full-color plates. The author lets the painstakingly harvested entries speak for themselves, with little comment or imposed context beyond the archival images, and the result is a rich tribute to the art of ballooning and its practitioners. Beautifully curated and visually dazzling, this is a browser’s delight.
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
This is a Rubik’s cube of a Western. It feels so familiar in terms of its Western iconography and stock characters and motifs, but McCarthy twists the familiar tropes of the popular Western into bizarre and inscrutable patterns.
It’s a book I want to figure out but can’t quite, and that’s why I have re-read it several times. With each read, I’m confronted with a new puzzle just when I thought I had cracked its code.
Llewelyn Moss, hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and more than $2 million in cash. Packing the money out, he knows, will change everything. But only after two more men are murdered does a victim's burning car lead Sheriff Bell to the carnage out in the desert, and he soon realizes that Moss and his young wife are in desperate need of protection. One party in the failed transaction hires an ex-Special Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular…
I’m a literary historian and I love reconstructing times in the past with enough factual detail that a reader feels as if they are there with the characters, side-by-side. I didn’t start this way. In fact, I wrote fiction for over a decade. It was only after writing eight atrocious, tension-less, now-in-a-box novels that I realized the books I enjoyed reading most were in the history and biography sections of a bookstore. Still, I was undeniably affected by my years in the trenches of fiction writing. As you may see from my choices, I love reading material from writers attempting to check the pulse of the country at that time.
We Won’t Go is a treasure trove of primary document material combined with personal accounts of regular American citizens objecting to the war in Vietnam. Instead of understanding the issue at a surface level, the stories Lynd collected help us understand the kind of arguments objectors had not just with the government, but also with each other. “If we try to avoid arrest,” wrote one conscientious objector, “or are content to let our friends be arrested instead of ourselves, we hand over to the government the key to deter everyone by jailing a few.” Whether you agree or not, Lynd’s book will give you a variety of perspectives on the issue, along with the actual ‘conscientious objector’ application.
From the back of the book: "We Won't Go is a collection of accounts by men confronted with the dilemma of conscience which military service poses. In addition to the accounts of these war registers, We Won't Go contains the full text of the Seeger decision, a copy of the application for conscientious objector status, a selection of documents related to war crimes, and a list of sources of information for those who are faced with the problem of the draft."
I could practically smell the salt air and the rank odour of seaweed wafting from the pages of this novel. Author Lauren Wolk clearly loves the sea herself. Her knowledge of it is portrayed through the daily life of the book's strong, girl protagonist, Crow. I felt like I was there, wading through the mucky sand, digging clams, and bumping around in the wooden skiff that Crow and her guardian, Osh, rely on for transportation. An adventure, a mystery, and a celebration of the richness of island life, Beyond the Bright Sea stayed with me long after I finished the book.
'Harper Lee has a worthy successor. Wolk is a big new talent' - The Times
Crow has lived her whole life on a tiny, starkly beautiful island. Her only companions are Osh, the man who rescued her from a washed-up skiff as a baby and raised her, and Miss Maggie, their neighbour across the sandbar. But it is only when a mysterious fire appears across the water that an unspoken question of her own history forms in Crow's heart, and an unstoppable chain of events is triggered. Crow sets out to find her lost identity - and, ultimately, to learn…
As a child of immigrants I lived in three countries and went to five schools by grade eight, and I loved it! It started a passion in me for people and cultures. I’ve now lived in six countries, I speak five languages and visited countless places as a tourist. Learning about people and cultures is in my blood. Seeing the world, expanded my imagination and love for fantastical worlds. But, because I’ve met with many cultures and individuals, reading books with shallow characters and badly developed cultures is painful for me. I can tell when an author truly understands their characters and the worlds they create and I value that.
I’m a sucker for teen romance, but, I don’t like it when that’s all the story is about. Fable and Namesake had that awesome teen love but it was perfectly intertwined into the larger plot of the story. On that note, the plot was great! It was rich and extensive, not just a cover for the romance. Additionally, the book delved into parent-teen relationships on a realistic and detailed level, which I find to be a rarity in YA fantasy novels.
With the Marigold ship free of her father, Fable and its crew were set to start over. That freedom is short-lived when she becomes a pawn in a notorious thug's scheme. In order to get to her intended destination she must help him to secure a partnership with Holland, a powerful gem trader who is more than she seems.
As Fable descends deeper into a world of betrayal and deception, she learns that the secrets her mother took to her grave are now putting the people Fable cares about in danger. If Fable is going to save…
Not only have I written six critically acclaimed novels for middle-grade readers, including three historical fictions, I am the parent of a tween and teen who is always looking for great read-alouds and read-alongs for my own family. I am a firm believer that this is a valuable way to encourage literacy and love of story as I wrote in a recent, much-discussed essay inThe Atlantic. Having lived abroad, including as an exchange student and camper in the Soviet Union and for three years in Belgium, I am also a huge believer in expanding our own as well as our kids’ knowledge of history beyond our own borders, cultures, identities, and perspectives.
Varian Johnson’s story alternates between modern and historical timelines to create a mystery that is explored from different eras and perspectives.
In the current day, Candice and her friend Brandon play detective, trying to solve the puzzle of a fortune alluded to in a note they find in Candice’s grandma’s attic. We also get flashes from the 1950s of the small Southern town where the story is set.
This a great family read that allows readers to test their detective-solving savvy while exploring meatier issues such as racism and prejudice.
When Candice finds a letter in an old attic in Lambert, South Carolina, she isn't sure she should read it. It's addressed to her grandmother, who left the town in shame. But the letter describes a young woman. An injustice that happened decades ago. A mystery enfolding its writer. And the fortune that awaits the person who solves the puzzle.
So with the help of Brandon, the quiet boy across the street, she begins to decipher the clues. The challenge will lead them deep into Lambert's history, full of ugly deeds, forgotten heroes, and one great love; and deeper into…
I am a romance author with a perpetual case of wanderlust. Though I’m always up for a good road trip, my true passion is visiting other countries. Among my odd travel quirks are collecting hotel soaps (I have over 200 different ones!) and memorizing airline codes. Years ago, I worked as an archaeologist, and was lucky enough to travel through the Mediterranean and the Middle East. These days, I’m more of an armchair traveler, which is why I love writing (and reading!) romances that transport me to a new location.
Years ago, my family took an unforgettable road trip to Utah to visit all the National Parks there. Something Wilderwas the perfect way to revisit this area. In this adventure-romance, Lily Wilder, daughter of the late treasure-hunter Duke Wilder, spends her days leading tourist expeditions on horseback through the beautiful red rock canyons of Utah. When she gets saddled (literally) with her ex on one of these trips, they not only rekindle their feelings for each other, but also get caught up in a treasure hunt with some nasty villains. Not only were the descriptions of canyon country breathtaking, but the puzzles and plot twists in the story reminded me of National Treasure, but with a romance that was far more satisfying.
The “reigning romance queens” (PopSugar) and New York Times bestselling authors of The Soulmate Equation and The Unhoneymooners present a charming and laugh-out-loud funny novel filled with adventure, treasure, and, of course, love.
Growing up the daughter of notorious treasure hunter and absentee father Duke Wilder left Lily without much patience for the profession…or much money in the bank. But Lily is nothing if not resourceful, and now uses Duke’s coveted hand-drawn maps to guide tourists on fake treasure hunts through the red rock canyons of Utah. It pays the bills but doesn’t leave enough to fulfill her dream of…
For much too long a perennial student, I hold degrees in Anthropology, Arabic Studies, and Library Science. I’ve studied nine languages and lived or traveled on five of the seven continents. I do not hunt tangible treasure—gold or jewels or sunken ships; I hunt knowledge. My love for rooting out treasure troves of information began with my first job. I held passes to the Library of Congress stacks, where I tracked down sources on Ethiopian history. After months of unearthing mostly obscure references, I came upon the mother lode—the great explorers’ accounts. It was like finding a chest of doubloons. I was hooked on the treasure of the mind.
In my book, the hero enlists his students in a treasure hunt using a book by Byron Preiss called The Secret as a guide. In 1982 Preiss traveled to twelve spots in North America, at each of which he buried a ceramic casque. Each casque contained a key that could be redeemed for a jewel. To find a casque, the seeker had to match one of twelve paintings to one of twelve poems. The hunt has lasted four decades and involves thousands of players. Only three of the twelve hiding places have been found. Be careful! The Secret has drawn in much more cynical readers than you.
The tale begins over three-hundred years ago, when the Fair People—the goblins, fairies, dragons, and other fabled and fantastic creatures of a dozen lands—fled the Old World for the New, seeking haven from the ways of Man. With them came their precious jewels: diamonds, rubies, emeralds, pearls... But then the Fair People vanished, taking with them their twelve fabulous treasures. And they remained hidden until now...
Across North America, these twelve treasures, over ten-thousand dollars in precious jewels in 1982 dollars, are buried. The key to finding each can be found within the twelve full-color paintings and verses of THE…
