100 books like No Country for Old Men

I loved this book because it’s a World War II story (my favorite time period), which I can’t get enough of, and its protagonist, Marie-Laure, is a young blind girl. By the time she’s twelve, she has learned to navigate Nazi-occupied Paris from a miniature of the city her father has built for her.

This is a girl with many fears, her blindness being just one, but she pushes through them all in order to help her country overcome its worst nightmare. Her bravery is off the charts!

A classic must-read for anyone who is satiated by oxygen. I love the psychology of the main character. His decline after committing an atrocity is notable for its detail. The concern shown for him by his friends and family, who do not know the truth, feels natural and warranted in spite of the reader's knowledge.

Is it possible to feel empathy for someone who commits such an act? In a strange way, I found myself questioning my own biases on the topics of crime and punishment after reading this classic. 

The OG Metaverse novel is still as smart, hilarious, rollicking, and inspirational as it was 30 years ago.

I’m amazed at how many technologists talking about the concept have not read it and realized how influential and prophetic it actually is, envisioning scenes of virtual life that have since become commonplace for millions of Internet denizens.

Often pigeonholed as a standard dystopian sci-fi tale, Snow Crash is too sly, satirical, and kinetic to fit that category. And reading it will clarify why so many people in tech have yearned to build something like the Metaverse for decades, even referencing it during development discussions—including me! 

Still one of the most disturbing books I’ve ever read from one of the great noir artists.

Thompson gets into the mind of Lou Ford, a psychotic killer who works as a sheriff’s deputy in a West Texas town. The book skillfully maneuvers through Ford dealing with his own crimes and the political maneuvering and blackmail plots in the town that build into an explosion.

This book showed me how turning down the volume in a story can be effective in a novel.

Dashiell Hammett, more than any other author, created the hardboiled anti-hero. He’s also a damn fine prose writer. I re-read one of his books every year because of this, hoping perhaps to absorb his spare, elegant style. Each sentence is brutally trimmed of any excess and yet resonates with layered meaning. 

Dashiell Hammett himself was a broken hero. He fought in two World Wars for his country and yet was sent to jail by the committee for un-American activities for refusing to name names. He was a communist, who yet, as a young man, worked for the fascist, union-busting Pinkertons.

A complex, troubled individual who created dark and cynical worlds, and none more cynical than that of The Maltese Falcon. Here, we have a femme fatale, a hardboiled detective, gangsters, and conmen, all vying for the titular prize. It is a mean-streets masterpiece. 

An American Dream beats with the pulse of some huge night carnivore. It’s a wild story set in Manhattan with its protagonist, Stephen Rojack, drunk, dismally in debt, and trapped in a kind of purgatory he calls “marriage”. What I particularly like about this novel is Mailer’s writing style. It is magical in that he somehow combines the gritty talk of a hipster with the edgy rhetoric of psychiatry. What comes out of that confluence is a prose as sharp and effective as a switchblade. This novel, I believe, redefines the American crime novel by presenting the most extreme of our realities–murder, love, and spirit strangulated, the corruption of power and the sacrifice of self to image, all of it mix mastered into murder,  booze, and heat-and-serve sex. A masterpiece that stands the test of time.

A savage, icepick of a hitman novel that will bury itself in your cerebellum. It’s a slippery, sexy book about the making and subsequent unmaking of a contract killer, complete with all the usual trappings and a few resolutely unusual ones. halfway through this novel, I realized that there weren't any rules to this. That you just built humans from scratch and turned them loose in your world and whatever they did, they did.  A guy stabs someone with his own fibula in this book. Eat that Macgyver. 

Road to Perdition takes place during the Great Depression. Like my book, it concerns a man who betrays his Chicago Irish-American mob boss and is forced to flee for his life (accompanied by his young son in this case), pursued by a relentless killer sent by his former boss. Superficially, what appealed to me was the Depression-era atmosphere that the author of Road to Perdition created. On a deeper level, it appealed to me as a story of a man in a battle for the soul of his son. The man, an enforcer for his gangland boss, considers his own soul to be irredeemably lost because of the crimes he has committed, not only survive but to thrive.

From the days of my youth, I’ve always had an interest in stories relating to the pursuit of murderers by a Sherlock Holmes type of character. Anthony Horowitz excels in this novel with his character, Daniel Hawthorne, an ex-detective who is determined to solve the mystery Horowitz so artfully lays out. While attending a literary festival at an island once held by the Nazis, two murders take place which throw shadows over those attending as they each are faced with Hawthorne, now on loan by the police, to aid in finding the killer. As a former federal investigator, I found myself relating to the characters, their personalities, and how they parlayed back and forth with Hawthorne. As such,  I heartedly recommend it.

This is the story that inspired my novel. It takes place in a small Nebraska railroad town in the bitterly cold winter of 1898. My novel takes place in the bitterly cold winter of 1947, shortly after WW2, mostly in the same blue hotel in the same snowbound town as in Crane’s story.

Crane’s story “is one of the most well-known of the short stories in the collection The Monsters and Other Stories. Although it appears to be a reasonably simple tale about a man who encounters trouble following a stay at the Palace Hotel, several complex themes underpin the story and define many of the overarching themes in novels like Maggie: A Girl of the Streets and more generally, Crane’s corpus. Stylistically, the story breaks free from the norms of the period, often entering the realms of Expressionism, an unusual style to encounter in American literature.”