Here are 90 books that Tampa fans have personally recommended if you like
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In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
He’s charming, he’s intelligent, and he’s a professional conman who is out to steal his new best friend’s life. And I can’t get enough of Tom Ripley! I absolutely love an anti-hero, and I like nothing better than getting a look inside a psychopath’s mind. I’ve read this book at least five times.
The writing is tight as a drum, Italy is brought to life, and it’s understandable why Tom falls in love with it…and Dickie. He falls in love so much he wants to become Dickie. The more Tom is backed into a corner, the more clever, audacious, and vicious he becomes. It’s no surprise to me that this book is such a classic.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
As a baby, I was fascinated by shadows, how they lengthened and shortened till they disappeared, and how they moved their position around me and objects. I used to play with Barbies; I invented stories that lasted for days, progressively postponing the main events in favor of their preparation. Progressively, I became accustomed to my relatives’s death and their funerals. I realized that time connected these observations and games as much as the novels and films that I loved. In my list, you can find stimulating books where Time shyly shows itself on a stage.
I love how the protagonist conceals the truth through his sophistication and charm. His pedophilia and rape are hidden behind an extensive network of lies about his alleged obsession with nymphets. ‘Between the age limits of nine and fourteen, there occur maidens who, to certain bewitched travelers, twice or many times older than they reveal their true nature, which is not human, but nymphic (that is, demoniac).’
With a simple two-faced name, Humbert Humbert is a narrator with many faces, one of the more complex and discussed in literary studies. He writes his story in prison, forever imprisoned ‘between the age limits of nine and fourteen,’ although his supposed autobiography breaks the walls of his time and that of his nymphets as a timeless flow of perverse mental and linguistic games.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
My name is Tim O’Leary and two of my books, Dick Cheney Shot Me in the Face–And Other Tales of Men in Pain and Men Behaving Badly, emanate from the minds of protagonists trying to do the right thing the wrong way or evil characters doing the wrong thing they believe to be right. I’m particularly drawn to those wonderful literary psychopaths that draw you in with compelling personalities, while reviling the reader with their heinous actions.
I found this book in college, and at the time, I thought it was the most unique book I had ever read.
Thompson’s “Gonzo Journalism” was fresh, funny, and thought-provoking, with a subtext of modern poetry, political activism, and a sense of humor I have never seen replicated.
'We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like, "I feel a bit lightheaded; maybe you should drive ..."'
Hunter S. Thompson is roaring down the desert highway to Las Vegas with his attorney, the Samoan, to find the dark side of the American Dream. Armed with a drug arsenal of stupendous proportions, the duo engage in a surreal succession of chemically enhanced confrontations with casino operators, police officers and assorted Middle Americans.
This stylish reissue of Hunter S. Thompson's iconic masterpiece, a controversial bestseller when…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
Ever since childhood, I’ve been interested in dark stories, and this led me to writing dark fantasy. To this day, my main inspirations as a writer are Robert E. Howard and Michael Moorcock, both dark fantasists. I think it is only through understanding evil that we can appreciate goodness. As such, I strive to explore the darker parts of my characters’ psyches. I also write a fair deal about racism, which is a socially accepted, even celebrated form of evil. Fiction, because it has so few limits as far as subject matter, is, in my opinion, the best medium to have these conversations. Thank you for reading my list!
I’m reluctant to recommend it because these guys don’t need the money. Four raging narcissists/rapists/drug addicts create a band and proceed to destroy themselves and everything around them. I remember reading it and thinking, “This is the stuff they admit to.”
This book is the very definition of “If they were black, they’d be locked up.” By the point I was reading Vince Neil whine about not being able to tour Japan because he was on probation for drunkenly killing his friend, I realized I was witnessing pure evil. However, evil can be fascinating.
This book is so singularly revolting that it completely spoiled my already low interest in stories about entitled people growing more entitled. It was adapted into a very whitewashed Netflix movie.
Celebrate thirty years of the world's most notorious rock band with the deluxe collectors' edition of The Dirt-the outrageous, legendary, no-holds-barred autobiography of Motley Crue. Fans have gotten glimpses into the band's crazy world of backstage scandals, celebrity love affairs, rollercoaster drug addictions, and immortal music in Motley Crue books like Tommyland and The Heroin Diaries, but now the full spectrum of sin and success by Tommy Lee, Nikki Sixx, Vince Neil, and Mick Mars is an open book in The Dirt. Even fans already familiar with earlier editions of the bestselling expose will treasure this gorgeous deluxe edition. Joe…
I have loved horror since my early teens, when I first discovered The Rats and Lair and other horror stories by James Herbert. The thing I like about horror, in particular, is that there are no holds barred, no censorship, as to what can be written. I grew up on movies like The Exorcist, Friday the 13th, Jaws, Alien, The Thing, etc., but horror writing takes you deeper and gives a more visceral experience than anything any film can do.
This was one of the hardest books to "get into," but a friend of mine told me to stick with it because the rewards of getting through the first quarter would be so great. I'm glad I did. It is an astounding piece of work, quite different from anything I've ever read before or since, and remains one of my top five books.
The tangents the book takes, and the blasé attributes of the leading character are superbly crafted. It was suggested it was "unfilmable," and there's one scene in particular I thought they'd never get away with, but if you look at the movie version carefully, it's in there.
Ever since reading Jonathan Swift’s A Modest Proposal in high school, I’ve always appreciated books and stories that can tackle dark subject matter in a completely deadpan way. The creator knows what they’re doing is kind of a joke and they’re inviting you along for the ride. I enjoy reading books where I think the writer had a really good time writing it, even if that means occasionally torturing the reader.
High Life is pitch black Hollywood noir. It’s one of those rare books that starts out dark and just keeps getting darker and more disturbing. Stokoe outdoes himself on nearly every page. This book was shocking and eye-opening, even for me. I’ve read a lot of extreme horror and I think this might outdo nearly all of them. Stokoe manages to fully flesh out the characters, rendering them terrifying, absurd, and profoundly sad, and does so with a style that is compulsively readable.
Hollywood. The City of Dreams at the end of the nineties. Jack has one ambition – to get famous. He doesn’t care how. He just wants to be like the people he sees in tabloid magazines and on TV: Brad Pitt, Johnny Depp, Tom and Nicole, Arnie, Bruce, Sly.... But the desire for fame has a dark side and he finds himself in a world of drugs and crime, whores, snuff shows, incest, deceit and despair. When his wife is found dead – murdered and disemboweled – and the search for her killer leads him to the femme fatale of…
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
This is a Rubik’s cube of a Western. It feels so familiar in terms of its Western iconography and stock characters and motifs, but McCarthy twists the familiar tropes of the popular Western into bizarre and inscrutable patterns.
It’s a book I want to figure out but can’t quite, and that’s why I have re-read it several times. With each read, I’m confronted with a new puzzle just when I thought I had cracked its code.
Llewelyn Moss, hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and more than $2 million in cash. Packing the money out, he knows, will change everything. But only after two more men are murdered does a victim's burning car lead Sheriff Bell to the carnage out in the desert, and he soon realizes that Moss and his young wife are in desperate need of protection. One party in the failed transaction hires an ex-Special Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular…
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
Not for the squeamish, this gothic tale of a depraved serial killer in rural Tennessee is probably the closest Cormac McCarthy ever came to writing a horror novel. For all the sordidness, the power of the author’s language shines through. I enjoyed the humor, pathos, and psychological insight woven in throughout
As with other McCarthy novels I’ve read, this book contains beautiful sentences and phrases, as well as searing images, that have lingered in my mind for years.
In this taut, chilling novel from the bestselling, Pulitzer Prize–winning author of The Road, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail.
While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.
"Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post
Look for Cormac McCarthy's new novel, The Passenger.
Ever since reading Jonathan Swift’s A Modest Proposal in high school, I’ve always appreciated books and stories that can tackle dark subject matter in a completely deadpan way. The creator knows what they’re doing is kind of a joke and they’re inviting you along for the ride. I enjoy reading books where I think the writer had a really good time writing it, even if that means occasionally torturing the reader.
The previous four books on my list have been pretty dark. “Heavy,” I guess, is relative. I find a lot of humor in them and, ultimately, that’s why I either have re-read them or plan to. This one isn’t as heavy on the violence as the previous ones. Often cited as a good example of dry British humor, written by a former bus driver, it’s the story of two fence-builders who travel the English and Scottish countryside in a caravan erecting fences. However, it seems like every time they’re on a job, they end up accidentally murdering someone. Rather than getting bogged down by things like remorse or guilt, they are much more interested in covering it up and saving their backs. One of them is obsessed with heavy metal and his hair. It’s a very weird and satisfying book.
'Tam and I took hold of Mr McCrindle and lowered him into the hole, feet first. We decided to leave his cap on'. Fencers Tam, Richie and their ever-exasperated English foreman are forced to move from rural Scotland to England for work. After a disastrous start involving a botched fence and an accidental murder, the three move to a damp caravan in Upper Bowland and soon find themselves in direct competition with the sinister Hall Brothers whose business enterprises seem to combine fencing, butchering and sausage-making. "The Restraint of Beasts" introduced readers to the now much-loved unique voice of Magnus…
