I have loved horror since my early teens, when I first discovered The Rats and Lair and other horror stories by James Herbert. The thing I like about horror, in particular, is that there are no holds barred, no censorship, as to what can be written. I grew up on movies like The Exorcist, Friday the 13th, Jaws, Alien, The Thing, etc., but horror writing takes you deeper and gives a more visceral experience than anything any film can do.
I started reading this book in class at school, when I was around thirteen years of age. The class read the first two chapters, and I was so enamoured with it I couldn't wait to get home and read it. I read it in its entirety that very night. I found the language and description used within it quite breathtaking. I couldn't wait to read the next chapter. It had a lasting effect on me and led me to start writing my own stories down.
But planet Earth was not only being watched - soon it would be invaded by monstrous creatures from Mars who strode about the land in great mechanical tripods, bringing death and destruction with them. What can possibly stop an invading army equipped with heat-rays and poisonous black gas, intent on wiping out the human race? This is one man's story of that incredible invasion, from the time the first Martians land near his home town, to the destruction of London. Is this the end of human life on Earth?
I'd never read a book before which had such spectacular and horrifying opening chapters.
I found the fact that it was describing the cruel acts of a child resonated with me at the time, as everything I'd read before then – which was mainly The Famous Five books, and other books of that ilk, were pretty tame and this book was anything but that.
The polarizing literary debut by Scottish author Ian Banks, The Wasp Factory is the bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath.
Meet Frank Cauldhame. Just sixteen, and unconventional to say the least:
Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim.
That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again.…
This was pretty much the first true horror book I read.
My mother, who had read it, thought I'd like it. Reading as a teenager, the scenarios of giant rats attacking people were frightening, and Herbert's description lent a realism to those scenes which I'd not encountered before. I found myself eagerly turning the pages to feast on the horrors of that which was contained within with relish. I was also fortunate, in my adult life, to meet and interview James Herbert and gain an insight into how he wrote and came up with the stories he told.
A special fortieth anniversary edition of The Rats, the classic, bestselling horror novel that launched James Herbert's career.
With a foreword by Neil Gaiman, author of Norse Mythology.
It was only when the bones of the first devoured victims were discovered that the true nature and power of these swarming black creatures with their razor sharp teeth and the taste for human blood began to be realized by a panic-stricken city. For millions of years man and rats had been natural enemies. But now for the first time - suddenly, shockingly, horribly - the balance of power had shifted .…
I discovered Clive Barker's collection of short stories which gave me an introduction to one of the world's best horror writers and film directors. There are so many varied stories within the Books of Blood that it's difficult to highlight some over others.
The Midnight Meat Train was astounding in its detail of visceral butchery, whilst In the Hills, the Cities is fantastic in its imagery of something impossible, which Barker relates with such skill to make you believe the events within are entirely feasible. The Hellbound Heart lets you into a world of new villains and was made into one of my favorite horror films, Hellraiser. I was also lucky to meet and interview Clive, who inspired me to continue writing, saying, "Keep going; you will get better."
This was one of the hardest books to "get into," but a friend of mine told me to stick with it because the rewards of getting through the first quarter would be so great. I'm glad I did. It is an astounding piece of work, quite different from anything I've ever read before or since, and remains one of my top five books.
The tangents the book takes, and the blasé attributes of the leading character are superbly crafted. It was suggested it was "unfilmable," and there's one scene in particular I thought they'd never get away with, but if you look at the movie version carefully, it's in there.
Set in and around Portsmouth, UK, it tells a creepy and horrifying story of a malevolent and evil force rising up to affect and change the lives of two teenage boys.
A teenage boy explores the forbidden areas of his hometown and gives life to a new evil that stalks him and his friends and family with vengeance in mind. Whilst grappling with the onset of puberty, he must battle the shape-changing menace which haunts his dreams and knows no bounds in its savagery whilst coming to terms with his own metamorphosis. A unique horror story, drawing inspiration from local folklore, set in and around Portsmouth.
To hide a corporation’s failure to properly service a space ship, Captain Jonas Stryker is prosecuted but saved from imprisonment by a dying man, who hires Stryker to collect asteroids for their mineral content. Stryker soon finds he must stop a shadowy corporate group called The Board, who employ space piracy, terrorism, and even weaponised asteroids to overthrow the Federation government.
Set in Lagrange points, space stations, the Moon and outback Australia, it is a fast-moving story with some speculative future technology. If you were interested in the NASA attempt to alter the orbit of the asteroid Dimorphos, you might…
When a trial to cover-up a corporate failure ends Captain Jonas Stryker's career, he wants revenge against The Board, a ruthless, shadowy organization with limitless funds that employs space piracy, terrorism, and even weaponised asteroids. Posing as a space miner, Stryker learns that The Board wants him killed, while a young female SCIB police agent wants retribution against him for having her career spoiled at his trial. As Stryker avoids attempts to kill him, he becomes the only chance to prevent The Board from overturning the Federation Government and imposing a Fascist-style rule. A story of greed, corruption and honour,…
