Ever since reading Jonathan Swift’s A Modest Proposal in high school, I’ve always appreciated books and stories that can tackle dark subject matter in a completely deadpan way. The creator knows what they’re doing is kind of a joke and they’re inviting you along for the ride. I enjoy reading books where I think the writer had a really good time writing it, even if that means occasionally torturing the reader.
Boy meets girl. They fall in love. They move in together and start a new life. They're beautiful and they have new things, expensive things, the best of everything, whatever they want. But that's only the surface. Beneath the surface is something much different. Something much darker. Theirs is a love like no other and only one of them will survive it.
Is the main character, Patrick Bateman, truly a psychopath or is he just a pampered ’80s Wall Street bro with a penchant for extremely detailed and specific consumerism who entertains dark and violent fantasies? This is one of my favorite absurd satires with some of the most hilarious and disturbing passages I’ve read. I’m a huge fan of Bret Easton Ellis’s work. A brilliant stylist, Ellis marches the reader through blow-by-blow descriptions of everything from brutal murders to pages-long descriptions of people talking about the merits of and different types of bottled water. As a working-class Midwesterner, it’s been interesting to me to see how much of this book (brand obsession, narcissism, staying abreast of the latest trends) has become the norm on social media, especially via influencers. Now I have to go return some videotapes.
This is a seriocomic novel about a female eighth-grade teacher who sexually lures her male students. Extremely graphic and thought-provoking, Tampaalso manages to be an incredibly entertaining dark comedy. Like a lot of sensationalistic books, this approaches a serious topic and turns it into a nearly absurd piece of entertainment. It’s also extremely well written. I loved it.
Celeste Price is an eighth-grade English teacher in suburban Tampa. She is attractive. She drives a red Corvette. Her husband, Ford, is rich, square-jawed and devoted to her. But Celeste has a secret. She has a singular sexual obsession - fourteen-year-old boys. It is a craving she pursues with sociopathic meticulousness and forethought. Within weeks of her first term at a new school, Celeste has lured the charmingly modest Jack Patrick into her web - car rides after dark, rendezvous at Jack's house while his single father works the late shift, and body-slamming encounters in Celeste's empty classroom between periods.…
High Life is pitch black Hollywood noir. It’s one of those rare books that starts out dark and just keeps getting darker and more disturbing. Stokoe outdoes himself on nearly every page. This book was shocking and eye-opening, even for me. I’ve read a lot of extreme horror and I think this might outdo nearly all of them. Stokoe manages to fully flesh out the characters, rendering them terrifying, absurd, and profoundly sad, and does so with a style that is compulsively readable.
Hollywood. The City of Dreams at the end of the nineties. Jack has one ambition – to get famous. He doesn’t care how. He just wants to be like the people he sees in tabloid magazines and on TV: Brad Pitt, Johnny Depp, Tom and Nicole, Arnie, Bruce, Sly.... But the desire for fame has a dark side and he finds himself in a world of drugs and crime, whores, snuff shows, incest, deceit and despair. When his wife is found dead – murdered and disemboweled – and the search for her killer leads him to the femme fatale of…
I’m not the world’s biggest Cormac McCarthy fan. I enjoyedThe Road and Suttree, but found a few others I’ve read of his something of a slog, so I was happy to give this one a chance. It’s a poetically written book about a necrophiliac who lives in a cave surrounded by his victims. I like how the main character, already on the edge, continues to unravel as the book unfolds and how McCarthy writes him with sympathetic detail.
In this taut, chilling novel from the bestselling, Pulitzer Prize–winning author of The Road, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail.
While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.
"Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post
Look for Cormac McCarthy's new novel, The Passenger.
The previous four books on my list have been pretty dark. “Heavy,” I guess, is relative. I find a lot of humor in them and, ultimately, that’s why I either have re-read them or plan to. This one isn’t as heavy on the violence as the previous ones. Often cited as a good example of dry British humor, written by a former bus driver, it’s the story of two fence-builders who travel the English and Scottish countryside in a caravan erecting fences. However, it seems like every time they’re on a job, they end up accidentally murdering someone. Rather than getting bogged down by things like remorse or guilt, they are much more interested in covering it up and saving their backs. One of them is obsessed with heavy metal and his hair. It’s a very weird and satisfying book.
'Tam and I took hold of Mr McCrindle and lowered him into the hole, feet first. We decided to leave his cap on'. Fencers Tam, Richie and their ever-exasperated English foreman are forced to move from rural Scotland to England for work. After a disastrous start involving a botched fence and an accidental murder, the three move to a damp caravan in Upper Bowland and soon find themselves in direct competition with the sinister Hall Brothers whose business enterprises seem to combine fencing, butchering and sausage-making. "The Restraint of Beasts" introduced readers to the now much-loved unique voice of Magnus…
A story you'll never forget about survival, forgiveness, healing, and love.
Twenty years ago. A plane crash. Three women survivors are inexorably connected by fate, destiny, and a cause.
Julie Geiger, a flight attendant, told five sets of parents to place their babies on the floor of the plane when it was going down. Now, she must live with the consequences. Will changing the emergency rules bring her healing and forgiveness? And where does love fit into her life now?
Marie Stanley lost her baby boy on that flight. And she knows exactly who to blame. Julie. The problem is that vindictiveness festers. And eats into your soul. How will Marie learn to move past her hate and save her marriage in the process?
Paige Montgomery, the lap baby who survived the flight, would love to forget it ever happened. After all, she’s happy. And she’s on the cusp of a new relationship. How will she learn to forge her own path, one that integrates all the elements of her past, including the crash, the loss of her parents, and her subsequent adoption?
Twenty years ago. A plane crash. Three women survivors inexorably connected by fate, destiny, and a cause.
Did you know that lap babies (children under the age of two) are instructed to be placed on the floor of a plane during an emergency? Sounds crazy, but it’s true.
Julie Geiger, a flight attendant, told five sets of parents to do just that. Now she must live with the consequences. Will changing the rules bring her healing and forgiveness? And where does love fit into her life now?
Marie Stanley lost her baby boy on that flight. And she knows exactly…
