Here are 100 books that The Sherwood Ring fans have personally recommended if you like
The Sherwood Ring.
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At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
I first read this extraordinary, heartwarming story of self-reliance and survival when my own children were growing up, and I’ve returned to reading Island of the Blue Dolphins often throughout my adult years, typically at times when I find myself struggling to regain my footing as I face personal problems and challenges.
Published in 1960, this book tells the story of a young girl named Karana who spends nearly two decades abandoned and alone on the desert island her tribe evacuates after a deadly conflict with Aleutian otter hunters. I’ve often recommended this slight but powerful tale to women friends suffering from feelings of desolation and helplessness, and Karana’s courage, resilience, and creativity have succeeded in lifting their spirits and inspiring hope.
Twelve-year-old Karana escapes death at the hands of treacherous hunters, only to find herself totally alone on a harsh desolate island. How she survives in the face of all sorts of dangers makes gripping and inspiring reading.
My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!
I have read this book more times than I have read any other book, and on my seventh read, I think I finally figured it out. I love a book that keeps you guessing, that keeps you wondering what’s real and what’s an illusion, and in this short novel, Henry James achieves just that. Are the ghosts real? Is the governess going insane?
James makes both possibilities equally likely—and equally frightening. My favorite ghost stories and horror novels are those that are ”about” something beyond the surface-level plot, and James creates a subtle queer sub-theme that is another reason why I keep reading this book again and again…
'A most wonderful, lurid, poisonous little tale' Oscar Wilde
The Turn of the Screw, James's great masterpiece of haunting atmosphere and unbearable tension, tells of a young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something, or someone, malevolent is stalking the children in her care. Is the threat to her young charges really a malign and ghostly presence, or a manifestation of something else entirely?
Edited and with an Introduction and Notes by David Bromwich Series…
Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.
This book had the greatest influence on my desire to write my own ghost story.
I liked the stalwart Brit characters, Roderick and Pamela, even though they were a bit slow putting together the clues. I figured out the secret before they did, which only added to the fun. The writing style is old-fashioned enough to add to the atmosphere, and the story is beautifully told.
A gothic, bone-chilling Irish ghost story first published in 1941 and now brought back into print. The title benefits from an introduction by well-known academic Professor Luke Gibbons and Martin Scorsese and various critics, including William K. Everson and Leonard Maltin, regard The Uninvited as one of the best ghost stories ever filmed.
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.
Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
A reader. A librarian. A writer. I majored in History/English in college, partly because I love historical novels. When my editor asked that my second book be set during the California Gold Rush, I knew I wanted to write from the Mexican point of view - I’m a quarter Mexican. I soon found myself deep in research, learning about those years when Mexico owned what is now the American Southwest. Writing Daughter of Madrugada left me wondering: were some of my own ancestors displaced by American encroachment?
This is one of the funniest, and saddest, books ever. When Kenny starts telling the story, it’s dead winter in Flint. Michigan. Cold enough to make your spit freeze. Momma, who grew up in Alabama, begins yearning for the South. By reputation, Momma’s momma is the strictest, meanest grandma ever. Kenny - who’s never met her - decides Grandma Sands must look like a troll. Dad and Momma decide that Grandma Sands is the perfect person to straighten out big brother Byron, who shows signs of turning into a juvenile delinquent. So... Join the Watsons. Get in their car (also known as the Brown Bomber), listen to the tires roll onto I-75, and imagine what’s going to happen when Byron meets his doom.
Celebrate the 25th anniversary of the Newbery and Coretta Scott King Honoree about an unforgettable family on a road-trip during one of the most important times in the civil rights movement.
When the Watson family-ten-year-old Kenny, Momma, Dad, little sister Joetta, and brother Byron-sets out on a trip south to visit Grandma in Birmingham, Alabama, they don't realize that they're heading toward one of the darkest moments in America's history. The Watsons' journey reminds us that even in the hardest times, laughter and family can help us get through anything.
A reader. A librarian. A writer. I majored in History/English in college, partly because I love historical novels. When my editor asked that my second book be set during the California Gold Rush, I knew I wanted to write from the Mexican point of view - I’m a quarter Mexican. I soon found myself deep in research, learning about those years when Mexico owned what is now the American Southwest. Writing Daughter of Madrugada left me wondering: were some of my own ancestors displaced by American encroachment?
Lots of blood and guts in this book. It’s 1916, and Howard is learning what happened to his family back in 1861. That’s when a pair of young women stepped off a Mississippi River steamboat, and into a tiny town on the Illinois side. The townsfolk - noting the elegance of one girl, and the dark skin of the other - decide they are seeing a mistress and her slave, and go back to arguing about what really interests them: which of their boys are going to fight for the North? Which are going to fight for the South? The Pruitt family has the same concerns - and makes the same assumptions - as everybody else. But in wartime, everything can be turned upside down.
The year is 1861. Civil war is imminent and Tilly Pruitt's brother, Noah, is eager to go and fight on the side of the North. With her father long gone, Tilly, her sister, and their mother struggle to make ends meet and hold the dwindling Pruitt family together. Then one night a mysterious girl arrives on a steamboat bound for St. Louis. Delphine is unlike anyone the small river town has even seen. Mrs. Pruitt agrees to take Delphine and her dark, silent traveling companion in as boarders. No one in town knows what to make of the two strangers,…
I taught for more than 26 years in classes ranging from first grade through college. No matter the age of the students, I used children’s books to introduce topics in history. I never shied away from using a picture book with older students and often found they were more engaged in a picture book than in an article. I also used historical fiction as a hook to lure students into picking up a related non-fiction book. In fact, historical fiction was the gateway that taught this writer of 13 nonfiction children’s books to love non-fiction history.
At the age of eleven I had never heard of internment camps in my own state of California until I came across this book, and I remember being astonished such a thing happened in the United States.
Though this title has been around for many years, Wakatsuki Houston’s autobiography book is still relevant and gently but factually introduces young readers to the unjust discrimination inflicted on innocent civilians/citizens. She tells of her family’s life before Manzanar, at the camp, and her pre-teen/teen struggle to fit in at school when returning from internment.
Its purpose was to house thousands of Japanese Americans. Among them was the Wakatsuki family, who were ordered to leave their fishing business in Long Beach and take with them only the belongings they could carry. Jeanne Wakatsuki Houston, who was seven years old when she arrived at Manzanar in 1942, recalls life in the camp through the eyes of the child she was. First published in 1973, this new edition of the classic memoir of a devastating Japanese American experience includes an inspiring afterword by the authors.
Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.
It started out with the hoariest of romance novel cliches—the bickering couple I knew would end up in love—but the setting alone was enough to guarantee spookier plot developments.
Barbara Michaels, better known for her mystery novels as Elizabeth Peters, never fails to entertain, and the descriptions of eerie ghostly manifestations here are top-notch.
Joanne McMullen's fears for her sister's sanity have brought her to remote King's Island, Maine. Mary's grief over the loss of her child is threatening to send her over the edge—and her insistence that she has heard an eerie, childlike wailing in the woods fuels Joanne's anxiety. And now Mary's taken to disappearing at midnight in search of the source of the heartrending moans. But it's not just her sister's encroaching madness that is chilling Joanne's blood—it's her own. Because suddenly, impossibly, she also hears the crying child.
I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.
Even now, I can’t read this without getting goosebumps. No other writer matches L. M. Boston for creating an enchanting, intriguing atmosphere that leads the reader, along with the story’s main character, 7-year-old Tolly, to feel the ghost children long before they appear. When they do, the combination they bring of joy, playful behaviour, and wistfulness – there is a reason, after all, that they are all ghosts together – goes straight to the heart.
L. M. Boston's thrilling and chilling tales of Green Knowe, a haunted manor deep in an overgrown garden in the English countryside, have been entertaining readers for half a century. Now the children of Green Knowe--both alive and ghostly--are back in appealing new editions. The spooky original illustrations have been retained, but dramatic new cover art by Brett Helquist (illustrator of A Series of Unfortunate Events) gives the books a fresh, timeless appeal for today's readers.
I’ve always been a sucker for a good time travel novel. So when I started writing my Librarian Chronicles I quickly learned that there is just so much you can do with the theory of time. My characters have gone to many places and times and in order to perfect these locations and eras that required tons of research. For my first novel, The Librarian, I researched for nearly a year before I wrote the book. I sincerely hope you’ll enjoy my Librarian Chronicles and I look forward to writing more in the series. Each novel is unique and they can all be read in any order.
I’ll be completely honest, Hourglass sat on my bookshelf for years. I kept pushing it off, and pushing it off, until one day I took the plunge and read it. Why did I wait so long?
I fell in love with the main character Emerson. While she was immature I had to remember her age and she does progress as the book goes on. Emerson has visions and has a hard time dealing with them like any girl would. Her caring brother hires Michael who promises he can help control these visions. The two don’t exactly hit it off right away, but their dynamic is hilarious. Their relationship was slow to build, my favorite kind. The author did an excellent job explaining how time travel works for Emerson. It wasn’t difficult to understand, but it was tricky and very unique. The slow-burn romance eventually builds and, well you’ll have to…
One hour to rewrite the past . . .For seventeen-year-old Emerson Cole, life is about seeing what isn't there: swooning Southern Belles; soldiers long forgotten; a haunting jazz trio that vanishes in an instant. Plagued by phantoms since her parents' death, she just wants the apparitions to stop so she can be normal. She's tried everything, but the visions keep coming back.So when her well-meaning brother brings in a consultant from a secretive organization called the Hourglass, Emerson's willing to try one last cure. But meeting Michael Weaver may not only change her future, it may change her past.Who is…
