Here are 100 books that A Foreign Affair fans have personally recommended if you like
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I have been a lover of histories and mysteries for as long as I can remember. Equal parts museum junkie and Dateline addict, I cannot get enough of history and whodunnits. From Poirot and Conan Doyle to Bernard Cornwall and Ken Follett, I love them all. As a kid, reading with a flashlight under the covers was a favorite pastime, and I wore out my library card. As an adult, I head to the true crime section of the bookstore first. I love that there are books that blend my two passions so well, and I hope you enjoy this list of historical mysteries as much as I do.
I feel that Sherlock Holmes and Cyrus Barker would be friends, but even more so, Dr. Watson and Thomas Llewelyn would have much to discuss. I was hesitant to begin a new series set in Victorian London, but I’m so glad I read this book and every book in the series that followed.
It Involved is a twisty mystery rich in setting and history. Barker and Llewelyn are a formidable duo when it comes to crime fighting and detection, and Llewelyn’s humor offsets (and sometimes ratchets up) the tension.
An atmospheric debut novel set on the gritty streets of Victorian London, Some Danger Involved introduces detective Cyrus Barker and his assistant, Thomas Llewelyn, as they work to solve the gruesome murder of a young scholar in London's Jewish ghetto.
When the eccentric and enigmatic Cyrus Barker takes on the recent murder case of a young scholar in London's Jewish ghetto, he realizes that he must hire an assistant, and out of all who answer an ad for a position with "some danger involved," he chooses downtrodden Llewelyn, a gutsy young man with a murky past.
On the surface, my childhood was characterized by 1980s unsupervised country freedom in rural Alberta. Deeper in, my history involved emotional abuse and neglect. I wanted nothing more than to be seen and loved for my true self. The library was a refuge, but the fiction section allowed me to find the community I so greatly desired. I was seen and loved by the characters I read. They showed me it was possible to be myself–loudly and audaciously–and still be accepted. I read and now write books that delve into themes of identity, autonomy, and acceptance because I still struggle with these themes today.
She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be.
Meet Flavia: Mystery Solver. Master Poisoner. 11 Years Old.
England 1950. At Buckshaw, the crumbling country seat of the de Luce family, very-nearly-eleven-year-old Flavia is plotting revenge on her older sisters.
Then a dead bird is left on the doorstep, which has an extraordinary effect on Flavia's eccentric father, and a body is found in the garden. As the police descend on Buckshaw, Flavia decides to do some investigating of her own.
Praise for the historical Flavia de Luce mysteries: 'The Flavia de Luce novels are now a cult favourite' Mail on Sunday
Ever since I was a child, I loved stories where an element of danger is introduced into a peaceful setting. Armchair sleuths can solve crimes alongside the detectives and in the comfort and relative security of their own homes. I cut my teeth on Nancy Drew, Trixie Belden, and The Hardy Boys before moving on to Agatha Christie. It’s such an interactive experience when we get the same clues as the detectives and try to come to similar conclusions. These books all replicate the experience well and put the reader in the driver’s seat.
One of the biggest joys in this fine series is the pub settings. Each title is the name of a pub and each pub is the sort of spot you'd like to settle comfortably down with a drink and a chat with friends. Add onto this backdrop a puzzling murder, the wonderful Scotland Yard inspector Richard Jury, and his aristocratic sidekick Melrose Plant, and you've got a winning formula from Martha Grimes.
At the Man with a Load of Mischief, they found the dead body stuck in a keg of beer. At the Jack and Hammer, another body was stuck out on the beam of the pub’s sign, replacing the mechanical man who kept the time. Two pubs. Two murders. One Scotland Yard inspector called in to help. Detective Chief Inspector Richard Jury arrives in Long Piddleton and finds everyone in the postcard village looking outside of town for the killer. Except for one Melrose Plant. A keen observer of human nature, he points Jury in the right direction: into the darkest…
I have been a lover of histories and mysteries for as long as I can remember. Equal parts museum junkie and Dateline addict, I cannot get enough of history and whodunnits. From Poirot and Conan Doyle to Bernard Cornwall and Ken Follett, I love them all. As a kid, reading with a flashlight under the covers was a favorite pastime, and I wore out my library card. As an adult, I head to the true crime section of the bookstore first. I love that there are books that blend my two passions so well, and I hope you enjoy this list of historical mysteries as much as I do.
I found the premise of this book intriguing. A detective with amnesia discovering his identity through his interactions with those who knew him before his accident? Yes, please! It's so unique!
This first book in the Inspector Monk series sets the stage for the many great books that follow with a brilliant murder mystery, interesting characters, and an immersive setting. I loved the intersection of Victorian London and the Crimean War and the many ways in which Perry brought the history to life with characters Dickens would be proud of, puzzles that would please Agatha Christie, and world-building that would satisfy Brandon Sanderson.
He is not going to die, after all, in this Victorian pesthouse called a hospital. But the accident that felled him on a London street has left him with only half a life, because his memory and his entire past have vanished. His name, they tell him, is William Monk, and he is a London police detective; the mirror reflects a face that women woud like, but he senses he has been more feared than loved. Monk is given a particularly sensational case: the brutal murder of Major the Honourable Joscelin Grey, Crimean war hero and a popular man about…
I’ve been a teacher for over 30 years and a traveler for longer. As a child, I lived in Germany and Japan. When I grew up, I continued to travel, teaching and living in Thailand, London, and China. I’ve written book chapters, poetry, travel pieces, and won a number of writing prizes: the 2023 New York Book Festival prize and a finalist for both the Peter Taylor Prize for Literature and the Gival Press Novel Award. A graduate of Middlebury College (BA) and University of Rochester (PhD), I now live in San Diego with my husband and two cats, teach adult literacy, and work as a volunteer at the San Diego Zoo.
Perhaps the most famous teacher abroad is Anna Leonowens, who was immortalized in the musical The King and I. A lowly Victorian woman single-handedly reshapes the history of Thailand. If you want to read that story you can read Margaret Landon’s Anna and the King of Siam.
Far more interesting is Anna’s true story: a con artist, who lies about everything that happened to her. Habegger’s biography Masked sorts through the lies and fiction. He offers a complicated narrative of a biracial woman who told exaggerated tales of enslavement, romance, and her imagined role in democratizing Thailand. Her life becomes one of fancy and self-invention. Both sadly are traps too often seen in myths crafted by self-absorbed travelers living abroad.
A brave British widow goes to Siam and-by dint of her principled and indomitable character-inspires that despotic nation to abolish slavery and absolute rule: this appealing legend first took shape after the Civil War when Anna Leonowens came to America from Bangkok and succeeded in becoming a celebrity author and lecturer. Three decades after her death, in the 1940s and 1950s, the story would be transformed into a powerful Western myth by Margaret Landon's best-selling book Anna and the King of Siam and Rodgers and Hammerstein's musical The King and I.
As a child, I was an avid reader and particularly fell in love with historical fiction. My favourite corner for reading was on top of the woodbox by my grandmother’s cookstove. Warm and cozy, I delved into such books as Geoffrey Trease’s Cue for Treason and Jack Schaeffer’s Shane. How wonderful to land for a few hours in the world of Shakespeare’s London or the grasslands of the frontier west. When I worked as a children’s librarian and then began writing books myself, this early love has remained with me—so it factored into the books I chose for schools—and some of the novels I wrote such as The Runaway and Firebird.
I’m always on the lookout for fiction in which the writing itself is dazzling. Eva Ibbotson’s prose is truly something to savour and this novel is the jewel in her crown. Maia, an orphan, is sent from England to stay with distant relatives, the Carters, in Manaus, Brazil. The family is weird and mean but Maia finds two young friends—Clovis, an actor, and Finn, who is partly a Brazilian native, but heir to his British grandfather’s fortune. Clovis longs to return to England and Finn happily changes places with him. Finn and Maia journey down the Amazon (the “River Sea”) to live with his Xanti people. Expect humour, high adventure, and a richly-detailed look at life in early 20th century Brazil.
It is 1910 - Maia, orphaned at 13, travels from England to start a new life with distant relatives in Manaus, hundreds of miles up the Amazon. She is very unhappy with her exceptionally bizarre new family but befriends Finn, a mysterious English boy who lives with the local Indians and shares her passion for the jungle. Then Finn's past life catches up with him and they are forced to flee far upriver in a canoe, pursued by an assortment of brilliantly eccentric characters that only Eva Ibbotson could invent.
Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.
"I really don’t know what we’re going to do with Margaret, Crawfie!" declared Lilibet anxiously to the original nanny diarist. "Poor Lil," responded Margaret, when rumours of her sister’s romance with Philip hit the papers. "Nothing of your own. Not even your love affair!" In the US, this first inside account of life with the modern royals boosted the circulation of the Ladies’ Home Journal magazine by half a million. But in Britain, Buckingham Palace complained that the letters quoted from the princesses breached royal copyright and insisted they be removed. Lilibet never forgave Crawfie for the betrayal embodied in this sickly, but oh-so-revealing tome.
Originally published in 1950, The Little Princesses was the first account of British Royal life inside Buckingham Palace as revealed by Marion Crawford, who served as governess to princesses Elizabeth and Margaret.
A twenty-two year old teacher recruited to look after the Duke and Duchess of York’s young daughters in 1931, Marion Crawford―affectionately known as “Crawfie” by her charges―spent sixteen years with the Royal family as the children’s governess. From King Edward VIII’s abdication of the throne in order to marry American divorcée Wallis Simpson and King George VI’s subsequent crowning, through World War II, and all the way to…
I am a writer who will never give you a sad ending! I love books that reflect on life (the good and the bad) but that look for the positive in people. My experience has taught me that there is so much good to find—and as I explore in my debut novel, The Keeper of Stories, everyone has a story to tell. My first novel was published when I was 60, so I am also a believer that you should never underestimate anyone. And I love to see that reflected in books.
This book was written in the 1930s, yet it feels remarkably contemporary – a glorious romp through a world of parties, sex, and drugs. Miss Pettigrew stumbles into this world when she mistakenly turns up for the wrong job. With little money in her purse she has no option but to take the position and finds herself having an awful lot more fun than she ever has before. And for once she is really appreciated.
“Don’t let this delightfully frothy drawing-room comedy get lost between the sofa cushions.”—Salon.com
“Miss Pettigrew is irresistible, a perfect mix of wistfulness and joy, substance and froth.”—Tracy Chevalier, author of Girl with a Pearl Earring
“Miss Pettigrew Lives for a Day is perhaps the happiest, most ebullient piece of fiction ever written for adults.”—Newsday
Miss Pettigrew Lives for a Day is now available as an audio book read by Academy Award–winning actress Frances McDormand, who stars in the film as the down-and-out governess Miss Pettigrew, who finds herself caught up in the life of Delysia LaFloss, a glamorous aspiring actress…
I’ve written almost one hundred historical romances, so when it comes to making a marriage in a book swoonworthy, I know the hard work that an author has to put in. Whether it’s enemies to lovers, instalove, grumpy/sunshine, whatever it is: I have a huge amount of respect for authors who spend the time crafting a love story that makes me absolutely desperate for the wedding.
The queen of histromcoms (yup, that's historical romcoms) Caroline Lee has a hilarious series that makes me laugh literally out loud - and so far, I've actually cried with laughter twice.
This is another governess story but this time with a Scottish laird, outrageous twins, and assassin mystery to boot. You shouldn't say no to this book.
I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
