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As a fine arts major alumnus of Lake Forest College and Illinois Wesleyan University, I have written a variety of works, fiction and non, throughout my professional life. My preferred literary escape became the genre of British Mystery. I learned much from reading Martha Grimes in the 1990s. Her use of interplay between a character’s internal psychic landscape and the surrounding one interested me. As a mystery writer, I employ what I think of as light brushstrokes of the cozy genre while aiming for some depth of prose. A Lark Ascending has been described as an engaging escape from today.
The year is 1837 and Liberty is a fiercely independent young woman. The story begins with her crossing the Channel to find her father, only to discover that he had recently been killed in a duel. In the course of investigating what had happened, she comes upon a plot that involves treason, with the potential to spark another civil war.
What I love about Peacock’s work is her use of imagery in echoing a character’s psyche or situation. Horse lovers will enjoy Liberty’s relationship with her horse and her growing friendship with her good-hearted stable hand. I have not yet put my finger on it, but for some reason, I feel a hint of Edgar Allen Poe when I read her books.
A remarkable debut novel rich in atmosphere, color, and suspense, Caro Peacock's A Foreign Affair is an irresistible blend of history, adventure, and ingenious invention that brings an extraordinary new writer—and a truly endearing and unforgettable heroine—to the literary stage.
The year is 1837. Queen Victoria, barely eighteen, has just ascended to the throne of England, and a young woman named Liberty Lane has just had her first taste of true sorrow. Refusing to accept that her gentle, peace-loving father has been killed fighting a duel, she vows to see justice done. . . .
On the surface, my childhood was characterized by 1980s unsupervised country freedom in rural Alberta. Deeper in, my history involved emotional abuse and neglect. I wanted nothing more than to be seen and loved for my true self. The library was a refuge, but the fiction section allowed me to find the community I so greatly desired. I was seen and loved by the characters I read. They showed me it was possible to be myself–loudly and audaciously–and still be accepted. I read and now write books that delve into themes of identity, autonomy, and acceptance because I still struggle with these themes today.
She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be.
Meet Flavia: Mystery Solver. Master Poisoner. 11 Years Old.
England 1950. At Buckshaw, the crumbling country seat of the de Luce family, very-nearly-eleven-year-old Flavia is plotting revenge on her older sisters.
Then a dead bird is left on the doorstep, which has an extraordinary effect on Flavia's eccentric father, and a body is found in the garden. As the police descend on Buckshaw, Flavia decides to do some investigating of her own.
Praise for the historical Flavia de Luce mysteries: 'The Flavia de Luce novels are now a cult favourite' Mail on Sunday
Ever since I was a child, I loved stories where an element of danger is introduced into a peaceful setting. Armchair sleuths can solve crimes alongside the detectives and in the comfort and relative security of their own homes. I cut my teeth on Nancy Drew, Trixie Belden, and The Hardy Boys before moving on to Agatha Christie. It’s such an interactive experience when we get the same clues as the detectives and try to come to similar conclusions. These books all replicate the experience well and put the reader in the driver’s seat.
One of the biggest joys in this fine series is the pub settings. Each title is the name of a pub and each pub is the sort of spot you'd like to settle comfortably down with a drink and a chat with friends. Add onto this backdrop a puzzling murder, the wonderful Scotland Yard inspector Richard Jury, and his aristocratic sidekick Melrose Plant, and you've got a winning formula from Martha Grimes.
At the Man with a Load of Mischief, they found the dead body stuck in a keg of beer. At the Jack and Hammer, another body was stuck out on the beam of the pub’s sign, replacing the mechanical man who kept the time. Two pubs. Two murders. One Scotland Yard inspector called in to help. Detective Chief Inspector Richard Jury arrives in Long Piddleton and finds everyone in the postcard village looking outside of town for the killer. Except for one Melrose Plant. A keen observer of human nature, he points Jury in the right direction: into the darkest…
I used to hate history, until I made the startling discovery that history wasn’t about dates and wars—the stuff we had to memorize in high school—but about people. And what can be more absorbing than people? When I started my first historical series, set in the very early 20th century in my hometown of South Bend, Indiana, I delved into the local newspaper and learned that the people of the time and their problems were very much like today’s. That pulled me in, and never let go. Now, researching the 1920s, I’m meeting people who might live next door. It’s so much fun!
Anne Perry is too well known for me to add anything about her or her many books.
This particular one, though, the first in the William Monk series, intrigues me particularly because of the startling idea of a detective who doesn’t know who he is, knows nothing about his past. What a challenge to the writer!
Monk is understandably ill-tempered and extremely touchy, but this, oddly enough, makes him, for me, a sympathetic character.
As always, the brooding descriptions of Victorian London set the scene perfectly, and I was desperately hoping for Monk to resolve not only the crime but his personal problems. And, as with all books that I love, it’s beautifully written.
He is not going to die, after all, in this Victorian pesthouse called a hospital. But the accident that felled him on a London street has left him with only half a life, because his memory and his entire past have vanished. His name, they tell him, is William Monk, and he is a London police detective; the mirror reflects a face that women woud like, but he senses he has been more feared than loved. Monk is given a particularly sensational case: the brutal murder of Major the Honourable Joscelin Grey, Crimean war hero and a popular man about…
I've read mystery books since I was a kid in a small Iowa town and my
mother was on the library board and in charge of reviewing books for
purchase. She would bring home mysteries and I grew up reading about
James Bond, The Saint, Miss Marple, and many, many other 'classic'
detectives. I wrote my first mystery 'novel' when I was ten and it took
me forty more years to finally decide to get serious about it. I found I
wanted to write about an older demographic—my heroes and heroines are
usually in their 40s or 50s. I try to make my characters believable and
down-to-earth—except they get involved in the occasional murder!
I love reading books that look underneath what is shown to most people—how things work behind the scenes, or a glimpse into a different world.
This book takes what we think is a modern-day world and gives it a bit of a twist, with a special division of the London police charged with handling supernatural crimes that take place, well, in plain sight.
The thing that was most intriguing about this narrator was that I had the feeling I was learning with him about all the ghosts and goblins and beasties as he discovered them. I was as surprised as he was about the solving of the mystery.
I was my dad's vinyl-wallah: I changed his records while he lounged around drinking tea, and that's how I know my Argo from my Tempo. And it's why, when Dr Walid called me to the morgue to listen to a corpse, I recognised the tune it was playing. Something violently supernatural had happened to the victim, strong enough to leave its imprint like a wax cylinder recording. Cyrus Wilkinson, part-time jazz saxophonist and full-time accountant, had apparently dropped dead of a heart attack just after finishing a gig in a Soho jazz club. He wasn't the first. No one was…
I've read mystery books since I was a kid in a small Iowa town and my
mother was on the library board and in charge of reviewing books for
purchase. She would bring home mysteries and I grew up reading about
James Bond, The Saint, Miss Marple, and many, many other 'classic'
detectives. I wrote my first mystery 'novel' when I was ten and it took
me forty more years to finally decide to get serious about it. I found I
wanted to write about an older demographic—my heroes and heroines are
usually in their 40s or 50s. I try to make my characters believable and
down-to-earth—except they get involved in the occasional murder!
I enjoy reading historical fiction, especially when I'm in the middle of writing my next mystery story. I like to read outside my genre so historical mysteries satisfy that desire for me to learn about the past while still studying how other mystery authors craft their stories.
This book features a heroine who is an artist and who was also initially ostracized by society because of her first husband. Her current husband is an 'investigative agent' in the 19th century and she's frequently drawn into his cases.
I like her because she's not afraid to speak her mind but she also knows when to keep quiet – a talent she had to acquire when dealing with some of the high-and-mighty people she meets.
Lady Kiera Darby and her husband Sebastian Gage are looking forward to celebrating with new friends at an exciting yearly soiree, but they soon learn that murder never takes a holiday in the latest riveting installment in this national bestselling series.
January 1832. After enjoying a delightful few weeks with her family, expectant mother Kiera and Sebastian Gage have been invited to the Duchess of Bowmontʼs Twelfth Night party in Traquair, Scotland. Though she normally avoids such fashionable, rambunctious events, Kiera is ready to join in the festive merrymaking. But upon their arrival at the opulent estate, it becomes obvious…
I've read mystery books since I was a kid in a small Iowa town and my
mother was on the library board and in charge of reviewing books for
purchase. She would bring home mysteries and I grew up reading about
James Bond, The Saint, Miss Marple, and many, many other 'classic'
detectives. I wrote my first mystery 'novel' when I was ten and it took
me forty more years to finally decide to get serious about it. I found I
wanted to write about an older demographic—my heroes and heroines are
usually in their 40s or 50s. I try to make my characters believable and
down-to-earth—except they get involved in the occasional murder!
When I first started writing mysteries, I realized that a different approach had to be used when I wrote in a first-person point of view. Only those clues that are seen by the main character can be shown to the reader. So that might limit what I, the author, can use as clues.
In Doiron's book, the main character is in law enforcement, and he has access to methods and information that a non-LEO person can access. But despite that Mike Bowditch, the main character, often doesn't realize that he's found a clue or a key to a mystery until it almost slips out of his hands. That makes him a person I can relate to.
And I also like that he explains a lot about policies and procedures just as he decides he's not going to follow said procedures.
While on vacation, Warden Investigator Mike Bowditch receives a strange summons from Billy Cronk, one of his oldest friends and a man he had to reluctantly put behind bars for murder. Billy wants him to investigate a new female prison guard with a mysterious past, and Mike feels honor-bound to help his friend. But when the guard becomes the victim in a brutal attack at the prison, he realises there may be a darker cover-up at play - and that Billy and his family might be at risk.
Then Mike receives a second call for help, this time from a…
History has always interested me, in part because it helps explain how we got where we are. I have a bachelor of music in music history, which is where I first became aware of how small things—the invention of the quill pen—can ripple into huge consequences. Tack onto that an inclination toward political science and law, plus a family full of bench scientists, and it’s easy to see how stories set in the past that focus on whodunit, how, and why fascinate me. Both reading and writing against that tapestry educates me, entertains me, and gives me a glimpse of our capacity to transcend all difficulties for the sake of truth and justice.
A Beautiful Blue Death begins the publication order of this marvelous Victorian series, though some later-written prequels bring the list of titles to fifteen.
Lenox is remarkable for his affable nature—no enormous childhood trauma, addictions, or unresolved grief defining him; he’s not oppressed by his society. He stands in contrast to the complicated, dynamic, and politically fraught world he investigates.
Finch’s prose is both plummy and punchy, his voice well crafted for the period, and his plots delightfully rife with Victorian arcana and eccentricities. Comfort reading never had quite this much style, elegance, and verve!
I’m a Roman historian (associate professor at the University of Birmingham, UK), who’s particularly interested in understanding the nature of Roman power and how Rome’s presence and impact within the Mediterranean changed over time. I’m dyslexic and I think this, in part, might explain why I am quite a visual learner and find material culture a really valuable way to engage with the past, just as much as through written sources. I really hope that my selection of books offers you various different (and perhaps new) ways to think about ancient Rome!
I love historical detective novels, and this one, set in AD 70, is a great way to immerse yourself in the Roman world. Lindsey Davis does her research, creating a real, lived-in space that makes the ancient past feel alive and present.
Another big plus is that it’s hilariously entertaining: I’m regularly guffawing out loud while reading it. Best of all? It’s the first book in a fantastic series, and I’ve enjoyed following private instigator Marcus Didius Falco, and then later his daughter, Flavia Alba, over a number of adventures across the city of Rome and the wider Empire.
Rome. AD 70. Private eye Marcus Didius Falco knows his way round the eternal city. He can handle the muggers, the police and most of the girls. But one fresh 16 year old, Sosia Camillina, finds him a case no Roman should be getting his nose into . . . Sosia's uncle is a Senator with suspicions. Some friends, Romans and countryment are doing a highly profitable, if highly illegal, trade in silver ingots or pigs. For Falco it's the start of a murderous trail that leads far beyond the seven hills. To a godforsaken land called Britain, to Emperor…
I grew up loving stories set in the 1800s. I read Little Women six times, determined to become a writer just like Jo March. Eventually, I became one, writing everything from newspaper articles to medical brochures, short stories, and nine mystery novels. I set my latest book in 1819 Regency England. The myriad rules governing every aspect of proper behavior for “gently bred women” meant that any female refusing to conform faced scandal and ostracism from society. Any woman who managed to forge a life of her own design had to be strong, determined, and feisty—just the kind of female I want to read and write about.
Unlike my other book choices, Why Kings Confess has a male protagonist, Sebastian St. Cyr. In my opinion, a very good historical mystery series got even better when Sebastian married Hero Jarvis, the brilliant and outspoken daughter of Sebastian’s mortal enemy, Lord Jarvis, a ruthless advisor to the crown. Hero writes searing investigative articles on societal injustice and, despite being heavily pregnant, participates actively in Sebastian’s work. In this book they investigate the brutal death of a man who was part of a secret delegation sent by Napoleon to determine the possibility of peace with Britain. The author is a historian who manages to seamlessly incorporate a lot of fascinating information about Regency England.
The gruesome murder of a young French physician draws aristocratic investigator Sebastian St. Cyr and his pregnant wife, Hero, into a dangerous, decades-old mystery as a wrenching piece of Sebastian’s past puts him to the ultimate test.
Regency England, January 1813: When a badly injured Frenchwoman is found beside the mutilated body of Dr. Damion Pelletan in one of London’s worst slums, Sebastian finds himself caught in a high-stakes tangle of murder and revenge. Although the woman, Alexi Sauvage, has no memory of the attack, Sebastian knows her all too well from an incident in his past—an act of wartime…
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