100 books like A Stroke Of Malice

I feel that Sherlock Holmes and Cyrus Barker would be friends, but even more so, Dr. Watson and Thomas Llewelyn would have much to discuss. I was hesitant to begin a new series set in Victorian London, but I’m so glad I read this book and every book in the series that followed.

It Involved is a twisty mystery rich in setting and history. Barker and Llewelyn are a formidable duo when it comes to crime fighting and detection, and Llewelyn’s humor offsets (and sometimes ratchets up) the tension.

I admit it: I underestimated Flavia de Luce.

She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be. 

I love reading books that look underneath what is shown to most people—how things work behind the scenes, or a glimpse into a different world.

This book takes what we think is a modern-day world and gives it a bit of a twist, with a special division of the London police charged with handling supernatural crimes that take place, well, in plain sight.

The thing that was most intriguing about this narrator was that I had the feeling I was learning with him about all the ghosts and goblins and beasties as he discovered them. I was as surprised as he was about the solving of the mystery.

When I first started writing mysteries, I realized that a different approach had to be used when I wrote in a first-person point of view. Only those clues that are seen by the main character can be shown to the reader. So that might limit what I, the author, can use as clues.

In Doiron's book, the main character is in law enforcement, and he has access to methods and information that a non-LEO person can access. But despite that Mike Bowditch, the main character, often doesn't realize that he's found a clue or a key to a mystery until it almost slips out of his hands. That makes him a person I can relate to.

And I also like that he explains a lot about policies and procedures just as he decides he's not going to follow said procedures.

What I loved about this book (which was also adapted into a film starring Elisabeth Taylor) was my first exposure to a female murderer. I liked the backstory of what motivated this woman to kill a seemingly innocent person at a party. Being a psychiatrist myself, my fascination with women who kill has inspired me to create a fictional serial killer in some of my own works.

Furthermore, the importance of a woman’s innate desire to become a mother when robbed of such happiness added to my interest in women’s psychopathology on how horrific memories of the past leave an imprint that can haunt us forever.

I couldn’t help but root for Miranda Abbott, the hilariously self-absorbed heroine of I Only Read Murder. The formerly famous television star of the Pastor Fran crime-fighting series, Miranda’s path to redemption requires her to solve a real-life murder where all the suspects are members of an amateur theatrical society. I Only Read Murder is ridiculously entertaining, a very fun romp that takes full advantage of the cozy mystery tropes we all love. 

We first meet Cassie Maddox in Tana French’s debut book, In the Woods, but in her second showing, she really shows her mettle. Recovering from the betrayal she undergoes in the investigation of a brutal child’s murder in the first book, Cassie is recruited for an undercover assignment to solve another murder – but this time, it’s the death of a young woman who she eerily resembles. Cassie must pretend to be the dead woman and gain the trust and confidence of the group of charismatic oddballs who were the closest friends of the victim. I loved Donna Tartt’s The Secret History and The Likeness is something of an homage to that modern classic – with a heroine who’s brave, scrappy, and determined to see the case through to the bitter end.

I love realistic heroes who are fallible yet, to their core, have a sense of morals. Throw in the verisimilitude of police procedurals (or military), plus a good mystery, and you’ve got me. Author Michael Connelly has juxtaposed an aging main character, retired LA Detective Harry Bosch, with a younger LA detective, Renée Ballard. In the old-school, patriarchal LAPD, Ballard had quite a challenge conducting the detective work she was passionate about.

I’m impressed with the three-dimensional characters of the two generations, each equally dedicated to getting justice in the cases they’re working on. Connelly's Bosch is far from perfect, and Ballard, the rising next-gen, are two characters I am compelled to follow.

I was glued to every page of this book!

It’s a claustrophobic thriller with a startling visual image at its heart: an ultra-modern glass cabin in the middle of a deep, dark wood. At night, the light against the glass means you can’t see out – but anyone outside can see right in. I loved the way Ruth Ware turned the rickety old building cliché on its head, turning light from a source of comfort into a threat. 

I enjoyed being along for this wacky ride as Finlay accidentally gets herself hired as a contract killer, disposes of a body, and navigates the criminal underworld–all while raising her two small children and dealing with her infuriating ex-husband. There’s a love triangle in this book, but the relationship I enjoyed most was the friendship that develops between Finlay and Vero, her former nanny turned partner in crime.

This story is completely absurd, laugh-out-loud funny, and very suspenseful.