100 books like Moon Over Soho

I feel that Sherlock Holmes and Cyrus Barker would be friends, but even more so, Dr. Watson and Thomas Llewelyn would have much to discuss. I was hesitant to begin a new series set in Victorian London, but I’m so glad I read this book and every book in the series that followed.

It Involved is a twisty mystery rich in setting and history. Barker and Llewelyn are a formidable duo when it comes to crime fighting and detection, and Llewelyn’s humor offsets (and sometimes ratchets up) the tension.

I admit it: I underestimated Flavia de Luce.

She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be. 

Set in 1920s Harlem, this book opens with a shock. A teenaged girl is dead, shot by the middle-aged man she was having an affair with.

The man’s wife takes a knife to the funeral, intending to cut the face of her dead rival. So how did it come to this? Morrison paints a picture of Jazz age Harlem, hopping between past and present to show not only the history of this ill-fated couple, but that of Black Harlem. 

A young Louis Armstrong as an amateur detective – if that concept doesn’t draw you in, I’m not sure what will!

The year is 1919 and there’s a terrifying serial killer on the loose in New Orleans. This is the first installment in Celestin’s City Blues Quartet. I love all four books but The Axeman is probably my favourite because of the New Orleans vibe. You get jazz, mafia, Pinkerton detectives, crooked cops, and a taste of the macabre. 

I enjoy reading historical fiction, especially when I'm in the middle of writing my next mystery story. I like to read outside my genre so historical mysteries satisfy that desire for me to learn about the past while still studying how other mystery authors craft their stories.

This book features a heroine who is an artist and who was also initially ostracized by society because of her first husband. Her current husband is an 'investigative agent' in the 19th century and she's frequently drawn into his cases.

I like her because she's not afraid to speak her mind but she also knows when to keep quiet – a talent she had to acquire when dealing with some of the high-and-mighty people she meets.

Set against the backdrop of the sociopolitical turmoil of the 1960s, James Baldwin’s Another Country captures a diverse group of friends in cities both foreign and domestic (NYC and France) who are struggling with interconnected issues of race, sexuality, gender, and class.

As history repeats itself in the 21st century, there is wisdom in reviewing how people survived the last round of radical social upheaval. They did so without losing themselves, nor their opportunities to forge meaningful human connections in the melee.

How do you learn from ex-lovers? How do you make peace with the dead? How do you stay sane when the world is hassling you over unchangeable characteristics you’re working to embrace rather than despise? These characters are trying to build something real on shifting sands, and their stories are still relatable today.

I love untold stories – those that look at people who history has often ignored. There are a lot of novels set in WWII, but this is the only one I’ve read that looks at what it was like to be an Afro-German during that period.

Hiero Falk is a mixed-race jazz trumpeter, member of a band who has been banned from playing live under Nazi laws. After escaping with two of his African-American bandmates to Paris, Hiero is forced into hiding as the trio struggle to get out of occupied France. There was so much history here that felt new to me and I was fascinated by Hiero’s story. 

When I first started writing mysteries, I realized that a different approach had to be used when I wrote in a first-person point of view. Only those clues that are seen by the main character can be shown to the reader. So that might limit what I, the author, can use as clues.

In Doiron's book, the main character is in law enforcement, and he has access to methods and information that a non-LEO person can access. But despite that Mike Bowditch, the main character, often doesn't realize that he's found a clue or a key to a mystery until it almost slips out of his hands. That makes him a person I can relate to.

And I also like that he explains a lot about policies and procedures just as he decides he's not going to follow said procedures.

I loved the setting of this book, the whole premise of the formation of a band and the way real people such as David Bowie, Jerry Garcia, Cass Eliot, and John Lennon (to name but a few) wander across the pages and interact with the fictional characters. It makes the whole thing seem real.

The five band members are well drawn, from the singer Elf, who comes across as strong and sexy, to the mysterious and troubled Jasper de Zoet. And all this detail and realism is conveyed through smooth and highly readable prose.

It’s one of the few books I finished in one sitting.

Dominic wrote two very good crime books in a short series before publishing Vine Street.

I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.

The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.

What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and… show more.