Fans pick 100 books like Walking Shadows

Australian author Kirsty Eagar’s love of surfing and the ocean comes through in every book she writes.

Here, she combines quintessential Aussie surf culture with vampires. Not sexy, heart-throb vamps, but soulless killers with an unquenchable thirst and increasingly disturbing plans for themselves and humanity. This novel is equal parts edgy contemporary Aussie coming-of-age story and skin-crawling horror. It’s no mean feat, and Kirsty hits it tone-perfect.

As always, there are well-written, believable characters (teen protagonists, unhinged vamps, and dodgy adults), plus a tense plot that builds to a frenetic pace with high stakes. Kirsty gives us classic mythology, refreshed and transplanted into a sun-drenched beach setting, underpinned by a reimagining of the brutal real-life story of the Batavia shipwreck in 1629.

I first read this over a decade ago and I loved it even more the second time around.

This is one of my all-time favourite novels. It’s a deeply moving coming-of-age story, set in a future Australia ruled by vampires known as The Masters.

It’s the story of Mark, and the monster who teaches him to be a man. Mark’s voice is perfect and the world building is totally original. The plot, with its dark undertones, moves at a measured pace towards a series of life-changing, violent moments.

I love how Australian this book is, and the fact Trent never once uses the 'v' word.

Day Boy is gentle and wild. It offers a rare and surprisingly moving study of manhood and masculinity, and the relationships between boys and father figures. The writing is sublime. This is a novel to be savoured.

This witty young adult novel cleverly up-ends the traditional vampire mythology.

These Australian urban vamps are sickly, socially isolated, and barely able to defend themselves. Fifteen-year-old Nina has been a vampire since 1973. She’s part of a group of vamps who meet once a week for therapy sessions to help them refrain from attacking humans.

When one of their members is murdered, they decide to track their enemy, assuming that once the slayer sees how pathetic and harmless they are they’ll be left alone. Ill-equipped for danger, Nina and her fellow vamps stumble into a world of guns, thugs, werewolves, and vicious humans.

This is a fun read, packed with plenty of suspense, a clever plot, and a nice sprinkle of understated romance.

This is a great read. It’s fast-paced, has interesting characters, and plenty of action and intrigue.

It features an Australian teen (Sadie) who finds herself caught in the middle of an ancient conflict nearing its final battle. I enjoyed the Perth setting, the dynamic between Sadie and the people she cares about, and the brilliant way Myke brings a fresh twist to some creepy ancient mariner myths.

There's a great sense of menace and mystery as this story unfolds, and the last third book is hard to put down as Sadie races to save her city—and the world.

Australian women won the right to vote decades before their British and American sisters. In 1893 the colony of South Australia was the second place to grant it, after New Zealand the year before, and the first to give women the right to stand for parliament. Many Australian women joined the international suffrage crusade as activists, agitators, and intellectuals. This is their story, as they marched, organised, lectured, and staged amazing stunts, like dropping handbills from a dirigible on the procession of King Edward to open the winter session of the British parliament in 1909. 

Every Sunday night for nearly a decade between the mid-70s and early 80s, most young Australians could be found in one place – in front of the TV, watching Countdown. Countdown was the most powerful force in the local pop/rock scene, the maker and breaker of hits. Published in 1993 in the afterglow of the show’s long run, Glad All Over, by former Age journalist Peter Wilmoth, is an appropriately loving tribute, which includes acknowledging the many (like me!) who loved to hate the show but still always watched it! As mostly oral history, it’s a sparkling story, and if the Countdown phenomenon still begs harder analysis – because as much as it was a great booster for Australian music, it actually blocked just as much – that’s the nature of a new historiography: the field has to get opened up first, and then is subject to increasingly… show more.

Australians love a road-trip – the longer, the better. This book, by one of Australia’s top driving holiday experts, is jam-packed with information and advice to make yours as easy as possible. Driving is definitely the best way to see our vast continent, and the route maps and distance lists are hugely useful. It’s a great resource on where to stay – everything from swank hotels to camping spots – and what to do. Want to know the best time of year to visit a certain place? That’s covered too.

The quality and production of this phenomenal hardcover of imposing size are mesmeric. Its metaphoric text on mental illness and accompanying artwork are visually appealing and poignantly immersive. Transformative text transports the reader, any reader—child, young adult, adult—to beauty and hurt, evolution and transformation. The perfect book for anyone living with psychosis or other illness, and for everyone else to understand the fragility of debilitating conditions.  

My next book is by far the least well-known of my authors, and it’s by far the least well-known book. It’s by my friend and colleague, Samuel Alexander, with whom I’ve co-written a couple of books now, including This Civilisation is Finished.

It’s a splendid read. For philosophers, it’s charming, because Sam is continually bringing in implicitly, and most explicitly, the great philosophers. He’s quoting or talking about Hobbes, Rousseau, Marx, and the rest. His characters sometimes offer lines of one of them to each other. And, in that sense, it’s very much a novel of ideas in the tradition of utopias and dystopias.

There’s a genre of music books, in which I plead guilty to form, that is almost scrapbook-like, that mixes and matches elements to make, at best, a seamless blend of words and images, the sort of book that is a work of art in its own right like you used to find buried down the back of the aisles at counter-culture bookstores. Wild About You is the concept writ large, perhaps not least because editors Iain McIntyre and Ian D. Marks went through a couple of other similar-styled books before getting it quite so right with this one. As a portrait of the post-Beatles beat boom in Australasia in the 60s, it is definitive, written with vibrancy and beautiful and evocative for its illustrations and design. I’m still waiting for this dynamic duo to move onto the 70s!