100 books like Old Days, Old Ways

A bold and broad-sweeping book, written in the 1940s, described as a novel but featuring a mix of real and fictional characters, The Timeless Land is a beautifully imaginative telling of the arrival of the First Fleet in what became Sydney in 1788, as seen through the eyes of the Aboriginal people, the Governor and his officers, convicts and the odd settler. The depiction of the part-real, part-invented Aboriginal people may cause raised eyebrows nowadays, but the book is based on thorough research and written with great imagination and sensitivity. I love the mix of the real and the imaginary, while never distorting the facts. It’s a brilliant way to paint a vivid portrait of a subject, I’ve done it myself (if I may be presumptuous enough to bracket myself with Ms. Dark).

'Original, provocative, and witty, Australia is the most comprehensive single-volume history of Australia yet published.' This is the blurb on the back cover of the paperback but it echoes my own views of this marvellous book completely. It covers everything: from the plight of the convicts to the Europeans’ experiments with farming and land grabs; relationships with the Aboriginal people, and especially the virtues or otherwise of respective Governors and their often spiky relationships with the government back home. All of it written with authority and a wonderfully wry wit.

I’m a townie, but early colonial Australia is all about the land and how some early colonial pioneers made their fortunes from it. (Many didn’t, needless to say.) This book is all about them: the squatters, the stock riders, the drovers, the station hands, etc. The long and perilous journeys into remote New South Wales looking for land—officially and unofficially; how early pioneers coped with droughts, floods, disappearing stock, financial uncertainty, and not least, relationships with local Aboriginal people. There are hilarious accounts of the strange habits of cows, and of the “new chums”—wide-eyed young men who migrated to the colony with money but no farming experience hoping to make their fortunes, and how the (colonial) locals took the mickey out of them. Readable, witty, and again, written with great authority and in-depth knowledge.

This is a cornucopia of the weird and wonderful in Australia: the origins of ‘mateship’, rural remedies, measuring the weather by the behaviour of birds, how ‘Waltzing Matilda’ had its origins in a shearers’ strike, and the bizarre life of the itinerant swagman, including hints on how to make a ‘swag’ and carry it according to the legendary writer Henry Lawson. There are wonderful tales of Australian ‘taciturnity’ and folks living so remotely they still thought Queen Victoria was on the throne in the mid-1900s. It may be light-hearted in tone but this book somehow gets to the heart of what makes Australians unlike anyone else in the world.  

If you’re a lover of women’s literature – Austen, the Brontës, Woolf – you are in for an utterly original treat with this mother-daughter odyssey. Australian Indigenous lawyer, Jasmine, takes her mother, Della, to England, wanting to indulge her passion for literature with a tour of significant dead-white-author sites. But what is really found along the way are the rich veins of ancient stories and the essential power we all possess: listening. This is a moving and intricate portrait of intergenerational, post-colonial trauma that examines whose stories get to be told and whose need to be told. For me, as an Australian and a lover of English literature, After Story is a slice of necessary truth-telling, which I predict will become an Australian classic of the future. 

I read Tracks when I was in a travel book club 35 years ago and the author’s adventure has stuck with me.

It’s the story of a young woman who crosses the Australian desert from Alice Springs to Hamelin Pool on Australia’s western coast. She undertakes the journey with her dog, and four camels and as happens on such quests, Davidson encounters myriad setbacks: extreme heat, no water, wild animals, and poisonous snakes.

The author does a great job of describing the beauty and harshness of the infinite desert and her surprise at the generosity of those she met. As a young woman, Tracks inspired me to undertake my own adventures and I continue them today in my sixties. Hiking across England with my dog is on the calendar for next year.

Humour done well in crime fiction is rare, I think, and this novel has plenty. I think you would call it a caper, with things constantly going wrong for Jac, the main character, in bizarre and amusing ways, but Draga, her Croatian housekeeper is hilarious. Draga’s solutions to fixing things are not what any sensible person might agree to, but Jac is desperate. She even resorts to using Draga’s favourite broom herself at one point. This one will keep you on the edge of your seat, yes, but you might also fall off it laughing. I’m hoping there will be a sequel.

Every Australian bookish girl knows Sybylla from My Brilliant Career. She is the original feisty heroine, the unashamed young feminist who rejects the isolation and low expectations of the bush and marriage at the turn of the twentieth century, wanting to strike out on her own as a writer. That her yearnings are so irrelevant to those around her and her ambitions unfulfilled act as a dare to all of us, and to me – to have that brilliant career, to tell your truths and have your independence, whether anyone else likes it or not. Equally as vivid, witty, and socially acute as Twain, if you read only one old and dusty novel about Australia, read this one.

Begin, End, Begin: A #LoveOzYA Anthology is a great collection of short stories, written in a cross-section of genres, on different themes, by a variety of Australian authors. Reading these stories gives you a taste of the authors’ writing styles, and, as many of them also write novels, you can choose which authors’ works you’d like to read more of.

No easy way describes Kaaron Warren’s darkest mind full of mischief and intensity. She’s a global legend, no worries, with her distinctive Australian tongue. Find wicked excitement in Warren’s horror, disturbing in its nature, leaving nothing untouched. Even babies are not safe. This primer is a quick introduction to ominous storytelling, that may pave way to curiosity into award-winning works, including Tide of Stone or Into Bones Like Oil. Starting here, with illustrations and an exegetical analysis by Michael Arnzen, is perhaps the soundest way to dip a toe into the humour, surreally, and darkness of this author’s alluring text.