Here are 100 books that This Party's Dead fans have personally recommended if you like
This Party's Dead.
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I’m a writer and a bookstore owner and a lover of all things dark and strange. I grew up reading books that I often had to put in the freezer at night so that they wouldn’t haunt my dreams and I never grew out of it. I have a book club called The Fantastic Strangelings so I am constantly reading, and always looking for new and wonderful stories to share.
I know you’re probably expecting novels on my list but this is the true story of a librarian’s investigation into the science and history of books bound in human skin (for real). More fascinating than creepy, this book sucked me in from the very beginning. If you like Mary Roach (Stiff, Spooked) or Caitlin Doughty (Will My Cat Eat My Eyeballs?) then you will love Megan Rosenbloom
In Dark Archives, Megan Rosenbloom, a medical librarian and a cofounder of the Death Salon, seeks out the historic and scientific truths behind this anthropodermic bibliopegy. Dozens of these books still sit on the shelves of the world's most famous libraries and museums. What are their stories? Dark Archives exhumes their origins and brings to life the doctors, murderers, mental patients, beautiful women, and indigents whose lives are bound together in this rare, scattered, and disquieting collection. It also tells the story of the scientists, curators, and librarians like Rosenbloom - interested in the full complicated histories behind these dark…
I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
I've been a huge fan of mortician Caitlin Doughty for years, and this nonfiction book (which sees Doughty traveling from Japan to Colorado to Indonesia, looking at different things people do with the bodies of their deceased loved ones and how it helps them cope with loss) made me laugh like no other death book, and it taught me a lot, too.
I was especially intrigued by the chapter on human composting: the idea that it's possible to let a body decompose naturally in the earth, so it turns to compost. When my father died I had him buried in a compostable coffin made of banana tree, without any preservatives, and I like the idea of his body feeding flowers and bugs and becoming part of the harmonious web of life.
Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world's funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry-especially chemical embalming-and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the…
I grew up down the road from the little graveyard where my grandfather was buried. By accident, I discovered the glorious Victorian-era Highgate Cemetery in 1991. A friend sent me to explore Paris’s Pere Lachaise Cemetery – and I was hooked. I’ve gone from stopping by cemeteries when I travel to building vacations around cemeteries I want to see. I’ve gone out of my way to visit cemeteries in the Czech Republic, Greece, Italy, Japan, Spain, Singapore, and across the United States. At the moment, I’m editing Death’s Garden Revisited, in which 40 contributors answer the question: “Why is it important to visit cemeteries?”
Although Ross’s book appears to be a guide to visiting graveyards, its focus often turns toward the people who work there: gravediggers, tour guides, historians, and even memorial artists. One of my favorite essays in the book introduces a modern maker of death masks, whose work appears on three headstones in Highgate Cemetery. The eulogy for “the best-known guide at the most famous cemetery in Ireland” nearly brought me to tears.
A Tomb With A View tells the stories of the graveyards and their dead, true, but most of all Ross conveys how the relationships between the dead and those who remain behind deepen with time. A lovely, life-affirming book.
WINNER OF THE SCOTTISH NON-FICTION BOOK OF THE YEAR AWARD 2021
A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR
'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel
'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing…
For 10 years, I edited Morbid Curiosity magazine. I believe that curiosity is the most important aspect of being human. More than the simple desire to know things, curiosity is a tool as powerful as a scalpel or a searchlight. Curiosity is a way to effect change, in our own lives and in the world. Morbid Curiosity magazine taught me to believe in the power of story, especially in the form of memoirs. Only by telling our own stories can we overcome our fears and find inspiration in death. Investigating my own relationship with death led me to write This Morbid Life. These books illuminated my search.
Before she decided to study medicine, Christine Montross was a poet. She deploys the full beauty of language to explore how it feels to be a first-year medical student dissecting a cadaver in her gross anatomy class. Over the course of the year, Montross conveys much information about how the human body works and how doctors-to-be learn, but her primary focus is on her emotional journey, which spanned from being a student with no understanding beyond her own body to being someone able to heal anyone who comes to her for help. Lovely, powerful, and instructive, I hope this book is required reading for incoming med students.
A "gleaming, humane" (The New York Times Book Review) memoir of the relationship between a cadaver named Eve and a first-year medical student
Medical student Christine Montross felt nervous standing outside the anatomy lab on her first day of class. Entering a room with stainless-steel tables topped by corpses in body bags was initially unnerving. But once Montross met her cadaver, she found herself intrigued by the person the woman once was and fascinated by the strange, unsettling beauty of the human form. They called her Eve. The story of Montross and Eve is a tender and surprising examination of…
I am fascinated by the places where cultures intersect and the means by which they do so. I am an American lucky to live in gorgeous San Miguel de Allende, Mexico, and previously in Hirakata, Japan; Shanghai, China; Suva, Fiji; and Oxford, England. Each move entailed a challenging but rewarding effort to absorb a new set of unwritten societal rules. A great way to grow is to immerse yourself in the unknown and have things you took for granted about how the world works suddenly come into question. Another is to learn from those who have gone before us, so I am delighted to share these wonderful books with you.
Under the Volcano is a difficult book worth the effort. Set in Quauhnahuac, now Cuernavaca, it follows the surreal last day in the life of bleakly alcoholic former British consul Geoffrey Firmin.
We witness interactions with his estranged wife, his half-brother, and a childhood friend—both of whom have probably had an affair with the wife—as well as various other undependable characters real and hallucinatory. For careful readers, Lowry offers a rich buffet of symbolism and allusions to the work of writers from Dante to Shakespeare.
I certainly missed a few of the references but enjoyed the hunt nonetheless. Under the Volcano features the foibles of British rather than American expats, but the lessons apply equally.
One of the twentieth century's great undisputed masterpieces, Malcolm Lowry's Under the Volcano includes an introduction by Michael Schmidt in Penguin Modern Classics.
It is the fiesta 'Day of the Dead' in the small Mexican town of Quauhnahuac. In the shadow of the volcano, ragged children beg coins to buy skulls made of chocolate, ugly pariah dogs roam the streets and Geoffrey Firmin - ex-consul, ex-husband, an alcoholic and a ruined man - is living out the last day of his life. Drowning himself in mescal while his former wife and half-brother look on, powerless to help him, the consul…
I’m Catherine Cavendish – writer of Gothic and ghostly horror stories. I lived in a haunted house. It didn’t scare me because our ghost seemed to go out of her way to make us welcome. Elsewhere in the building was a different matter. This was occupied by a social club and in one room in particular, an entity targeted lone females, taking delight in poking and shoving them. Since we left there, I wonder about our friendly ghost. Does she continue to watch over her old home? As for the malevolent spirit – one encounter was quite enough for me! My experiences left me fascinated by the power of buildings to absorb its ghosts.
Alice – the main character – devastated by the loss of her eight-year-old daughter, buys a large, dilapidated house. It will be a big job – a real fixer-upper that she can get her teeth into – but it isn't long before she finds out hers is not your everyday normal building.
It starts with the voices and manifestations... and the children. Local legends and folklore abound. Soon Alice is swept up in events far out of her control in both time and dimension. and the house is a key player in this. It guards its secrets well.
This story stayed with me for a long time, and I believe Simon Bestwick deserves to be far better known than he is. I have yet to be disappointed in anything he has written.
Alice has returned to her old home town to put her life back in order.
378 Collarmill Road looks like an ordinary house. But sometimes, the world outside the windows isn't the one you expect to see; sometimes you'll turn around and find you're not alone.
An old flame of Alice's - John Revell - reluctantly comes to her aid when the house begins to reveal its secrets. The hill on which it sits is a place of legends - of Old Harry, the Beast of Crawbeck; of the Virgin of the Height and the mysterious Red Man - and…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
Gustavo is one of the most adorable ghosts, and his story is so relatable. As an introverted and shy person, I can relate to all of Gustavo’s struggles, especially the struggle with making friends.
Flavia’s artwork is so fantastic, expressive, and vibrant. I love the characters and textures. I also love how Flavia applied Mexican culture to the artwork.
A story of friendship and courage - perfect for the spooky season or all year round!
Gustavo is a ghost. He is good at doing all sorts of paranormal things, like walking through walls, making objects fly and glowing in the dark. And he loves playing beautiful music on his violin. But Gustavo also has a problem. He is SHY. Which means some things are harder for him to do, like getting in a line to buy eye-scream or talking to the other monsters. But Gustavo longs to be a part of something, he longs to be seen. More than…
My seven novels all celebrate the natural world—while, I hope, telling a good story. Nature has always been my solace and delight. I’ve also had the honor of developing and directing an MFA in Nature Writing at Western Colorado University, one of the few nationwide programs to focus on cutting-edge environmental writing. While I mainly write novels, I’m the author of two nonfiction books and one play and the editor of three environmental anthologies. When not writing or teaching, I can be found sauntering around the West, especially in my home state of Colorado. I love travel and adventuring, and I like looking at birds, stars, clouds, and sea glass.
Another of my favorite authors, Erdrich, also has a big social and environmental justice theme throughout her works. There’s a delightful premise—a ghost haunts a bookstore in Minneapolis, and a mystery must be solved!—but it also takes on very serious subjects.
Set in 2019-2020, it covers the race riots, pandemic stress, and social justice issues. One thing I love is a book that has a seriousness of purpose but is still truly joyful and fun to read.
In this stunning and timely novel, Pulitzer Prize and National Book Award-winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage and of a woman's relentless errors.
Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but…
I have loved Halloween since I ran through the suburban streets of southern Connecticut with ears and a tail. For more than thirty years I’ve been researching and writing about the holiday, and each year I find something new. Most of all, I’m a Halloween advocate: At Halloween we can wrap our arms around the reality of the other 364 days and satirize, exorcize, and celebrate it. The joy of Halloween is not that it’s dark and we revel in that; it’s that Halloween can bring a bit of light and laughter into the darkness. And, of course, it’s big, creative, candy-fueled fun.
Haunted Air is a book of undated photos of adults and children in costume. Not all of them may be Halloween photographs (we dressed up on so many occasions back then!), but most of them are. I love the handmade costumes and makeup, the creepy masks, the way the costumes tie into popular culture and the sheer joy of imagination they exude. It’s a creepy book, in a good way. David Lynch wrote the forward.
The roots of Hallowe'en lie in the ancient pre-Christian Celtic festival of Samhain, a feast to mark the death of the old year and the birth of the new. It was believed that on this night the veil separating the worlds of the living and the dead grew thin and ruptured, allowing spirits to pass through and walk unseen but not unheard amongst men. The advent of Christianity saw the pagan festival subsumed in All Souls' Day, when across Europe the dead were mourned and venerated. Children and the poor, often masked or in outlandish costume, wandered the night begging…
My name is Cecilia Ruiz and I am a Mexican author and illustrator living in Brooklyn. Apart from desperately trying to make more books, I teach design and illustration at Queens College and the School of Visual Arts. I’m fascinated by visual storytelling and its evocative power. One of my idols, the French filmmaker Robert Bresson, says that art lies in suggestion. Bresson believed that things should be shown from one single angle that evokes all the other angles without showing them.All the books in this list do that—they show us death but they make us think about the mysterious and poetic ways in which life operates.
This is a book I would have loved to write and illustrate. “The bird was dead when the children found it.” says its opening line.
There are many children’s books that deal with grief and loss but The Dead Bird is one of a kind. The kids in the story didn’t know the bird when it was alive. They only meet the bird after it has died and yet, they have a funeral for it. They sing for a bird that once flew and no longer will. They cry for a life that was, but no longer is.
With child-like simplicity and directness, Robinson’s illustrations capture the human need for ritual and closure in the presence of death.
A New York Times Best Illustrated Book of 2016! This heartwarming classic picture book by beloved children's book author Margaret Wise Brown is beautifully reillustrated for a contemporary audience by the critically acclaimed, award-winning illustrator Christian Robinson. One day, the children find a bird lying on its side with its eyes closed and no heartbeat. They are very sorry, so they decide to say good-bye. In the park, they dig a hole for the bird and cover it with warm sweet-ferns and flowers. Finally, they sing sweet songs to send the little bird on its way.
