Here are 100 books that The Feast of All Souls fans have personally recommended if you like
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I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This phantasmagorical oral history unfolds during one of my favorite time periods, the psychedelic late 60s/early 70s. It also fuses two of my favorite sub-genres, folk horror and haunted houses.
I could easily visualize the setting and the different characters as I read their statements and tried to piece together the reality of what happened during the band’s infamous time at Wylding Hall.
After the tragic and mysterious death of one of their founding members, the young musicians in a British acid-folk band hole up at Wylding Hall, an ancient country house with its own dark secrets. There they record the classic album that will make their reputation but at a terrifying cost, when Julian Blake, their lead singer, disappears within the mansion and is never seen again. Now, years later, each of the surviving musicians, their friends and lovers (including a psychic, a photographer, and the band s manager) meets with a young documentary filmmaker to tell his or her own version…
I’m Catherine Cavendish – writer of Gothic and ghostly horror stories. I lived in a haunted house. It didn’t scare me because our ghost seemed to go out of her way to make us welcome. Elsewhere in the building was a different matter. This was occupied by a social club and in one room in particular, an entity targeted lone females, taking delight in poking and shoving them. Since we left there, I wonder about our friendly ghost. Does she continue to watch over her old home? As for the malevolent spirit – one encounter was quite enough for me! My experiences left me fascinated by the power of buildings to absorb its ghosts.
Eel Marsh House. The name itself sets you up for something dark, sinister, cold, lonely, and hide-under-the-bedcovers scary.
The way Susan Hill handles her brand of horror has always fascinated and grabbed me. She sets her Gothic and ghostly stories – which are mostly novella length – in an indeterminate timeline which has been called ‘Hill-time’ and this all adds to the mystery and ethereal darkness.
The Woman in Black is her most famous (writing in this genre) and has all the ingredients you want. An isolated house with such a macabre back story it’s no wonder it is so deeply haunted, a desolate fog-ridden landscape, the hapless and grieving solicitor who stays there in order to sort out the legal affairs of the late owner.
Add all this to the tragic legend that has the locals fearful and wary and it’s classic stuff – but no less gripping when…
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip…
I’m Catherine Cavendish – writer of Gothic and ghostly horror stories. I lived in a haunted house. It didn’t scare me because our ghost seemed to go out of her way to make us welcome. Elsewhere in the building was a different matter. This was occupied by a social club and in one room in particular, an entity targeted lone females, taking delight in poking and shoving them. Since we left there, I wonder about our friendly ghost. Does she continue to watch over her old home? As for the malevolent spirit – one encounter was quite enough for me! My experiences left me fascinated by the power of buildings to absorb its ghosts.
Adam Nevill is a British horror writer – you may know of him through The Ritual which was made into a successful film a few years ago.
This is an earlier work and tells the story of Stephanie – down on her luck and reduced to taking a cheap, seedy room in an even seedier house where it is soon apparent that there is something horribly wrong. The chilling and menacing atmosphere of the building is overwhelming, while the landlord is certainly not on the level.
As for his ghastly cousin…. Then there are the noises… Something is going on here that transcends the norm. It’s unnatural, maybe supernatural, and things are about to turn a lot worse when Stephanie digs deeper. This is a house like no other. And the truth of it will take her beyond her wildest fears.
Recently filmed, this is one of Adam Nevill’s most…
Winner of the August Derleth Award, No One Gets Out Alive is the ultimate haunted house thriller from horror writer Adam Nevill.
Darkness lives within . . .
Cash-strapped, working for agencies and living in shared accommodation, Stephanie Booth feels she can fall no further. So when she takes a new room at the right price, she believes her luck has finally turned. But 82 Edgware Road is not what it appears to be.
It's not only the eerie atmosphere of the vast, neglected house, or the disturbing attitude of her new landlord, Knacker McGuire,…
I’m Catherine Cavendish – writer of Gothic and ghostly horror stories. I lived in a haunted house. It didn’t scare me because our ghost seemed to go out of her way to make us welcome. Elsewhere in the building was a different matter. This was occupied by a social club and in one room in particular, an entity targeted lone females, taking delight in poking and shoving them. Since we left there, I wonder about our friendly ghost. Does she continue to watch over her old home? As for the malevolent spirit – one encounter was quite enough for me! My experiences left me fascinated by the power of buildings to absorb its ghosts.
Gaby Triana excels at creating and transmitting atmosphere. She transports you into the swamps, oppressive heat, terrors, and scares of the Florida she has created in her Haunted Florida trilogy of which this is the final part.
In City of Spells, Queylin Sanchez runs a shop selling incense, charms, and all manner of items designed to appeal to those interested in the occult, but when an elderly man crosses the threshold and enlists her help in ridding his home of an unwanted ghost, she accepts the commission and sets in motion a frightening chain of events that threaten her sanity and her life – in fact, much more than that is at stake as she unravels the sinister and disturbing truth.
I can assure you, the tradition of Southern Gothic is alive and well in this author’s capable hands. If you haven’t read any of Gaby’s work yet – it’s…
A haunted Old Florida home. A ghostly woman in white. Witchcraft from Miami's darker side.When a mysterious old gentleman enters Queylin's trendy new age shop, she hopes he'll buy incense, sage, maybe a nice rose quartz pendulum for his wife. Instead, the man enlists her help getting rid of La Dama de Blanco, a ghostly woman in bloody white dress who's been haunting his 100-year-old Palmetto Bay estate.But when Queylin's rituals and spells uncover terrifying secrets hidden in the walls of the old mansion, she realizes La Dama de Blanco is only the beginning of the haunted home's evil legacy.
I am fascinated by the places where cultures intersect and the means by which they do so. I am an American lucky to live in gorgeous San Miguel de Allende, Mexico, and previously in Hirakata, Japan; Shanghai, China; Suva, Fiji; and Oxford, England. Each move entailed a challenging but rewarding effort to absorb a new set of unwritten societal rules. A great way to grow is to immerse yourself in the unknown and have things you took for granted about how the world works suddenly come into question. Another is to learn from those who have gone before us, so I am delighted to share these wonderful books with you.
Under the Volcano is a difficult book worth the effort. Set in Quauhnahuac, now Cuernavaca, it follows the surreal last day in the life of bleakly alcoholic former British consul Geoffrey Firmin.
We witness interactions with his estranged wife, his half-brother, and a childhood friend—both of whom have probably had an affair with the wife—as well as various other undependable characters real and hallucinatory. For careful readers, Lowry offers a rich buffet of symbolism and allusions to the work of writers from Dante to Shakespeare.
I certainly missed a few of the references but enjoyed the hunt nonetheless. Under the Volcano features the foibles of British rather than American expats, but the lessons apply equally.
One of the twentieth century's great undisputed masterpieces, Malcolm Lowry's Under the Volcano includes an introduction by Michael Schmidt in Penguin Modern Classics.
It is the fiesta 'Day of the Dead' in the small Mexican town of Quauhnahuac. In the shadow of the volcano, ragged children beg coins to buy skulls made of chocolate, ugly pariah dogs roam the streets and Geoffrey Firmin - ex-consul, ex-husband, an alcoholic and a ruined man - is living out the last day of his life. Drowning himself in mescal while his former wife and half-brother look on, powerless to help him, the consul…
For 10 years, I edited Morbid Curiosity magazine. I believe that curiosity is the most important aspect of being human. More than the simple desire to know things, curiosity is a tool as powerful as a scalpel or a searchlight. Curiosity is a way to effect change, in our own lives and in the world. Morbid Curiosity magazine taught me to believe in the power of story, especially in the form of memoirs. Only by telling our own stories can we overcome our fears and find inspiration in death. Investigating my own relationship with death led me to write This Morbid Life. These books illuminated my search.
After Erica Buist's father-in-law died at home, a week passed before she and her husband found the body. Grief -- and the realization that everyone she knew would someday die -- hit Buist so hard that she couldn't leave her apartment. As a way to heal, she decided to travel to seven festivals around the world where death is celebrated, where the dead are still treated as part of the family. Her subsequent adventures in Mexico, Nepal, Sicily, Thailand, Madagascar, Japan, Indonesia, and New Orleans are both poignant and heartening. Her sense of humor shines through her experiences and makes this book laugh-out-loud funny at points.
What if we responded to death... by throwing a party?
By the time Erica Buist's father-in-law Chris was discovered, upstairs in his bed, his book resting on his chest, he had been dead for over a week. She searched for answers (the artery-clogging cheeses in his fridge?) and tried to reason with herself (does daughter-in-law even feature in the grief hierarchy?) and eventually landed on an inevitable, uncomfortable truth: everybody dies.
With Mexico's Day of the Dead festivities as a starting point, Erica decided to confront death head-on by visiting seven death festivals around the world - one for every…
I write and read realistic fiction. I’m not a fan of fantasy, sci-fi, ghost stories, or magical (other than, you know, Tolkien). I don’t want to have to suspend a lot of belief and buy into an alternate reality. And yet, and yet. . . . All these books have a little element of something going on, and they each grabbed me and kept my attention, and I didn’t roll my eyes once. The supernatural is just a little extra kick and, in every case, as believable as it can possibly be.
I love so many things about this book, starting with the title (double-entendre!) and the setting (bookstore!).
I love the snippets of real life (e.g., it’s the author’s bookstore). And then there’s the ghost, Flora. Erdrich does such a good job with Flora. This is not the movie Ghostbusters and it’s not the TV show Ghosts. Flora is just an unseen character, a former customer who keeps hanging out in the bookstore in the time of Covid. Erdrich weaves both Covid and the ghost into the story so smoothly—the book is not about either one of them, but they are both in the background and color everything going on, leaving me with the impression that the ghost is just one more part of the fever dream that was 2020.
In this stunning and timely novel, Pulitzer Prize and National Book Award-winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage and of a woman's relentless errors.
Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but…
I have loved Halloween since I ran through the suburban streets of southern Connecticut with ears and a tail. For more than thirty years I’ve been researching and writing about the holiday, and each year I find something new. Most of all, I’m a Halloween advocate: At Halloween we can wrap our arms around the reality of the other 364 days and satirize, exorcize, and celebrate it. The joy of Halloween is not that it’s dark and we revel in that; it’s that Halloween can bring a bit of light and laughter into the darkness. And, of course, it’s big, creative, candy-fueled fun.
Haunted Air is a book of undated photos of adults and children in costume. Not all of them may be Halloween photographs (we dressed up on so many occasions back then!), but most of them are. I love the handmade costumes and makeup, the creepy masks, the way the costumes tie into popular culture and the sheer joy of imagination they exude. It’s a creepy book, in a good way. David Lynch wrote the forward.
The roots of Hallowe'en lie in the ancient pre-Christian Celtic festival of Samhain, a feast to mark the death of the old year and the birth of the new. It was believed that on this night the veil separating the worlds of the living and the dead grew thin and ruptured, allowing spirits to pass through and walk unseen but not unheard amongst men. The advent of Christianity saw the pagan festival subsumed in All Souls' Day, when across Europe the dead were mourned and venerated. Children and the poor, often masked or in outlandish costume, wandered the night begging…
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
The other recommendations on my list are titles that will help you if you want to calm yourself down, maybe even get some sleep, whilst staying in a haunted house. But maybe you want to lean into the atmosphere. If that’s the case, you need M. R. James.
His ghosts are rarely glimpsed clearly, you get troubling hints of their appearance, or you just see the horrible things they have done to their victims, and that makes them all the more terrifying. In these stories, anything could turn on you: a doll’s house, your Latin homework, the advert you see on your daily commute. Proceed with caution.
M.R. James is probably the finest ghost-story writer England has ever produced. These tales are not only classics of their genre, but are also superb examples of beautifully-paced understatement, convincing background and chilling terror.
As well as the preface, there is a fascinating tail-piece by M.R. James, 'Stories I Have Tried To Write', which accompanies these thirty tales. Among them are 'Casting the Runes', 'Oh, Whistle and I'll come to you, My Lad', 'The Tractate Middoth', 'The Ash Tree' and 'Canon Alberic's Scrapbook'.
'There are some authors one wishes one had never read in order to have the joy of…
My real name is Susan Berger and I'm a certified bookaholic. I'm also an actor and I love my work. Being older has been very lucky for me. I wrote children’s books as Susan J Berger. COVID closed my publisher and I'm not actively submitting at the moment. I write romance as Susan B James because I didn’t want my children to have to acknowledge that their mother knew anything about sex. Falling in love and living happily ever after is an ageless state. But in romance novels heroines are mostly under thirty. I happen to be chronologically gifted myself. And many of my favorite romances feature older heroines. I think we need more.
Jennifer Crusie writes some of the funniest heroines I ever met. I adore her voice and I wanted to add her to my list. When I went to Jen’s blog ArghInk to ask her which of her heroines was over forty. She said Andie.
Andie’s ex-husband North wants one last favor from her as closure. Help him settle the two delinquent orphans he inherited from a distant relative. He knows Andie can handle anything.
Her new fiancée isn’t pleased. When Andie meets the two children she quickly realizes things are much worse than she feared. The place is a mess, the children, Carter and Alice, aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper since Mrs. Danvers. What's worse, Andie's fiancé thinks this is all a plan by North to get Andie back, and he may be right.
Andie Miller is ready to move on with her life. She wants to marry her fiancé and leave behind everything in her past, especially her ex-husband, North Archer. But when Andie tries to gain closure with him, North asks one last favor: Since the death of a distant cousin, he's become the guardian of two orphans who have already driven away three nannies. North needs someone to take care of the situation―and he knows Andie can handle anything.
Carter and Alice aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper…
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