100 books like Wylding Hall

Older than the rest and still one of the best, Dracula was my introduction to the epistolary format. My eleven-year-old self was pleasantly surprised when the diaries and letters never gave way to straight narration. Reading the book gave me the chance to see how much detail was left out of the various movie adaptations.

After a slow start with Harker’s travelogue, the book unleashed some gruesome and haunting imagery. I thought Renfield’s scenes were especially chilling. I can’t wait to check out the complete, uncut version of the novel, released in Sweden as Powers of Darkness, to see what other creepiness Stoker originally planned for his readers.

This is a novel whose beautiful writing adds layers to this highly engaging story told from multiple time periods in a Malaysian woman’s life. Although the novel mostly plays out in Malaysia, it involves a Japanese character of great significance to the story and explores in engaging detail the art of Japanese gardening and the Malay experience of Japanese wartime colonialism. This is an important book, and while it won many awards, including the 2012 Man Booker Prize, I hope the book remains in the reading public’s eye for a long time. I greatly envy writing that can carry emotion this weighty while exhibiting such beauty and depth both in its character development and description of time and place.

Isolated locations are the cornerstone for building tension in a slow-burning mystery such as this.

With a strange family keeping secrets from our protagonist, to the quiet unease of something not quite right, the mounting dread of this Gothic tale takes readers on a journey both unique and unsettlingly familiar.

It crawls under your skin and remains, unbidden, like Noemi’s dreams of blood in a house that doesn’t want to let her go, just as the cousin she’s come to rescue seems destined to succumb under the rule of an oppressive family.

The resurgence of Gothic literature this new classic has inspired made it possible for my book to see the light of day.

Most people are familiar with the movie, and I was, too, before I read the novel—which is shockingly good! Though published in 1967, the prose is modern and restrained.

Rosemary is betrayed by those she trusts, most heinously by her opportunistic husband, but she’s no passive victim; instead, she becomes ferocious. I give props to Levin for channeling the burgeoning feminist rage of the times, which he also did in his 1972 classic, The Stepford Wives. The dream/hallucination scene where Satan impregnates Rosemary and her confrontation with Guy the morning after is so well-written and horrific it made me want to stab him with a pitchfork. 

I can never get enough ghost and haunted house stories that have social commentary themes. This is one of the books that helped inspire my own book. Trevor Riddell’s parents are separated, and Trevor and his father move to his lumber-robber-baron grandfather’s mansion in the woods of the northwest, where Trevor’s father and aunt hope to talk their ailing father into a big-money real estate deal involving the house and land.

This book has everything I love: ghosts, intrigue, mystery, history, emotionally-complex antagonists, and epistolary story-telling through letters and journals. Woven into all that, Stein manages to insert a moral about conservation and trees (and other things I’ll let you discover on your own). Ghost stories have a history of being morality tales, and this is a modern version—true to the tradition—that I really enjoyed.

Think folk horror and you think rural setting, pretty cottages, white picket fences, and lurking ritual. Harvest Home is a folk horror classic and hits these expectations spot on.

A city couple escapes to the village of Cornwall Coombe to give their daughter a better quality of life. Everything is perfect until the husband discovers they were welcomed for a very specific reason. This discovery, becoming more evident as the harvest ritual approaches, leaves him in fear of losing his life and his family.

I loved this gradual teasing out of horror, subtle nuances that build to the awful climax. The ending is chilling, contrasting so sharply as it does against the background of a rural paradise, giving me one of those ‘oh!’ moments.

This book had the greatest influence on my desire to write my own ghost story.

I liked the stalwart Brit characters, Roderick and Pamela, even though they were a bit slow putting together the clues. I figured out the secret before they did, which only added to the fun. The writing style is old-fashioned enough to add to the atmosphere, and the story is beautifully told.

I was late in coming to this and was glad to find its popularity richly deserved.

The characters are quirky enough to be entertaining on their own, and the house is a formidable opponent. I found the climactic scene where the ghost is banging on all the doors genuinely frightening, and then the plot took a completely unexpected turn. I was the one who succumbed to the haunting in the end.

Of all the horror novels I’ve read, which number in the hundreds, “The Shining” stands first among them. It’s hard to write a horror novel that has both great characters and a great plot, and King succeeded in doing both.

I don’t think there’s a moment in the entire book where he eases up on the tension, and impending horror lurks on every page. Of particular note, Chapter 36–“The Elevator”–may be the finest chapter of horror ever written. It’s a perfect example of the moment you find out the monsters in your head might be real.

Before Game of Thrones became a cultural touchstone, Martin was known as much for his horror novels as for his fantasy. The Armageddon Rag follows the reunion of 1960s prog-rock legends The Nazgul, who broke up after their lead singer, Patrick Hobbins, was assassinated onstage. When a wealthy promoter introduces the surviving band members to a Hobbins doppelganger who seems to be possessed by the spirit of the late vocalist, it becomes apparent that the Nazgul are the unwitting center of a ritual to bring darkness to a world that rejected the light and love of the Sixties. Vivid characters, flower-child nostalgia, and an ominous vibe combine to make this an absorbing read.