The most recommended books about Vlad the Impaler

The Historian’s premise—an interesting twist on the Dracula legend—hooked me, and then the story hooked me and wouldn’t let go. (By pure coincidence, I read it right after having re-read Stoker’s Dracula.) Kostova manages a complex plot, various characters, and several time periods in the 20th century while not getting bogged down in minutiae. Her scene descriptions, particularly of Budapest and Istanbul, I found amazing. As the perspectives of different characters in different decades are depicted, it feels somewhat like frame stories within frame stories, and is all the more compelling for that. There were lots of “Wow” moments. This is one of those books I wish I’d written, but I’m happy Elizabeth Kostova wrote it.

I picked up Dracula in my desire to read more classics. I was not prepared for what a page-turner it is! The first chapter will send chills up your spine and the pace never slows. I especially love how Stoker employes multiple narrators and narrative devices (letters, journal entries, etc.) to tell the story of the evil and mysterious Count Dracula. Happy to say that the original Dracula story is also the best.

This is a really thorough, fascinating encyclopedia of all things vampire––from folklore to nineteenth-century literature to obscure religious movements to comic books and movies to true crime. Whatever you want to know about vampires, this book will have it or tell you where you can find it. J. Gordon Melton is a total fanatic when it comes to vampire lore and he encouraged me early on when I first began researching the vampire community. Besides vampires, Melton loves to collect obscure information and data on all manner of religious groups. He once described himself to me as “a very greedy scholar” because there are so many topics that he tracks and researches. He can also tell you the best used bookstores in any city in America.  

As a Romanian-born reader who is fascinated by Vlad the Impaler's life and folklore I was drawn to Grigorcea's presentation of the ancestral homeland and Dracula's haunting legacy. Her portrayal of a post-communist society still grappling with its past echoed my own experiences and observations. 

The atmosphere is eerie, dreamlike in places, and the lines between history and fiction are blurred. But Grigorcea's exploration of fate and the enigmatic figure of Dracula adds depth and complexity to the story. Yet it is not a bloodthirsty vampire novel or a modern Dracula à la Bram Stoker - which I appreciated.

It's a novel that delves not only into the historical and supernatural, but also into the enduring power of Romania's cultural heritage. Overall, a captivating and evocative read that held my attention.

A controversial author who I discovered in my twenties; I lapped up his non-fictional work.

This book is an in-depth investigation into the dark side of the human psyche. Wilson explores the psychology and history of criminality and violence, concluding with how that is manifested in what was then his ‘present day’.

Although first published in 1984, nearly forty years on his work is still pertinent. For me that stimulates many questions. Having just pulled it from my bookshelf, I think it is time I read it again.

Wilson covers his subject with focused attention and easy-to-understand detail. He encourages the reader to think about human existence from many perspectives. 

Elizabeth Miller is one of the foremost scholars on Dracula and the literary (and cinematic) vampire. Although my research has focused on folklore about vampires and similar beings, you can’t really discuss the significance of vampires without discussing Dracula.

Elizabeth’s book tells you about Bram Stoker’s sources, his writing process, the geography of Dracula, and Vlad the Impaler, among other things, separating out facts from wrong ideas that have gotten passed around in popular culture. This book was invaluable for the chapter in my book discussing the novel Dracula.

This book has engendered controversy for almost forcefully bridging the gap between the 15th Century Wallachian Prince Vlad III or Vlad the Impaler or Dracula. Stoker had already constructed his character, called “Count Wampyr,” before he learned of his future namesake. However, he quite clearly establishes a connection between the two through an explanation provided by Abraham Van Helsing. The Dracula of the eponymous novel is a heavily fictionalized version of the real-life figure, but so are most similarly positioned characters in literature, film, and television. Florescu and McNally provide a cursory overview of Slavic and Balkan vampire folklore, a biographical sketch of Vlad the Impaler, and illuminate the process by which Stoker adapted this violent, cunning, and sometimes brilliant nationalist and military tactician into a fictional monster.

Vlad the Impaler reimagined as an ugly, vicious girl named Lada? Yes, please. This novel is very loosely based on history. The best part is how unlikeable Lada is. She is violent, she is cruel, and she wants to take down the Ottoman empire all by herself.

This book is all about finding political and societal power and learning how to wield it to your advantage. And even though I didn’t like her, I loved watching Lada go up against forces much more powerful than she and fight tooth and nail against them.

After Bram Stoker and Vlad the Impaler, the real person most closely associated with vampires has to be Bela Lugosi—so why not write a horror novel with him as the villain? This book underscores the important role that unsettling and dramatic occurrences can play in shaking us out of our own accustomed vices, as well as the difficulty we often face when trying to discern the difference between the works of evil and the truly mundane. After all, Bela Lugosi is nothing more than a tired, sad old man still pining for his glory days on the silver screen—isn’t he?

I studied Dracula as a university student, so I love the way this book turns the latent homophobia, misogyny, and racism on its head by putting the “Brides of Dracula” and persecuted East European Traveller community center stage and giving us a tender, sapphic love story.

It’s set in the fifteenth-century Romania of Vlad The Impaler—here called the Dragon—when people believed in lele (forest spirits) and strigoi (undead). For me, the most memorable setting is Boyar Valcar’s castle, where twin sisters Lil and Kizzy are taken as slaves. The black-and-red uniforms, the cliff-edge pool, and the unforgettable incident with the bite wine put even the Dragon’s strigoi court in the shade.