69 books like And I Darken

Mistborn was my first experience with gazillion-selling epic fantasy author Brandon Sanderson.

Kel and Vin are the two main characters, and I bonded with them immediately. IMHO what sets Mistborn apart from any other fantasy I’ve read is the magic system. I don’t want to spoil it, but it has something to do with metallurgy.

The twist is in worldbuilding, creating a world in which magic exists almost as a natural property, seemingly adding new laws of nature that are absolutely unique to the fantasy genre. It was so cleverly written and believable. I loved it.

I’m kicking off with a novel that isn’t a conventional crime story, in that there’s no detective, but there are several heinous crimes, all of which are resolved by the end.

It’s not an exaggeration to say I envy anyone who hasn’t yet read Fingersmith. Unashamedly drawing on the sensation fiction of Wilkie Collins, it has a twist that saw me actually yelping out loud in surprise. But the book is so much more than that.

Starting in London, 1862, we are introduced to Sue Trinder, a young woman entrenched in the criminal underworld. When she agrees to join forces with the sinister Gentleman to hoodwink a young heiress, Sue has no idea exactly what she’s involving herself in.

This book has it all. It’s beautifully written, with phenomenal pace and intrigue, but also with a wonderful love story at its core. If you haven’t read it, what on… show more.

I love that this book is set in an alternative Victorian-era Britain where vampires are citizens rubbing shoulders with humankind. At the heart of the book is the Jack the Ripper mystery with vampire, rather than human, prostitutes.

The crimes are investigated by Charles Beauregard, assisted by one of Newman’s original creations – a 400-year-old female vampire, Geneviève Dieudonné.

Along the way, the pair encounter other monsters – with humans as monstrous as the undead – as well as popular 19th-century literary figures and political events like the growth of communism/socialism.

I loved the main characters and unique mystery but also the fascinating cast Newman spiced and seasoned the story with – figures taken from the literature of Conan Doyle, Bram Stoker, and Alexander Dumas among others.

When I first started reading this book, I thought it would be like every other fantasy novel featuring an orphan who goes to an elite school for magic. How wrong I was! Unlike the other books on this list which are more or less set in our world (but with magic!) The Poppy War is actually a secondary world fantasy.

What warrants its place on the list (besides being very good) is the fact that the plot points mirror the events of World War II, specifically the fighting between Japan and China.

This book is not for the faint of heart—there were some sections I found really tough to get through, especially knowing they were based on real-life events. But by then I was hooked, eager to see war orphan Rin realize not only her magic powers but her leadership capabilities.

This is one of the best examples of the… show more.

If you’ve ever wondered what life was like for the people living in the Americas after the last ice age, then read this book. Through the eyes of Young Hunter, we explore what we now call New England thousands of years before the first Europeans crossed the Atlantic. And through Young Hunter, we learn to use weapons, how to survive in the wild, Native American folktales and names, and we learn why Young Hunter’s people fear beings called the Ancient Ones. All of these worldbuilding layers are revealed as Young Hunter embarks on a dangerous journey tracking the creatures that attacked his people, with each layer drawing you in until you are as fearful of the Ancient Ones as Young Hunter and just as determined to face them.

Y takes place on 20th-century Earth, but with a twist: all men have been exterminated by a mysterious virus except one. You’d think setting the story on Earth in the current time period would be easy, but I think that kind of setting is even harder because we know what that world should feel like and if things deviate, we’ll be quick to notice. And yet, although the premise of Y has not happened on Earth, the worldbuilding makes it plausible that it could. Y dives into the past and jumps into the future, it travels from one end of the U.S. to the other, it tangles international conspiracies with a lovelorn hero and a monkey that won’t stop flinging its poop—and you accept it because the foundation—the worldbuilding—is secure.

The first big draw of this novel is the characterisation.

The protagonists and antagonists are all wonderfully sketched, giving them depth and life, especially Tormalin the Oathless, of a vampire-like race, and Lady Vincenza de Grazon – eccentric old scholar and wine fiend. The book is full of humour and the plot is well drawn with perfect pacing. 

At the heart of the novel is a mystery – where are the Jurelia – the fearsome race that invaded millennia ago, and are they going to return? What will happen when they do?

Finally, Williams has created an intriguing world full of powerful oppressed witches alongside steam trains and the remnants of the previous Jurelia invasion.

I loved a number of things about Pennyblade. For starters, the main character’s (Kyra’s) race, the Commrach, who are like elves, are ruthless libertines and hedonists. 

The Pennyblade world is a fascinating and grim place where same sex relationships are punishable by death and the action, which is visceral and very explicit, just keeps coming.

I really liked that this is a novel about prejudices, it appealed to me as someone from an ethnic minority group who grew up in London in the late 1970s / early 80s and experienced racism.

Fortunately, Pennyblade has plenty of humour which makes the grimdark nature of the book more palatable.

This book opened my eyes to the long and fraught history of humanitarian interventions–that is, military operations conducted in the name of protecting people from harm and suffering.

In recent decades, we have witnessed fierce debates over the legitimacy of these activities (in places like Rwanda, the Balkans, Afghanistan, Iraq, and Syria). Yet, as this book persuasively shows, such concerns are nothing new. Across the nineteenth century, government leaders and citizens debated–and undertook–many so-called “wars for humanity.”

With examples stretching from the Middle East to Africa to the Americas, this book raises provocative and important ethical questions about humanitarianism and human rights, both historically and today.

Reading this book you will come to understand the extent of the suffering brought on by World War I to Ottoman society.

I particularly like Akin’s retelling of the experience of ordinary people who lived through the ordeal. Accounts of the war by soldiers and survivors of the nearly decade-long conflict that engulfed Ottoman lands add texture and shape to the military narrative that began in 1914 and only came to an end with the signing of the Treaty of Lausanne in 1923.