100 books like Dawn Land

Mistborn was my first experience with gazillion-selling epic fantasy author Brandon Sanderson.

Kel and Vin are the two main characters, and I bonded with them immediately. IMHO what sets Mistborn apart from any other fantasy I’ve read is the magic system. I don’t want to spoil it, but it has something to do with metallurgy.

The twist is in worldbuilding, creating a world in which magic exists almost as a natural property, seemingly adding new laws of nature that are absolutely unique to the fantasy genre. It was so cleverly written and believable. I loved it.

I’m kicking off with a novel that isn’t a conventional crime story, in that there’s no detective, but there are several heinous crimes, all of which are resolved by the end.

It’s not an exaggeration to say I envy anyone who hasn’t yet read Fingersmith. Unashamedly drawing on the sensation fiction of Wilkie Collins, it has a twist that saw me actually yelping out loud in surprise. But the book is so much more than that.

Starting in London, 1862, we are introduced to Sue Trinder, a young woman entrenched in the criminal underworld. When she agrees to join forces with the sinister Gentleman to hoodwink a young heiress, Sue has no idea exactly what she’s involving herself in.

This book has it all. It’s beautifully written, with phenomenal pace and intrigue, but also with a wonderful love story at its core. If you haven’t read it, what on… show more.

Lada is the daughter of Vlad Tepes (the inspiration for Stoker’s Dracula), Vovoide of Wallachia who, along with her brother, Radu, are sent as hostages to the Ottoman court of Sultan Murad II.

I loved the protagonist, Lada, who preferred war and combat to being a traditional ‘lady’ of the court.

Through Lada’s eyes, I got to witness her life as a noble in Wallachia and then, as a fish out of water, in the eastern world of the Muslim Ottomans which was opulent and exotic.

And I Darken appealed to me as I could relate to Lada, having to live in a foreign culture. As an Asian growing up in London, I lived in two worlds – my family’s and the UK's.

Y takes place on 20th-century Earth, but with a twist: all men have been exterminated by a mysterious virus except one. You’d think setting the story on Earth in the current time period would be easy, but I think that kind of setting is even harder because we know what that world should feel like and if things deviate, we’ll be quick to notice. And yet, although the premise of Y has not happened on Earth, the worldbuilding makes it plausible that it could. Y dives into the past and jumps into the future, it travels from one end of the U.S. to the other, it tangles international conspiracies with a lovelorn hero and a monkey that won’t stop flinging its poop—and you accept it because the foundation—the worldbuilding—is secure.

This book is a masterclass on how to write fantasy. The worldbuilding is immaculate, the characters are complex with big personalities, and I was laughing out loud (not an exaggeration) from the first page.

Rasia and Nico are Black girls who know what they want. They constantly clash with each other, never giving an inch when they can take a mile, and I want every lover of fantasy to read this book.

This story was interesting in the way that the author had two main characters who were twins with widely different roles. With one taking the role of the chosen one and the other being in a place to save her, this was an intense rollercoaster ride from beginning to end. Not to mention the worldbuilding, traveling through lightning, was a very unique idea that amped up the suspense. 

My editor wrote to me a few years ago (mostly all-caps and !!!s) about a book called The Goblin Emperor, and had I read it, and didn’t she think I’d adore it? She was so convincing that I ordered a copy from my favorite indie bookstore right away and read it in a sitting. I almost cried when I realized Addison had written only one other book at that point—until a friend told me she was also the author Sarah Monette. I spent the next month reading everything in her oeuvre. But none I adored with my whole body being like I did The Goblin Emperor: its deep kindness, its gentleness, its world-building and warmth, its high stakes and heightened language, its arc of grace and growth. 

I discovered the Pearl Saga (a trilogy) via Van Lustbader taking up the reins on Robert Ludlum’s Bourne novels. While I was reading these books, I was waiting to hear from Voyager (Harper Collins) regarding an epic fantasy novel I wrote, which featured in its climactic scenes a girl using crystals to trap a dragon in a cage-like device inside a mountain. There was a delay in the publication of the third book of the Pearl Saga, and when it came out, it featured a girl holding a ‘crystal’ before a dragon, and it was called The Cage of Nine Banestones. My heart sank, but it turned out that the delay was related to the death of Van Lustbader’s father.

The trilogy begun in ‘Ring’ is for some brooding and self-indulgent, but for me it was a triumph of worldbuilding and alien realia, with technology and sorcery vying… show more.

A shifter and a human come together to rescue the human’s kidnapped daughter.

The human was married to the woman who had been promised to the shifter which makes for lots of conflict between them. This is the first book in the series.

I love the worldbuilding and the questionable morality of the shifters.

Part queer love story, part sci-fi mystery, wholly delightful; this is my comfort read when the world begins to look too bleak and hopeless. This is another story with beautiful worldbuilding, and fascinating details, but the real beauty of it is the characters—complex, flawed, hurting, but loving each other through it.

The story is gentle, with enough intrigue to hold your interest but never mile-a-minute action, and one of the sweetest love-stories I’ve ever read, but the book never veers into the saccharine—as much as it is a love story, it’s also a story about the messiness of being human—impulsive, thoughtless sometimes, hurting and hurt, but trying ultimately to do the right thing, no matter the cost.